Skullphone has a solo show opening later this month at Pedro Matos’ gallery Ivory & Black. London, XX12 will, I believe, be Skullphone’s first solo show in the UK. It opens on July 20th (6-9pm) and will run through August 24th. Whether you’re in town for the Olympics, or you want to run away from the Olympic madness for a few moments, Ivory & Black should be high on your list of galleries to run to.
Here are a few of Skullphone’s Digital Media Paintings similar to what can be expected at London, XX12…
And here’s an in-progress shot of a sculpture that will be in the show…
Photos by Ian Campbell and courtesy of Ivory & Black
Rizzoli recently published the official book documenting The Underbelly Project, We Own the Night: The Art of The Underbelly Project. If you haven’t heard of The Underbelly Project, check out my firsthand account. Basically, over 100 artists were taken down to an abandoned subway station beneath New York City to put up artwork and explore hidden depths of the city. Artists involved in the project include Revok, Roa, Anthony Lister, Faile, Ron English, Dan Witz, Gaia, Know Hope, Haze and many others.
In December, a collector’s edition of the book was sold at The Underbelly Project’s show in Miami. Until now, that show was the only place to pick up a copy of this special edition of We Own the Night. The collector’s edition version includes a hardcover copy of the book, nine photographic prints from the project, and comes in a handcrafted and laser-engraved oak box. This package is an edition of 100, plus 10 APs, and a handful were held back in Miami to be sold later. Now, the remaining collector’s editions are available online for the first time exclusively at The Vandalog Shop.
The Underbelly Project is one of the most fascinating projects to ever happen in the street art or graffiti worlds. While there are photos all over the web showing what the project looked liked, reading We Own the Night is just about the only way to get a sense of what it was actually like to participate in The Underbelly Project. I saw The Underbelly Project in the flesh, but hearing other people’s stories shed new light on it even for me. I’m extremely pleased that The Vandalog Shop will be selling the collector’s edition of We Own the Night, giving people who couldn’t make it to Basel Miami a chance to pick up a copy. My copy of We Own the Night was the best thing I’ve received under a Christmas tree in years, and I hope other people will enjoy the book and the photographs as much as I do.
Here are a just a couple of the photographs included in the set:
Other images include work by Roa, Anthony Lister, Skullphone, Kid Zoom, Revok, Ceaze and Jeff Soto.
Only a few of these collector’s editions are remain, and The Vandalog Shop is the only place you’ll find them online. They are available for $250.
Okay this is a little bit outside of Vandalog’s usual coverage, but the fantastic street photographer and filmmaker Cheryl Dunn has a show opening in London this month at a brand new gallery run by Pedro Matos called Ivory & Black. Dunn’s work was included in the Art in the Streets show at MOCA in LA last year and also in the classic documentary Beautiful Losers. Dunn’s show, Sometimes the Answer, will open on March 23rd from 6-9pm and run through April 21st. Work for the show will span Dunn’s 30-year catalog of images and there will be a book published to accompany the show.
Ivory & Black promises to be an important addition to London’s art scene. They are working with Andrew Schoultz, Cleon Peterson, Cheryl Dunn, Deanna Templeton, Ed Templeton, Geoff McFetridge, James Jean, Pedro Matos, Richard Colman, Ryan Travis Christian, Skullphone and Wes Lang.
UPDATE – LOCATION CHANGE: The Underbelly Show has moved to 78 NW 25th Street in Wynwood, Miami to accommodate the large scale of the artwork in this show.
The Underbelly Project is back. Last year, I posteda lotabout the project where 103 artists from around the world secretly painted an abandoned/half-completed New York City subway station. After that initial burst of press here and around the web, The Underbelly Project organizers stayed silent. With only occasional vague tweets from a mysterious twitter account and the appearance on Amazon of an upcoming book about the project. Yesterday though, The Underbelly Project announced that they will be participating in this year’s Basel Miami Week madness with a pop-up gallery in South BeachWynwood.
The organizers of The Underbelly Project and The Underbelly Show, Workhorse and PAC, have this to say about the show:
Workhorse: The New York Underbelly was an important chapter for us, but the story hadn’t been comprehensively told. The Underbelly Miami show gives us a chance to present the broad scope of documentation – Videos, photos, time-lapses and first hand accounts. The project is about more than just artwork. This show gives us a chance to show the people and the environment behind the artwork.
PAC: While the experience each artist had in their expedition underground can never be captured, it is my hope that this show will highlight some of the trials and tribulations associated with urban art taking place in the remote corners of our cities. Too often the practice of making art in unconventional venues remains shrouded in mystery and I hope this exhibition will shine a faint light on those artists who risk their safety to find alternative ways to create and be a part of the cities they live in.
