Acclaim Magazine

About a month ago I got a very nice email from the folks at Acclaim Magazine about their latest issue (#17). My copy came in the post a few days ago. It’s the first issue I’ve read and I’m surprised I haven’t picked up Acclaim before. Actually, not that surprised, because my knowledge of “street culture” or whatever you want to call it is woefully poor but still, these guys did interview Martha Cooper and that’s usually enough to get me interested.

Acclaim

Acclaim is a “street lifestyle” magazine, which means toys, art, music, fashion and those sorts of things. On the art side, they’ve definitely got a soft spot for street art.

So, the art coverage: 1 page devoted to Anthony Lister where he just explains some of the objects he carries with him most days. There’s some info on Carrot Clothing, the place where ESPO made his “street art is gay” shirt. And of course interviews with Stormie Mills, Mike Revelli (Upper Playground and Juxtapoz) and others.

I think it’s a testament to Acclaim that the editor of Juxtapoz takes time to have a spot in their magazine.

Acclaim is like a few street culture magazines, but because it is based in Australia, there is a distinct Australian bent to the magazine which is kind of cool.

You can buy copies here.

News I missed while in Stavanger

Most of what I was posting while away in Stavanger for Nuart was prewritten so that I could focus on the festival. The downside being that I missed a bunch of cool potential posts over the last few days. So here’s my usual post holiday link wrap-up:

  • Sam3 has a new video animation out (Via Wooster Collective). You can watch it on Vimeo. Oh and on a related note, the first pieces on loan from collectors for The Thousands arrived at my house this weekend, including a piece by Sam3.
  • Also from Wooster Collective is a new piece by Mark Jenkins. A sculpture of a person made of newspaper.
  • JR released this video about the women who were involved with his project in Kibera, Kenya (Via unurth):
  • Juxtapoz has details about Woodward Gallery Keith Haring show in New York City (which opened September 12th)
  • Another photo has been released for Adam Neate’s October solo show at Elms Lesters (via Arrested Motion). “A New Understanding” opens October 9th. This could be the street art exhibition of the year, though I’m not feeling this new work as might as I’d expected.
    adam neate

The Adventures of Darius and Downey

There are a lot of street art books in stores today. And most of them follow a simple formula: Take photos (or more often than not, acquire them for nothing from other photographers), lay them out on a page, mislabel all the photos so that work by Mister MN is said to be by Adam Neate, think up a title, print the book. Some books in this format are great, some are not, but this is what you expect from a street art book. Well The Adventures of Darius and Downey is absolutely nothing like that. Not one bit. For one thing, Adventures is a non-fiction/creative non-fiction book 200-odd pages in length, and instead of just throwing a bunch of photographs together, this book tells a story.

Naturally, Adventures is about the street art duo Darius and Downey (aka Leon Reid IV and Brad Downey), but it’s also about the street art and graffiti scene in the early 2000’s. Nobody else has really had his or her street art career described in this way before. Sure, you can read interviews or watch documentaries and get the gist of how Barry McGee or Faile got to where they are today, but D&D are the only ones so far to have set out the whole story in print, and as pioneers of sculptural street art and non-typographical graffiti, they deserve that privilege.

And while reading Adventures definitely provides insight into D&D’s work, what I found even more interesting was the lifestyle and culture that they were a part of. Swoon wrote the intro to Adventures and is mentioned in the book, D&D ask permission from ESPO to paint over one of his spots, they confront Swatch, graffiti writer and “cataloger” of street art (aka, guy who steals pieces off of walls) and more.

The Adventures of Darius and Downey tells a story of a friendship and collaboration that changed the face of street art and this book should be essential reading for anybody who wants to learn about the history of street art, but it’s also just a great read. Readers won’t want to put this book down. It is a quick, fun read with much to say.

But why am I posting this review now, more than a year after the book was published and months after I read it? Well Brad Downey and Leon Reid IV are at Nuart2009 in Stavanger right now, which is where I am too. More on Nuart2009 on Monday.

Stay away from taggers

I just came across this hilarious graphic from the City of Santa Ana’s anti-graffiti website.

Tagger

It is meant to help parents decided if their child might be a tagger. Further down on that same page is this comment:

GRAFFITI REWARD PROGRAM
The City of Santa Ana also offers a Graffiti Reward Program in the amount of $500 for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism.

I wonder if any parents have ever called in for the reward…

On a related note, Los Angeles is trying to stop people from even associating with known taggers and writers.

From Street Level:

To many, tagging is more of an art form than a crime, but if the Los Angeles city attorney has his way, even being seen with taggers will be enough to get you arrested. According to the Los Angeles Times, L.A. city attorney Carmen Trutanich is proposing a series of injunctions that would give the police the authority to arrest taggers and graffiti artists simply for hanging out together — they do not have to be caught in the act.

Continued on Street Level…

Link post

I’ve noticed a number of links piling up over the past few days, so it’s time for one of my link compiling posts. Oh and thanks to C-Monster for featuring Vandalog on today’s Daily Digest (the probably superior link post series that I try to emulate a bit from time to time).

  • On the Beautiful Losers front, the DVD is coming out this month. Anybody who has seen the film will tell you the same thing: buy the DVD. Also, there was a touching profile of Margaret Kilgallen, one of the artists featured in Beautiful Losers, in The Guardian over the weekend.
  • The extremely talented Titifreak has a book. I didn’t know he had one coming out, but apparently plenty of people in Rio did because his launch party looks like it was a huge success.
  • Some people love D*Face. Some people hate him. If you’re a hater, just pretend this is somebody else, because D*Face says some things work listening to in this interview with Walrus TV (via Juxtapoz)

Very different street art

Here are two very original pieces of street art (if you can even call it that, I guess street intervention is more appropriate).

First up are Sean Martindale and Eric Cheung who have been making Toronto just a bit greener in their spare time.

posterplants

Plants

Plants

Sure is a lot nicer than a wall of advertisements. More on their blog. (Via CitySPK)

And then there is this sign in New York:

Photo by Jordan Seiler
Photo by Jordan Seiler

Jordan over at Public Ad Campaign says this about the flyer:

I took one of the phone numbers and promptly called. An answering machine immediately picked up and said the following before the familiar beep telling me it had begun recording. How Bizarre.

“Free yourself from your burdens.
Record your confession or secret after the tone.
There is not limit on the number or the length of the messages,
And its completely anonymous.”

The best street art post you’ll read this year

Last night I came across a post of Art of The State which sums up a major problem in street art in such a way that I just have to share the entire post. You can read the post, titled “Stop Thief! / the other Banksy show,” over at Art of The State, but for the benefit of Vandalog’s email subscribers who might not want to bother clicking on a link outside of their email client or are reading this on a phone or something, I’ve also reposted the entire article below. Thanks to Steve for letting me repost it (and going to the Banksy show in Covent Garden so that none of the rest of us have to).

Stop Thief! / the other Banksy show

One problem thats come out of the rise in the popularity of street art is that work that used to be left to survive on its own (either ending up being removed by the property owner or gone over with other graffiti – both of which are fine by me) is now having to die a slow, undignified death above someones fireplace. Street art is meant to be on the streets (the clues in the title). ‘Street art’ removed from the streets becomes, well, just ‘art’. I’m not talking about copies of street pieces that are meant to be sold and displayed. I’m talking about the peel off carefully, chisel out of the wall brigade. Case in point this was the scene in Brick Lane this afternoon. Walking around a corner I stumbled on this not too stereotypical street art ‘liberator’ carefully peeling off a fresh paste up. She then proceeded to roll it up, stuff it in a bag and then made her (slightly shaky) getaway in the direction of the 24 hour bagel shop (the best place in London for all your Bagel needs). It’s not exactly a crime but it would be much better if it was left there for others to enjoy.

Wheatepaste

A bit later on in the afternoon and against my better judgement I had a look at the totally unofficial show of ‘reclaimed’ Banksy work in Covent Garden. Walking up to it and even walking around it you’d be hard pressed to determine that Banksy would have had nothing to do with this show (his verification agency ‘Pest Control’ famously always refuses to authenticate street pieces). Most of the work on display has been lifted off the streets over recent years. Large sections of walls, doors and plaster are amongst the pieces that make up the exhibition. It’s a very soulless look at some of his work with a totally different vibe to the Bristol exhibition. In fact it has no vibe at all. Simple labels next to pieces tell you nothing, not even the city the works have been taken from. Banksy’s street pieces are all about the context of where they are placed and in this empty whitewashed hall they lose an important part of their reasons for existence. I actually thought that Andipa Modern’s recent Banksy show was better than this – it was an unofficial show too but at least the work they had on display at the last one was pretty much exclusively never placed on the street. That’s not meant as an endorsement of Andipa in case you were wondering.

This sign summed up the whole seedy enterprise for me…my advice is don’t buy anything here – it’ll only encourage them to do it again. Don’t bother with this sorry show and get yourself down to Bristol if you can….

Banksy Photos

Via Art of The State

Just some links

Today I’m being a bit lazy and just sharing a few links, but I’ve just spent all day catching up on a backlog of emails and RSS feeds, so hopefully I can be excused. A full review of Vhil’s show at Lazarides gallery is coming tomorrow. Most of these things are a bit dated and just events that happened while I was away on vacation but were not covered by my wonderful guest posters.

  • There are three galleries I have yet to visit which I really need to make my way over to. The first is Gallery 118 for some new work by Inkfetish. His recent work outside of Cargo is really nice, and although his gallery work hasn’t blown me away quite yet, I’m confident he is improving. Next is “Metamorphosis,” a solo show by Ortiz at the Pure Evil Gallery. Although I have no idea who this Ortiz person is, I had a look in the window here on Tuesday after they were closed and thought the work looked very nice and worth checking out. And of course, opening tonight, something that has been mentioned on Vandalog recently, Urban Angel’s latest group show: The Show Must Go On. I would have been at the opening tonight, but with my wisdom teeth just removed yesterday I’ve been ordered to stay at home for a few days (I even had to miss last night’s Nine Inch Nails concert). Based on images from WallKandy’s flickr though, Best Ever is at their best and Pho is as well.
  • Everybody in NYC should go see the latest Os Gemeos mural for me. If you’re stuck in another city like myself though, here are some photos and video.
  • Steve Lazarides had a very nice interview/profile in The Times recently.
  • Normally I can’t stand this guy, but I’ve got to hand it to Cartrain for stealing some pencils from Damien Hirst’s “art” at The Tate Britain. Absolutely love it.
  • Just read through issue 2 of The New Order magazine, and if you’re in LA you should try to make it to their launch party at The Carmichael Gallery on the 18th. Otherwise, find the magazine in stores somewhere. I found it in Paris, but you can also buy it online.

Know Hope in New York

With the team at Carmichael Gallery sadly tearing down his installation today, I decided I’d give you all a little update on what Know Hope got up to next.

DSC_0011_web
Know Hope "the times won't save you (this rain smells of memory)"

After finishing his work in LA, Know Hope flew to New York to represent Israel at “No Soul For Sale – A Festival of Independents” at X Initiative. Of course I’m biased, but I thought what he did there was, as always, very moving. I’m really enjoying the delicate thematic progression in his work these days.

Know Hope at "No Soul For Sale"
Know Hope at "No Soul For Sale"
knowhope detail1 copy
detail shot

Thanks for the photos, Luna Park!

Know Hope also found the time to get outside and do some painting in Chelsea before heading home.

brooklyn-street-art-know-hope-chris-stain2

brooklyn-street-art-know-hope-chris-stain1

These photos were taken by Chris Stain. I found them on Brooklyn Street Art.

Speaking of Chris, can it please hurry up and be August so we can find out what he and Armsrock have in store for us at their Ad Hoc show? All I know is that it is going to be nothing short of amazing.

stainarmsrock

Although I only planned to write about one, somehow I’ve managed to fit three of my favorite artists into this post!

Elisa x