“Bob-omb,” an all-GIF augmented reality exhibition in NO AD

February 20th, 2015 | By | 1 Comment »
A screenshot from Bob-omb, featuring stills of art by James Kerr (Scorpion Dagger) and Dave Whyte.

A screenshot from Bob-omb, featuring stills of art by James Kerr (Scorpion Dagger) and Dave Whyte.

Wow. That headline is full of some jargon and gibberish… Sorry. Let me explain…

Today marks the launch of the latest exhibition in NO AD, a new evolution for the smartphone app that simulates a world in which New York City’s subway station advertisements are replaced with public art. NO AD, which I’ve written about before, uses augmented reality to digitally replace the ads on your phone’s screen. Here’s how it works.

NO AD has become a really interesting exhibition space, somewhere between a digital exhibition and a guerrilla street art exhibition. The very platform is an artwork, so NO AD’s art exhibitions exist within another work of art, and the platform gets you thinking as much as the art it displays.

I’m honored that the NO AD creators (between PublicAdCampaign, The Heavy Projects, and The Subway Art Blog under the umbrella of Re+Public) asked me to curate the first exhibition NO AD made up entirely of animated GIF art. That exhibition, titled Bob-omb, launched today and includes artwork from by The Barkers, Caitlin Burns, Dave Whyte, Hrag Vartanian, James Kerr – Scorpion Dagger, Jeremyville, Maori Sakai, Molly Soda, Paolo Čerić aka Patakk, Ryan Seslow, The Current Sea, YoMeryl, and Zack Dougherty.

In the past, the vast majority of content in NO AD has been static images, but Bob-omb takes full advantage of the platform by focusing exclusively on animated pieces, transforming static advertisements into dynamic artworks.

Bob-omb is an effort to weaponize GIF art as a tool for reimaging public space while simultaneously highlighting the variety and depth possible with the medium. The artists range from filmmakers to illustrators to journalists, and their work varies from hyper-short documentary videos to abstract digital illustration.

To view Bob-omb, simply download NO AD for your iPhone or Android device (or update it if you’ve already got the app on your phone), find a New York City subway station, open the app, and start pointing your phone at the ads. Or download/update the app and try the test image below.

I want to give a big thank you to all of the artists in Bob-omb and the team behind NO AD for this opportunity.

test image

Test image: Download NO AD and use this image to see how it works.

Images courtesy of NO AD


Category: Featured Posts, Gallery/Museum Shows, Vandalog Projects | Tags: , , , , , , , , , , , , , , , ,

Replacing ads with your own messages just got a lot easier

January 31st, 2015 | By | No Comments »
An ad for PublicAccess, I suppose

An ad for PublicAccess, I suppose

Ever wanted to place your own messages into bus shelter advertising kiosks? Well, now it’s easier than ever with PublicAccess from PublicAdCampaign, a new service that will provide you with just the proper art object for opening up ad kiosks in your city.

Since November 2013, Jordan Seiler and a handful of other artists and street art photographers have been using the somewhat curious hashtag #yeahwegotkeysforthat on Instagram. While it was never quite a secret what was going on, perhaps PublicAdCampaign’s most ambitious project to date remained in semi-stealth mode until today. The results of the project were never secret, but it was never fully explained either.

If you were paying close attention, you would discover that Seiler was manufacturing and distributing sculptures to artists around the world. These sculptures double as “keys,” to bus shelter advertising kiosks around the world. Slowly, Seiler has been buliding up an inventory of various key designs (the locks are standarized across a given public transit system, but can vary from city to city) and mapping out where each design works. New York? Yeah, he’s got keys for that. London? Yeah, he’s got keys for that. San Fransisco? Yeah, he’s got keys for that. Hence the hashtag.

Some of the PublicAccess keys

Some of the PublicAccess keys

Until today, Seiler was just distributing the keys to friends and word of mouth connections, but now he’s opening up the project to the general public. At PublicAccess, you’ll find a map telling you which keys work in which cities, as well as links to download each design for free as a 3D printable file or buy a premade key for $35. Now, everyone’s got keys for that.

The open source project is still in the process of expanding, with keys for more cities coming soon. In the mean time, even with just a few key designs, PublicAccess has greatly expanded the general public’s access to bus shelter advertisements.

Of course, the site carries the disclaimer, “THE TOOLS OFFERED THRU THIS SITE ARE HANDMADE ART OBJECTS AND NOT INTENDED FOR USE…” so keep that in mind while you’re using your key.

Photos by Jordan Seiler


Category: Art News, Products | Tags: , ,

Link-o-rama

October 19th, 2014 | By | 1 Comment »
Gane and Texas in Philadelphia

Gane and Texas in Philadelphia

Sorry if some of these links are a bit dated, but hopefully they’re still interesting:

  • Don Leicht, the original Space Invader, has a exhibition of his work on now at Mary Colby Studio & Gallery on City Island in the Bronx. Leicht has been making space invader characters for the street and for galleries since 1982, often in collaboration with John Fekner. Both Leicht and Fekner have never really embraced the spotlight in the way that others from their generation have (particularly in recent years), and so Leicht’s place in early New York street art often goes unacknowledged. Whereas Space Invader’s characters are generally lighthearted and fun and more about interesting placement than interesting content, Leicht’s content is political. His invaders, painted in camo, serve as a reminder/warning that war is real and of the relationship between videos games and the military.
  • The app NO AD, which I was pretty excited about when it launched and even more excited about once I got to try it out myself, recently announced their next exhibition on the app. NO AD is working with the International Center of Photography to display images from their current exhibition, Sebastião Salgado: Genesis. I love that the ICP is into this idea. NO AD is a fantastic exhibition platform, but it’s also a bit of an odd one, so it’s very cool to see the ICP embracing both augmented reality technology and an anti-public-advertising platform. Click here for more info on the exhibition.
  • Speaking of public advertising, this crazy thing happened in Hong Kong.
  • And over on Hyperallergic, Julia Friedman addresses the major discrepancy in how  New York City enforces laws relating to public advertising. Essentially, the current enforcement strategy seems to punish artists and activists while leaving corporate interests to do whatever they please.
  • I really enjoyed this article on the painfulness of advertisers appropriating street art and graffiti for their own ends, to the point that Perrier actually replaced a mural of Nelson Mandela with an advertisement featuring the hashtag “#streetartbyperrier”.
  • Speaking of water companies, street art and hashtags…  The folks being the for-profit bottled water company WAT-AAH (aka Let Water be Water LLC, or as I like to call them “Evian for Kids”) sent The L.I.S.A. Project NYC a cease and desist letter for using a hashtag that they claimed to own the trademark for (they don’t). Animal has more on that ridiculous story.
  • Jorge Rodríguez-Gerada created a massive piece on the National Mall. Impressive piece. Impressive location. Good stuff.
  • Conor Harrington had a great show in NYC, at a pop up space with Lazarides Gallery from the UK. I went up for the opening, and despite the space being lit like a haunted house and seemingly pumped full of mist from a fog machine, the work looked even better than I had anticipated. Plenty of artists can paint traditionally beautiful paintings, and plenty of artists can use drips and tags and half finished elements and things like that to make their paintings look “street” or to make it look like they are saying “screw you traditional notions of beauty and fine art painting!” Few artists can do what Conor does, which is to utilize all of those styles and techniques, from beautifully staged scenes painted with perfection to all the different ways to make a painting look rough and cool, but utilize those things in the right balance and with respect. To Conor, it looks like a drip is no different than the a detailed brush stroke. The “disruptive” elements look like they belong. He isn’t trying to destroy painting. He’s trying to bring it to new heights, and he’s much better at it than most.
  • It was a surprise to see that Jonathan Jones at The Guardian actually liked a recent Banksy piece, but then again it was a good piece with an even better story in the end.
  • This article on the utter failure of a major “street art biennial” in Moscow is an absolute must-read.
  • This fall I’ve seen (online) two interesting pieces of endurance art, both of them by female artists in New York City who took to endurance art to address what they see as crises.
    • gilf and Natalie Renee Fasano walked 15 miles barefoot around the city. 60 million or more people worldwide live every day without shoes. Interestingly, Gilf’s project was not so much an awareness campaign as an opportunity for self-reflection that she documented and publicized. None of her Instagram posts on the performance provide information about what can be done about this problem, and the video documenting the work provides no context except the text “A day in the Shoes of the Shoeless with gilf!” On some level, I find that frustrating. But of course the work wasn’t about raising national awareness for this issue. gilf’s own description of the project makes that clear. It was more a project for herself. And that’s great and useful too, but on some level I can’t get over the missed opportunity here to make the project more than personal suffering/meditation and self-promotion. Why not simply say, “And if this project is bringing the issue of people without shoes to your attention and you want to help, here’s something you can do.”? Yes, it’s a personal project for self-reflection, but it’s also an artwork that was promoted all over the web. So, I’ll close by saying that if you do want to help provide shoes for people in need, Soles4Souls seems to be the place to go (thanks to Animal for that tip).
    • Emma Sulkowicz has to be one of the bravest, most impressive people I’ve read about in a long time, and I almost hesitate to call what she’s doing an art piece, lest it devalue her actions in an age when so much art is devoid of the kind soul this particular performance/way of living requires. For nearly two months, Sulkowicz has been carrying her dorm room mattress with her to every class, every lunch break, every party, and everywhere else she goes, constantly, and she says she will continue to carry her mattress with her “for as long as I attend the same school as my rapist.” More about this piece, and the reaction she’s received from her fellow students at Columbia University, at Hyperallergic.

Photo by RJ Rushmore


Category: Art News, Festivals, Gallery/Museum Shows, Photos, Random, Videos | Tags: , , , , , , , , , , , , , , , , ,

This app turns the NYC subway system into an art gallery

September 10th, 2014 | By | No Comments »
and_promo_1920-1

NO AD beta-testers and friends of Vandalog, Luna Park and laserburners

I should be working on something else right now. I should be doing writing that I really need to finish ASAP, writing that could bring me some considerable upside both in money and reputation. But then Jordan Seiler and the heavy projects (as Re+Public) and Subway Art Blog went and released their awesome and eagerly anticipated new app: NO AD. So I’ve become momentarily distracted, and you should be too. Go download NO AD right now (for Android or iPhone), especially if you live in New York City.

NO AD is an augmented reality application that gives you a glimpse of the New York City subway system without advertisements, a world where billboards are for art instead of ads. NO AD replaces the top 100 ads in the subway system at any given moment with art. How? By using the ads like QR codes. Simply download the app to your phone, open it while you’re on a New York City subway platform, and point your camera at an advertisement. On your phone’s screen, you’ll see the ad almost magically replaced by artwork. Download the app now, and give it a try with this image:

photo-1

See how amazing that is?

And here’s a short video about the app:

This idea isn’t entirely new. NO AD may remind some readers of Steve Lambert’s Add-Art or Julian Oliver’s The Artvertiser. But Add-Art hasn’t been functional for some time and The Artvertiser never really made it beyond a fun experiment and no longer appears to be in development, so it’s great to see other artists take up the mantle of digitally and legally replacing ads with art.

One question that I’m sure will come up: How does NO AD know what subway ads look like? The app developers essentially have to feed the app information about what ads are up in subway stations at any given time, which means that they have to go out and photograph every different subway ad they can find and rotate ads in and out of the app. As new ads rotate in, so will new artwork.

On some level, NO AD is an ad takeover tool. It takes space that is currently filled with ads and replaces those very specific ads with art. They could have just as easily used other objects around NYC as “triggers” for the art, but they decided to go with ads. Plus, for the initial launch, they’ve partnered with about 50 artists, many of whom have been outspoken critics of public advertising.

Today, NO AD is a kind of “what if,” a thought experiment to get people thinking about what it would be like to replace the ads with art, because of course you still need to take out your phone, open the app, and look at specific ads to see the artwork. So, essentially, it could be said that the app is a gimmick to get people thinking about replacing ads with art, rather than a tool to actually achieve that.

But NO AD may not be just a thought experiment in a few years. Fast forward to when everyone and their mother is wearing some version of Google Glass all day long. There will still be ads on the subway, but with NO AD running in the background on your Google Glass, you won’t see the ads. You’ll just see art exhibitions.

And that’s the other half of NO AD, the part that is more than just a thought experiment or a very long-term thinking anti-advertising strategy: It’s potential as an exhibition space. The first set of artists whose work is being exhibited through NO AD (including Vandalog’s Caroline Caldwell) are a motley crew of experimenters and friends of the organizers, which isn’t such a bad thing since these guys have some very talented friends, but imagine given a single artist a chance to take over all of the ads on the subway, or bringing in a professional curator to use NO AD and the subway system as an exhibition space in a more organized way. NO AD is an exhibition space that exists somewhere between the physical and the digital, always bringing with it an energy of political activism and chance.

NO AD is a glimpse into the future, a new exhibition space, and a platform for activism. I’m excited.


Category: Art News, Featured Posts | Tags: , , , , , ,

PUBLIC by FORM Gallery – Perth – Western Australia

August 10th, 2014 | By | No Comments »
ROA - Photo by ROA

ROA. Photo by ROA.

I’m back after a brief blogging hiatus. I’ve been meaning to post my review for this great event that happened back in April over in Western Australia for a while now…

Leaving a cold wet 17 degrees in Melbourne, I was pretty damn excited to fly to Perth on the 10th of April, right in time for the grand finale of PUBLIC by Form Gallery in Perth, Western Australia, which I posted a preview of a while ago.

I arrived to a perfect sunny 30 degrees and soon as I hit the ground, I had a good feeling about Perth, I hadn’t been before, but something felt right. I went straight to the hotel and dropped off my bags, and went for an explore. Within a few hundred metres of my hotel, I could see the amazing Phlegm and ROA murals in progress. I made a beeline straight for them. Upon entering the car park I also saw the work of many other great artists. The works were spread throughout the CBD and inner city suburbs. Here’s a selection of some of my favourite pieces from the event.

ROA - Photo by Bewley Shaylor

ROA. Photo by Bewley Shaylor.

Pixel Pancho - Photo by Dean Sunshine

Pixel Pancho. Photo by Dean Sunshine.

Pixel Pancho - Photo by Pixel Pancho

Pixel Pancho. Photo by Pixel Pancho.

Pixel Pancho - Photo by Pixel Pancho

Pixel Pancho. Photo by Pixel Pancho.

Phibs - Photo by Luke Shirlaw

Phibs. Photo by Luke Shirlaw.

Hyuro - Photo by Luke Shirlaw 2

Hyuro. Photo by Luke Shirlaw.

Hyuro - Photo by Luke Shirlaw

Hyuro. Photo by Luke Shirlaw.

Phlegm - Photo by David Dare Parker

Phlegm. Photo by David Dare Parker.

Alexis Diaz - Photo by Alexis Diaz

Alexis Diaz. Photo by Alexis Diaz.

Alexis Diaz (detail) - Photo by Alexis Diaz

Alexis Diaz (detail). Photo by Alexis Diaz.

Amok Island - Photo by Amok Island

Amok Island. Photo by Amok Island.

Ever - Photo by Ever

Ever. Photo by Ever.

GAIA - Photo by Dean Sunshine

GAIA. Photo by Dean Sunshine.

GAIA and Ever - Photo by Brendan Hutchens

GAIA and Ever. Photo by Brendan Hutchens.

Lucas Grogan - Photo by Dean Sunshine

Lucas Grogan. Photo by Dean Sunshine.

Lucas Grogan - Photo by Jean-Pierre Horre

Lucas Grogan. Photo by Jean-Pierre Horre.

2501 - Photo by Luke Shirlaw

2501. Photo by Luke Shirlaw.

Maya Hayuk - Photo by Jean-Pierre Horre

Maya Hayuk. Photo by Jean-Pierre Horre.

2501 vs Maya Hayuk - Photo by 2501

2501 vs Maya Hayuk. Photo by 2501.

Beastman and Vans the Omega - Photo by Dean Sunshine

Beastman and Vans the Omega. Photo by Dean Sunshine.

HEAVY Projects - Photo by Dean Sunshine

HEAVY Projects. Photo by Dean Sunshine.

HEAVY Projects - Photo by Dean Sunshine

HEAVY Project. Photo by Dean Sunshine.

HEAVY Projects - Photo by Dean Sunshine

HEAVY Projects. Photo by Dean Sunshine.

HEAVY Projects - Photo by HEAVY Projects

HEAVY Projects. Photo by HEAVY Projects.

While the event spanned over ~30 days, the main event was the painting of Perth’s 1st ever giant murals over the last 3/4 days of the event. In total there were around 30 murals painted for the event, spanning across the City of Perth. I was very impressed by the organization of the event by the FORM Gallery crew. With a logistical nightmare trying to coordinate over 45 artists, paint and equipment, all in 35 degree heat, the FORM Crew did an amazing job, Well done guys!!! A very friendly and hospitable crew. Thanks very much for taking such great care of us while we visited.

There was a great selection of artists from ac cross the globe representing all different styles and genres. Unfortunately there was no graffiti, but I suppose street art was a big stretch for conservative Perth, so graffiti may have been avoided for this reason. For a city not really known for street art, the public reaction was encouraging. People of all ages and walks of life filled the city over the weekend. I love walking around randomly and listening to some of the conversations and questions people ask each other. In particular I was really impressed by the public’s reactions to the HEAVY PROJECTS installations (interactive works of art that use Augmented Reality on smart phones and tablets). Here’s a short video the guys out together to document the event (plus some footage from a previous project).

Re+Public: Austin + Perth from The Heavy Projects on Vimeo.

On the Friday night there was also a great show at FORM Gallery – PUBLIC SALON showing off canvases from the contributing artists, some great work on display, check out some shots here.

And finally. This great video by Chad Peacock is a really accurate representation of the event and well put together. Damn it takes me back!!!


The FORM guys also took a number of artists to visit the Pilbara, a very special part of top end of Australia with breathtaking views and incredible nature (also sadly known for mining – the 2 don’t really go hand in hand). A few of the artists had a paint while there, I particularly like the piece by Remed.

Remed - Photo by Ben Fulton-Gillon

Remed. Photo by Ben Fulton-Gillon.

2501 and Remed - Photo by 2501

2501 and Remed. Photo by 2501.

2501 and ROA - Photo by 2501

2501 and ROA. Photo by 2501.

2501 and Alexis Diaz - Photo by 2501

2501 and Alexis Diaz. Photo by 2501.

After all of the above, any street art fan in Perth would have to be pretty happy, but it didn’t stop there. FORM has continued putting up murals in Perth, with Creepy (aka Kyle Hughes-Odgers) painting at Perth Airport (a sponsor of PUBLIC) and also Vans the Omega and Beastman’s new piece that went up last week.

Kyle Hughes-Odgers - Photo by  Kyle Hughes-Odgers

Kyle Hughes-Odgers. Photo by Kyle Hughes-Odgers.

Kyle Hughes-Odgers - Photo by Kyle Hughes-Odgers

Kyle Hughes-Odgers. Photo by Kyle Hughes-Odgers.