35 of the 103 artists from The Underbelly Project will be exhibiting art in The Underbelly Show, plus video and still footage of the artists at work in the tunnel. Here’s the full line-up: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.
For this show, the space will be transformed into an environment imitating the tunnel where The Underbelly Project took place, right down to playing sounds recorded in the station while The Underbelly Project was happening.
If you absolutely cannot wait until February to get We Own The Night, the book documenting The Underbelly Project, a limited number will be available at The Underbelly Show in a box set with 9 photographic prints and the book all contained in a handcrafted oak box. Additionally, you will be able to your book signed by the artists participating in The Underbelly Show.
The Underbelly Show will take place at 2200 Collins Avenue, South Beach, Miami78 NW 25th Street, Wynwood, Miami. There will be a private opening on November 30th, and the space will be open to the general public December 2nd-5th, with a general opening on the 2nd from 8-10pm.
Keith Schweitzer and Joyce Manalo organized getting these shipping containers painted for MaNY and Fourth Arts Block. Forth Arts Block got permission for the site, the like-up was solidified over a weekend and painting began almost immediately. It’s amazing how easily things come together sometimes. They brought in Infinity, Royce Bannon, El Celso and Quel Beast from New York, plus Reka from Australia while he was in New York for a bit. Since Skullphone already had a poster on the container, Infinity kept it and blended it into his own piece a bit (with Skullphone’s okay). Here’s a video of the process (Quel Beast’s piece was later changed after this video was filmed):
Lenny Collado, who has been documenting graffiti — and more recently street art — with me this past year, made it over to Mallick Williams this evening for the opening of Scripture, featuring new works by Skullphone and Curtis Kulig. Especially impressive is Skullphone’s use of digital media and its haunting effect:
And Curtis Kulig’s iconic “love me” seems to work in any media on any surface anywhere — both inside and outside the gallery:
Since visiting its wonderful HUELESS exhibit back in the spring, Mallick Williams & Co. has become one of my favorite Chelsea galleries. I’m looking forward to its upcoming exhibit SCRIPTURE featuring new works by Skullphone and Curtis Kulig, two artists who continue to maintain a strong presence in the streets of NYC. It opens next Thursday, October 6, from 6-9 @ 150 11th Avenue.
New York is (slowly) recovering from what one could call its monochromatic season. So as much as I’m ready for all the black and white and grey to be over with, I still ended up catching Mallick Williams‘ grayscale show Hueless a couple days agobefore it closes on April 13th. Turns out, in some cases, lack of color isn’t so bad.
Opening just over a month ago, Hueless is a “monochromatic exhibition” with some paradoxical diversity. It’s got black and white and grey, but also silver, cream, brown-black and pretty much every non-pigmented hue in between. With work from Shephard Fairey, Faust, Katsu, Skullphone, and others, the work under color-constraints was (thankfully) more unified than most group shows, and showed off medium/form (there was sculpture, a neon sign, screenprint, paper cut and painting) and content in color’s absence.
There was a requisite Andre the Giant (not for sale, just for show), but the other two pieces from Fairey were among my favorites.
Also enjoyed Skullphone’s “Here’s Your Nightmare.” It’s enamel on aluminum, but in person looked sort of like a micro, non-electronic version of his billboards.
Hueless runs through April 13th, and the gallery opens the color-themed group show Spectrum on April 21st, with pieces from Word to Mother, Erik Otto, and others.
El Celso isn’t the only artist who is experimenting with Peru’s unique Chica style of posters, a style pioneered by the Urcuhuaranga family in Lima, Peru. In Miami, Primary Projects have a group show opening this Saturday in homage to Chica posters. For Para Mi Gente, more than 50 artists have contributed designs to a Chica-style collaboration. Shepard Fairey, El Celso, Tristan Eaton, Skullphone, Posterboy, El Tono and others have sent designs to the Primary Projects crew who will combine all these designs by hand painting them throughout the gallery. The artists have little control over how their designs will look on the walls, where they will appear, or next to what. This sounds like a pretty unique and risky show. It should look cool, and it will definitely mess with the standard notions of what gallery art should be and look like.
Here’s the flyer with all the critical info you may need:
The latest show at the relatively new gallery Mallick Williams & Co is Hueless, a group show of 21 artists, but all the artwork is in black, white and shades of gray. The show opens this Friday, March 4th. I chanced across the last show at Mallick Williams & Co when I was last in NYC and really enjoyed it. With Hueless, the line up looks strong once again, with highlights including Shepard Fairey, Skullphone, Faust and Katsu (yes, the writers Faust and Katsu!). Here’s the flyer: