Underbelly resurfaces: The Underbelly Show

November 8th, 2011 | By | 4 Comments »

Surge, Gaia, Stormie, Remi/Rough and in The Underbelly Project

UPDATE – LOCATION CHANGE: The Underbelly Show has moved to 78 NW 25th Street in Wynwood, Miami to accommodate the large scale of the artwork in this show.

The Underbelly Project is back. Last year, I posted a lot about the project where 103 artists from around the world secretly painted an abandoned/half-completed New York City subway station. After that initial burst of press here and around the web, The Underbelly Project organizers stayed silent. With only occasional vague tweets from a mysterious twitter account and the appearance on Amazon of an upcoming book about the project. Yesterday though, The Underbelly Project announced that they will be participating in this year’s Basel Miami Week madness with a pop-up gallery in South Beach Wynwood.

The organizers of The Underbelly Project and The Underbelly Show, Workhorse and PAC, have this to say about the show:

Workhorse: The New York Underbelly was an important chapter for us, but the story hadn’t been comprehensively told. The Underbelly Miami show gives us a chance to present the broad scope of documentation – Videos, photos, time-lapses and first hand accounts. The project is about more than just artwork. This show gives us a chance to show the people and the environment behind the artwork.

PAC: While the experience each artist had in their expedition underground can never be captured, it is my hope that this show will highlight some of the trials and tribulations associated with urban art taking place in the remote corners of our cities. Too often the practice of making art in unconventional venues remains shrouded in mystery and I hope this exhibition will shine a faint light on those artists who risk their safety to find alternative ways to create and be a part of the cities they live in.

35 of the 103 artists from The Underbelly Project will be exhibiting art in The Underbelly Show, plus video and still footage of the artists at work in the tunnel. Here’s the full line-up: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.

For this show, the space will be transformed into an environment imitating the tunnel where The Underbelly Project took place, right down to playing sounds recorded in the station while The Underbelly Project was happening.

If you absolutely cannot wait until February to get We Own The Night, the book documenting The Underbelly Project, a limited number will be available at The Underbelly Show in a box set with 9 photographic prints and the book all contained in a handcrafted oak box. Additionally, you will be able to your book signed by the artists participating in The Underbelly Show.

The Underbelly Show will take place at 2200 Collins Avenue, South Beach, Miami 78 NW 25th Street, Wynwood, Miami. There will be a private opening on November 30th, and the space will be open to the general public December 2nd-5th, with a general opening on the 2nd from 8-10pm.

Photo by RJ Rushmore


Category: Featured Posts, Gallery/Museum Shows | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
  • Guest

    suddenly this project which fostered so much curiosity and intrigue got a little less cool, but at least the art is still dope.

  • http://blog.vandalog.com/ RJ Rushmore

    Haha you made me laugh out loud in the middle of a class with that. Pretty accurate comment I think.

  • Graffiticomix

     im just curious as to why the comment is accurate?

  • http://blog.vandalog.com/ RJ Rushmore

    Because, although I am glad there is a book and I hope one day there’s a film and it looked like the show turned out really well, part of the appeal of the Underbelly Project definitely came from how it was initially perceived as quite noncommercial in a very commercial subculture. While it is completely logical for the Underbelly Project to find ways to finance past and future projects and I support that (hence, why we’re selling a special edition of their book in The Vandalog Shop) and projects like the book help to further spread knowledge about the project, on a purely emotional and illogical level the project loses a bit of the initial punch by having a commercial side.

    As you can tell, it’s something I’m conflicted about. I support the project, but doing so seems to change how I view the project.