Vans the Omega & Beastman - Photo by Jarrad Seng

Vans the Omega & Beastman. Photo by Jarrad Seng.

Vans the Omega & Beastman (detail) - Photo by Jarrad Seng

Vans the Omega & Beastman (detail). Photo by Jarrad Seng.

What I loved most about the event wasn’t just the art, and was not unique to PUBLIC; is the sense of community I felt. This is something I really love about the street art scene. I got to catch up with some great old friends, and made some new ones who I will undoubtedly randomly catch up with again somewhere around the globe.

Fingers crossed that this event is on again next year. I will be there with bells on!

If you are in Perth, check out the full list of artists and the mural map. FORM has also put together this short book called PUBLICation available for Purchase at the Gallery and viewable online for free here. FORM have also started “PUBLIC Urban Art Walks” to give fans a guided tour of the city, well worth checking out.

Ok, so that’s enough, right? Actually no, there’s more. And it’s massive. Due to some logistical ;) issues SANER was unable to make it over for the original dates. I was gutted to hear this when I found out, but when I found out FORM are still bringing him over in August to paint in Perth and also the Pilbara, I was pretty damn excited! I’ll make sure to cover this later in the month.

Photos courtesy of: ROA, Dean Sunshine, Bewley Shaylor, FORM, Pixel Pancho, Luke Shirlaw, David Dare Parker, Alexis Diaz, Amok Island, 2501, Ever, Brendan Hutchens, Jean-Pierre Horre, HEAVY Projects, Ben Fulton-Gillon, Kyle Hughes-Odgers, Jarrad Seng.


Category: Festivals, Videos | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Brandalism returns to the UK

June 4th, 2014 | By | No Comments »

About two years ago, a group got together to take over about 50 billboards throughout the UK in the course of a few days. It was the Brandalism project. And they are back. Last month, Brandalism brought together the work of 40 artists, including a few very big names, to replace 365 bus-shelter ads in 10 UK cities. The results are beautiful and impressive. Here are a few of my favorites (okay, it’s a lot, because there’s a lot of great work in this project):

Escif in London

Escif in London

Read the rest of this article »


Category: Photos, Videos | Tags: , , , , , , , , , , , ,

PUBLIC – Art in the City – FORM – Western Australia

April 10th, 2014 | By | No Comments »

A little while ago I heard whispers of something big happening in Perth, Western Australia. I usually only cover Melbourne based art and events, but this is an exception and needs to be shared. I’m heading over to Perth tomorrow so I will be covering the remainder of the event for Vandalog.

PUBLIC started on the 5th of April and continues through to the 13th and will feature street art, projections and installations across the city. 45 amazing artists will paint over 30 giant murals and walls over the fortnight.

The line up is mind blowing and an Australian first, with names like 2501, Phlegm, Yandell Walton, Hayley Welsh, Jordan Seiler, Jerome Davenport, Amok Island, Ian Mutch, Casey Ayres, Chris Nixon, Darren Hutchens, Martin E Wills, Paul Deej, Daek William, Stormie Mills, Hurben, ROA, Ever, Kyle Hughes-Odgers, Peche, Natasha Muhl, Phibs, Beastman, Lucas Grogan, Andrew Frazer, Hyuro, Mekel, Mow Skwoz, Drew Straker, Jaz, Abdul-Rahman Abdullah, Maya Hayuk, Reko Rennie, Pixel Pancho, Jetsonorama, Gaia, Alexis Diaz, Nathan Beard, Remed, Vans the Omega, The Yok and Sheryo and more.

Here’s a couple of work in progress shots I stole from Sam Gorecki via Invurt. More here.

Pixel Pancho - Photo by Sam Gorecki

Pixel Pancho

Phlegm - Photo by Sam Gorecki

Phlegm

ROA - Photo by Sam Gorecki

ROA

Phibs - Photo by Sam Gorecki

Phibs

The Yok and Sheryo - Photo by Sam Gorecki

The Yok and Sheryo

Maya Hayuk - Photo by Sam Gorecki

Maya Hayuk

Lucas Grogan - Photo by Sam Gorecki

Lucas Grogan

More to come once I get to Perth.

Photos by Sam Gorecki


Category: Festivals | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The future is here with Re+Public 1.0

November 29th, 2013 | By | No Comments »

How_To_STL_Front

Re+Public, a new app from The Heavy Projects and Jordan Seiler’s PublicAdCampaign, offers a glimpse of a future where the everyday is augmented by digital readouts and signage, and Re+Public makes sure that art has a place in that future. Basically, Re+Public is an app for iPhone and Android platforms that reads certain walls like QR codes, but instead of sending you to a URL, scanning a mural pops an image onto the screen of your phone, overlaid on top of the mural. We teased this technology back in January when it was in beta, but here’s a reminder of what it looks like when the app is doing its thing:

And now Re+Public is available for free public download on Google Play or in The App Store. There are new walls that activate it too. The mural by MOMO at the top of this post is one, and if you download the app, you can test it out on that image.

This is some pretty amazing stuff. I’ve been listening to Jordan Seiler talk about the possibilities of Re+Public for a while, and eagerly awaiting its release. Yes, Re+Public 1.0 is definitely an early version of the software since you have to tell it to look for a specific mural before you hold it up to a wall and there are only a handful of sites that will activate any augmented reality content, but Re+Public is a fantastic proof of concept. Some day augmented reality will be the norm. Like in sci-fi movies, we’ll walk around with little implants in our eyes that will act as heads-up displays for everything around us. Do we want those displays to be showing us ads with deals for nearby restaurant deals, or art (or maybe both)? I vote for art.

If you’re in Miami next week, a lot of the murals that activate Re+Public are in Wynwood Walls (unless all that is getting painted over), so try it out. You can see all the locations where Re+Public works and test it out for yourself over on Re+Public’s website.

Photo courtesy of Re+Public


Category: Art News, Videos | Tags: , ,

Tim Hans Shoots… Jordan Seiler

November 18th, 2013 | By | No Comments »

JordanSeiler_TimHans_01

Note from RJ: It’s been a little while since we posted any of Tim Hans‘ photos, but his series of artist portraits is still ongoing. Today we have our latest photo from Tim, one he took of Jordan Seiler at the site of one of Jordan’s ad takeovers. Rhiannon Platt asked Jordan a few questions. – RJ

Under the moniker of PublicAdCampaign, artist and activist Jordan Seiler aims to help the public regain control of their visual atmosphere. His latest project, Public Access, aims to give artists the power to change their visual landscape. The artist has reproduced keys for bus shelters and phone booths for several countries, beginning first in New York and recently expanding to Brussels for an exhibition with Harlan B. Levy Projects. Today is also the launch of the app Re+Public, an augmented reality app for iPhone and Android created by Jordan and The Heavy Projects.

Rhiannon Platt: When did you first start combating commercialism with takeovers?

Jordan Seiler: I began ad takeovers in December of 2000 with an entire station takeover at the 18th street 1/9 stop. It took about 32 posters to cover both platforms. At that point, and somewhat still to this day, it isn’t about combating commercialism but rather deciding for ourselves what our collective visual landscape looks like.

Rhiannon: What made you want to start Public Ad Campaign? Was there a specific instance that you can point to?

Jordan: My first takeover was motivated purely by aesthetics. I thought the station would feel quite different with a new set of images. It was only once that feeling manifested, and I began to worry about being caught by the cops, that I began to see the differences between commercial and public media production.

Rhiannon: How does your passion for ad-busting manifest itself in your other work?

