There’s a raw idiosyncratic beauty to the street art that surfaces on the streets of Tel Aviv that continues to mesmerize me. Here’s a small sampling of what I saw on my recent trip:
Photos by Lois Stavsky
A note from the editor: Today we have a guest post from Jared Aufrichtig, an artist who has been taking some really interesting photos of street art Woodstock, a suburb of Cape Town, South Africa. His book about South African youth culture launches this week at Kalashnikovv Gallery in Johannesburg, South Africa. I love Jared’s willingness to make these photographs his own, rather than just documenting the art straight-up. There’s a place for that traditional documentation, but these photos are great examples of how people can use the gifts that street artists give to the public and make their own art out of them. Jared’s photos here feature work by DALeast, Cern, Faith47, Gaia, Jace, Jaz, Know Hope, Louis Masai Michel, Freddy Sam, Paul Senyol, Mak1one, Pastel Heart, Jared Aufrichtig, Kasi, ?All and Makatron. – RJ Rushmore
These images were taken over the past 6 months while I got to know the Woodstock Community and explored the explosion of new work by local and international artists. During my many visits I was welcomed by the kind majority-Muslim community, they commissioned me to do work for them and I shared many fond experiences (except for when my original custom made RETNA Art iPhone grew legs while painting a mural). I was able to freely document their lives and unique area; I even shot portraits of a small child that ended up being used for a piece I had done by my friend from Durban Pastel.
Over the past few years the level of work and roster of international artist has risen dramatically. Woodstock will soon become Cape Towns ONLY area filled with creative public expression. I believe in and support the beautification of urban areas like this and others around the world.
Continue reading “Best of Woodstock, as photographed by Jared Aufrichtig”
This year’s Wall\Therapy festival is winding down in Rochester, NY, so let’s have a look at the finished work (although a few were already covered by Daniel’s posts). There are a few really killer pieces, including this piece by Ever that I haven’t seen professional photos of yet, and some legal work along abandoned train tracks which is really interesting, but I’m not sure about this spot that looks like a little hall-of-fame setup. Those are valuable to have, but I personally wouldn’t put one in a mural festival these days. Still, plenty of good work all around, and I love that there are way more old-school writers at Wall\Therapy than just about any other mural festival I’ve ever seen besides perhaps a Meeting of Styles event. Conor Harrington knocked it out of the park, and Jessie and Katey did a simple but really effective piece.
Continue reading “Wall\Therapy, the finished products”
This is part 2 in Daniel “Halopigg” Weintraub‘s series of posts from Rochester’s Wall\Therapy mural festival. You can read part 1 here.
I was told yesterday by local superhero @MagnusApollo that the government of Rochester truly believes that its community really loves driving everywhere. While the locals might protest to this idea and insist they would prefer a more congruent and efficient system of transportation, I just ignore everyone and walk. I began yesterday by not heeding my own advice, and taking a “quick jaunt” over to Faith47’s amazing new mural in downtown Rochester.
Faith47 is a person whom I look up to both artistically and personally. I consider her and her husband DALeast to be close friends and anytime I can get some quality time with their respective brains I dive right in. Faith’s wall came together almost in the blink of an eye, and it is stunning. The wall itself and the bridge above are some of the most beautifully aged textures I have ever seen, and somehow Faith made them even more amazing. Her mural, “sic semper erat, et sic semper erit” or “Thus has it always been, and thus shall it ever be” is a beautiful mural left for the people of Rochester, and based on the number of dramatic 90 degree head turns I saw yesterday I think they like it already.
My next move was to go see Faith’s other half DALeast get started on his mural (final shots coming soon). I took the advice of a local who said, “sure you can walk there, it’s pretty close!” It was not pretty close, but hey I can always stand to lose a little off the hammy thighs. When I arrived at Dal’s wall he was just about to start his outline, which was an amazing thing for me to watch. In all the times I have got to hang with Dal I never have gotten to see him paint. I was interested in the process that eventually leads to his amazing 3-D design. Much like a lot of painters, Dal starts with basic lines to get his spacing and placement right. Simplistic, well thought out, and an almost ninja like efficiency define the start of Dal’s murals. Again my presence was not helping the progress of Mr. East’s wall so after getting some much needed life advice and votes of confidence from the man I decided to press on.
The rest of my day consisted of me being passed around the Wall\Therapy crew like the proverbial doobie. Making friends is one of my specialties and I have met some really great souls already in my two days here. The staffing for this great festival has been super on point, extremely welcoming, and more organized then I could have imagined! Highlights from the afternoon and evening include checking out the progress of Gaia’ mural (pictures coming soon), seeing Adam Francy’s wall, meeting Mr. Prvrt and seeing his two animal murals, getting some stickers tagged for my 228 collections, and of course the soon to be infamous #LiftFlood #LiftProblems surrounding Chris Stain’s mural. Just a piece of advice, if you think you flooded your lift’s engine, make sure you actually have the gas turned on, it really helps starting the engine.
Photos by Daniel “Halopigg” Weintraub
Update: Although Rom, the owner of StreetArtNews, has contacted Vandalog and denied his role as ‘manager’, claiming only to be ‘good friends’ with DALeast, this seems unlikely in light of his role in the mural. According to Jimmy C himself, Rom was actually onsite when Jimmy approached DALeast at the wall. When DALeast apologised, he told Jimmy C that he (gesturing to Rom) had organised the wall. Rom then offered his own apologies to Jimmy C, adding that he could get him ‘any wall in the world’ from L.A. to Miami in compensate for the mishap. Sounds like a manager to me, or at least business partner. – PD
The professionalisation of street art is nothing new, so why do some career artists still conceal their commercial strategies behind their anarchist personas? Because it’s cool, right?
Let’s have a look at DALeast‘s recent excursion to London that saw 7 new walls culminate in his first solo exhibition in the British capital. One of those walls went over Jimmy C‘s portrait of Usain Bolt without any consultation. Maybe you’d say, ‘So what? It’s an ephemeral art form, get used to it’. Maybe, but the fact that DALeast went to the trouble to get permission from the building’s owner whilst disregarding Jimmy C does say something about his priorities. What’s more interesting is DALeast’s own excuse.
When Jimmy C found DALeast painting over his mural, the newcomer shrugged an apology down from the scissor lift and explained that his ‘manager’ had organised the wall for him. When RJ in a recent interview with DALeast asked ‘what makes you want to paint a particular wall or not’ the artist simply replied, ‘fate’ which sounds so much cooler than ‘my manager picks my walls for me’. It’s easy to see why DALeast would avoid that part of the picture but it does makes you wonder what a professional street artist really is.
As it turns out, DALeast’s manager is none other than the owner of the popular blog StreetArtNews (edit) the ‘manager’ DALeast was referring to seems to have been Rom from StreetArtNews, who while not technically DALeast’s manager did help to organize some of DALeast’s walls in London and worked with him on the contest/gallery show project he did there. StreetArtNews regularly features DALeast’s work whilst neglecting to mention any conflict of interest. I guess it must be handy to have a manager (edit) business partner who runs a trusted publicity platform but, for those of us who view street art as a DIY counterculture, we’d better get used to questioning where our ‘news’ comes from.
Traditionally, the journey from vandal to professional starts with the artist’s first commissioned piece which leads to bigger and bigger murals and ends with a show for Jeffery Deitch and a line of sneakers. You’d think that this career trajectory might have become boring by now, and let’s hope that it has, but old market strategies will always be replaced by fresh ones that find new ways to feed the bottomless appetite for adolescent rebellion.
With a new spin on an old cliché, artists assume the pose of ‘fuck the system’ until their audience wise up to the contradictory and masturbatory claims of an industry that apparently aims to fuck itself. Moving on, the informed audience is quickly replaced by the next crop of pubescent rebels, all too eager to buy the OBEY cap, adopt Brooklyn slang and congratulate themselves for being authentic.
For anyone that believes street art can be more than the lucrative exploitation of teen angst, it’s important to call bullshit whenever it appears. Put simply, be a capitalist, or, be an anarchist, just don’t tell us you’re both.
Photo by unusualimage
With his trademark style of painting creatures and other things as though they are made up of hundreds of twisted metal shards, DALeast has launched himself onto the international street art like one of his animals launching at its prey. In our continuing series of photo-portraits of artists by Tim Hans, Tim met up with DALeast on the streets of London, where he has painted about half a dozen murals recently. I had a few questions for the artist…
RJ: Why do you think so many popular muralists right now are painting animals?
DALeast: If we’re look into human history, we can really see how much we love ourselves as we have already done so many artworks that describe human beings. I think it is the time to give more attention to the other beings before they disappear. Animals are really close to us, but we never see them. I wondering how many people have see a real pig even though they are eating pork everyday. Muralists found the chance to turn the city into a ‘jungle’, As we work in the public space – where the humans are.
RJ: What has been your favorite thing about London?
DALeast: I found out that I haven’t been changed by that city after I left.
RJ: Do you feel like you’re at the point where you can paint things the way you want to paint them, or are you still to reach that point with your technique?
DALeast: To reach a point of technique has never been a part of my game.
RJ: What makes you want to paint a particular wall or not?
DALeast: Fate.
RJ: Where else will you be painting soon?
DALeast: Excitement for the unknown.
Photos by Tim Hans
I can’t wait to get my copy of Very Nearly Almost issue #21. This time around, VNA have spoken with Miss Van, Faith47, Dal, Rone and others, but I’m most looking forward to their interview with NoseGo, which was conducted by Vandalog’s Caroline Caldwell. You can pick up a copy of VNA here.
Working with ink, acrylic and tea on canvas, South Africa-based artist DALeast has created a wondrous menagerie of hauntingly beautiful animals in Powder of Light, his first solo exhibit in NYC. The somewhat curious scientific titles of these pieces on exhibit at Jonathan LeVine add a material dimension to their spiritual essence. Here are a few more favorites:
The exhibit continues through December 29th at 529 W. 20th Street in Manhattan’s Chelsea gallery district.
Photos by Lenny Collado
In collaboration with Fountain Art Fair and Samson Contompasis’ The Marketplace Gallery, the people of Living Walls have been given 175 ft. of wall space to divvy out amongst artists at Fountain. From December 6 to the 9th, 22 street artists including Rone, LNY, Trek Mathews, Jaz, Ever, Dal East, Faith47, Pixel Pancho, Never 2501, Joe Iurato and more will be painting Fountain’s outdoor courtyard.
The rise in success of Living Walls over the last 3 years has been fascinating to watch. This is their second year at Miami Basel but their first year there curating walls. Indoors they’ll have a booth, showing the works of a few international artists like La Pandilla, Interesni Kazki, and some of the artists listed above, as well as a few Atlanta favorites. Definitely looking forward to seeing their contribution.
Video courtesy of Living Walls
It’s almost December, and this December I’m going to be taking a bit of a holiday. For most of the month, Caroline Caldwell is going to be doing most of the writing for Vandalog, while I focus on another project. But, of course, the more important thing about it being almost December is that it means Basel Miami craziness is about to be upon us. Some artists are already in Miami (specifically Wynwood) and painting their murals. Not to piss all over that parade, but I’d like to quote Workhorse of The Underbelly Project. He once said to me, “It’s sorta sad that an entire district of 7-story-tall murals is becoming blasé, but it is.”
Photo by Alex Ellison