Jordan: I know this sounds trite but I prefer the word ad-takeover to ad-bust. An ad-bust suggests a play on meaning, a decrypting of the encoded media message to reveal its weaknesses or faults. My feeling is that we are already very good at reading between the lines and seeing most commercial messages for what they are. Despite this critical insight we sill cannot seem to resist their allure. Ad-takeovers on the other hand obliterate the initial media message and in doing so demand the space be used for other conversations. I think this is a very important distinction because if we are going to wrestle with the impact of media messages on our society, we need a critical distance from which to start. Ad takeovers demand an ad free public space and by extension ask the question of what we might fill that space with. I think with most of my other projects that aren’t directly ad-takeovers, I try to ask the question of how we might collectively take up the responsibility of public media production by encouraging other people’s participation, and exploring new tools for public media production.

Rhiannon: Are you currently working on any projects?

Jordan: I am currently working on a project called Public Access where I make tools that can be used to open advertising locations around the world so that people can engage their public media space directly. This is an ongoing project and I hope to continue to add more tools and more accessible cities in the coming years. I am also about to launch the Re+Public AR mobile app with my partner from The Heavy Projects. Our newest collaboration with MOMO was a wonderful experience and we are excited to finally make the app widely available through iOS and Android platforms.

Photo by Tim Hans


Category: Interview, Portraits by Tim Hans | Tags: , ,

Weekend link-o-rama

September 7th, 2013 | By | 4 Comments »
Paul Insect and Sweet Toof

Paul Insect and Sweet Toof (and Sope)

For me, school is back in session. Hopefully everyone else out there is still enjoying the tail end of the summer. Here’s some art to keep your weekend interesting:

  • Martha Cooper and I have announced our picks for the MOCAtv Upload More Art challenge. You uploaded your street art videos, and we selected our favorites. I used the opportunity to highlight videos of Enzo & Nio and A.CE. As you can probably guess when you watch me explain my picks, I made those picks during Illegal August, so those sorts of thoughts were on my mind. Martha Cooper also selected two videos to highlight.
  • Just because Colossal Media paints murals based on designs by people like KAWS and Faile doesn’t mean there should be any love for them. They paint advertisements. That is their business. If they paint some murals on the side, that doesn’t excuse billboards invading public space. Unless you think BP sponsoring art exhibits excuses oil spills and pollution…
  • Also what’s up with KAWS’ work being used for a mural (I hesitate to say he did a mural, since it appears all he did was license his imagery)? He’s spent the better part of this site’s existence distancing himself from street art and graffiti and his public art has consisted of sculptures and flyposted advertisements (if you consider that public art).
  • Maybe I’ll be able to ask KAWS about all this myself soon, since presumably he’ll be in Philadelphia for his show at the Pennsylvania Academy of the Fine Arts. Arrested Motion has a bit of a preview, but I think the link really worth checking is PAFA’s website (and this archived version of the same page from mid-August) because of this section of the show description which has since been removed: “Placing KAWS’ sculptural works throughout PAFA’s historic galleries will further the ‘graffiti effect,'” and the edit of (emphasis added) “KAWS grew up in Jersey City, where he emerged as a graffiti artist in the early 1990s.” to “KAWS grew up in Jersey City, where he emerged as an artist in the early 1990s.” So that’s interesting.
  • I’ve never been a big fan of Elle’s work, but I do love this ad takeover.
  • And here are more ad takeovers, these from Jordan Seiler.
  • So many nice graffiti pieces on Ekosystem today.
  • I really like this new print from Shepard Fairey.
  • Pablo Delgado tiny pieces alway makes me smile.
  • Speak of small street art, here’s BSA’s take on the subject.
  • FAME Festival is no more, although ad hoc projects will continue to be organized in the town of Grottaglie, Italy by festival organizer Angelo Milano. It’s definitely sad news, but Angelo is always ahead of the times. Maybe this glut of street art festivals is just too much. Maybe it’s time for something different. Let’s hope Angelo figures it out. I can’t wait to see what he tries next.

Photo by Alex Ellison


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