News from Swoon

Some fantastic news from the world of Swoon this week.

Today is the release date of Swoon’s first monograph. The book is almost 200 pages long and features photos of Swoon’s work as well as essays by people like Jeffrey Deitch. The book will be published by Abrams and is available on their website for $35.

And the second bit of news from Swoon is her latest undertaking: The Konbit Shelter Project. Swoon has been studying architecture, and in an effort to aid the relief efforts in Haiti, she plans to work with a team of people (including artistic collaborator Ben Wolf) to build superadobe structures in Haiti this summer. These structures are amazing because they are relatively easy and cheap to build but also very strong. To raise awareness for Konbit Shelter, Swoon and her team will be building a prototype of the structures in New York City this weekend. The structure will be unveiled on May 2nd at East River Park in Brooklyn. For more information on the project read this post on Hyperallergic and check out The Konbit Shelter Project’s website.

Video: Escif’s Around The Wall show at POW

Escif’s solo show Around The Wall opened at Pictures on Walls in London a few weeks ago. I haven’t really mentioned it since the opening because I’ve been waiting until I could post this video. I guess the video pretty much sums up my thoughts on the show, so I won’t write too much, but I really enjoyed it and if you’re in London, it’s definitely worth checking out.

So here’s my video walk-through of the show (some people reading this post through RSS readers may have to go to vandalog.com to view this video):

Around The Wall runs until May 30th.

London screenings of Burning Candy film Dots

Yesterday, I posted about a box set of screenprints by Burning Candy. The prints are being used to fund the making of Dots, a documentary being made about the crew. Most of the film hasn’t actually been filmed yet, but the first 20 minutes are so are done. The first segment of the film explains the history of the crew and follows one artist on a journey to bring their art to the next level.

We’ve organized a few screenings of this first part of Dots for next week. These will be the first time that any of the film has been shown publicly. In addition to screening the film, we’ll also be displaying (and selling) the print set and original paintings from the entire crew.

If you want to be at this first look at Dots and the Burning Candy screeprints box set, just sent an email to rsvp@dotsfilm.com. The guests for each night (Tuesday and Thursday) are going to be randomly selected and notified by email by Saturday May 1st and we’ll let you know exact details of when and where.

Dots: A Burning Candy film and print release

Recently, I’ve been working with Burning Candy (Cept, Cyclops, Dscreet, Gold Peg, LL Brainwashed, Mighty Mo, Rowdy, Sweet Toof and Tek33) on a project that’s really got me excited. For me, Burning Candy are some of the most interesting and talented street artists living in the UK right now. In the UK, there isn’t a street artist who gets up harder, a graffiti writer who hits better spots or a crew that pushes the boundaries of their art further than the members of BC. So about this project…

A man called The Barron is directing a film about the rest of Burning Candy called Dots. This isn’t your ordinary graff film though. Since The Barron is a friend of the crew, he’s got more access than the standard documentary filmmaker would ever get. So far, he’s filmed and edited the first 20 minutes or so of the film. The next 70 minutes? It’s on its way, but Burning Candy needs the help of their fans to make it happen. To fund the making of the Dots, BC have made a box set of prints. All nine members of the crew have contributed an image to this print release. Since I’m working with BC on this print release, I’m obviously biased, but I don’t think there’s a bad image in the bunch.

So here’s the press release with all that vital info:

To help raise funds and make Dots a reality, Burning Candy has put together a limited edition set of 9 screenprints, one print from each member of the crew. The set will come in a hand-screenprinted bespoke box. The prints are 2-colors and A5 sized and the edition size is just 150. These prints aren’t only artwork; anyone who buys a set of prints will also own the rights to 0.05% of the films revenues for the next 10 years. 100% of the profits from these prints will go to funding the making of Dots.

The prints will be released online imminently for just £500. In the mean time, you can email sales(at)dotsfilm.com for more information.

And for those curious about my personal involvement in the film and print release, I’m helping out friends and artists that I believe in, but I’m also getting paid for my work.

The 41st Parallel from Drago and Wooster Collective

Drago (the wonderful Italians who published my book last year), Wooster Collective and Meet At The Apartment have a very cool sounding event going on next week in New York City. The 41st Parallel is a special Q&A event with some of street art’s biggest names. Some artists from The Thousands (Chris Stain, WK Interact, Elbow-toe and Swoon), other Drago-affiliated artists like Logan Hicks, Drago’s founder Paulo von
 Vacano and Marc and Sara Schiller of Wooster Collective will all be there. I spoke with Paulo today, and it sounds like the artists might be signing books as well. Unfortunately, I’ll be here in London, but I’m sure this is going to be the place to be in NYC next Wednesday evening. Check it out if you want to meet some artists, ask them questions and maybe pick up my book if you’re so inclined…

And yes I realize that I’ve been criticizing people recently for advertising stuff without really saying that they are advertising things. So, I guess this is an advert in the hopes that more people will buy my book, but if you’re flat broke or just don’t want to buy a book, this should still be a nice Q&A with some of the most influential people in street art.

Three new Banksy pieces in SF (maybe)

Photo by Troy Holden

I think it’s fair to say that these three pieces that have just appeared in San Fransisco over the last few days are all by Banksy. Nothing confirmed yet on his website though. Two (the piece pictured above and the rat below) are above street level, and one is at street level. I think This’ll Look Nice When Its Framed is a great one. It continues Banksy’s commentary on the commercialization of his own artwork through canvases, screenprints and a film and it ties in nicely with the artwork that was removed from a street in LA last week. And the giant rat is just classic Banksy. Not so keen on this Peace + Love thing though.

Photo by dennis

Can anyone enlighten me on what’s being said here:

Photo by Troy Holden

Maybe it’s referencing the song “Peace, Love and Understanding” and nothing’s really funny about it? Surely I’m missing something. After all, I thought Banksy’s Jeff Koons’ dog in LA wasn’t anything special until Tim McCool came along.

Photos by Troy Holden and dennis

All that Shepard Fairey news

Photo by Daniel Zana

Expect the next week or so to be filled with Shepard Fairey related news. He’s in New York for his upcoming May Day solo show at Deitch Projects. Here’s some of what’s happened already:

And I’d just like to note how much I love Shepard’s new flag image which appears to be one of the core images in May Day.

Fame Fest 2010: Swoon

It’s no secret that RJ and I are big fans of FAME (it’s also where we met, incidentally) and had an awesome time in Grottaglie last September. A few weeks ago, our friend Angelo announced this year’s tentative line up and when I spoke to him the other day, he mentioned that Swoon and Ben Wolf had just been to visit. Unfortunately, there are no photos of Ben Wolf’s work as it was destroyed before it could be documented, but there are some great images of Swoon’s gorgeous pieces, both in the monastery and around town. I really hope they survive over the next five months!

Let me know if you’ll be coming this year – Seth and I will be there for sure.

– Elisa

(Thanks for the images, Angelo.)

Dreweatts Urban Contemporary auction

This Wednesday, Dreweatts hosts their latest urban art auction in London. This time around it’s called “Urban Contemporary.” Honestly, I’ve avoided posting about this auction until now because while there are some highlights, the lowlights are awkward and disappointing to write about.

Lets start with the positives. Some of works that I’m really liking (in no particular order):

Lot 89: Point Blank by Martin Lea Brown. 67cm x 167cm. Estimated £3,000-5,000. This painting looks okay online, but is just so nice in person.

Lot 72: Musas by Sam3. 91.5cm x 61cm. Estimated £700-900. An interesting painting for the price. It amazes me how cheap a Sam3 original can be. Though I suppose his work is best experienced outside.

Lot 64: African Fence by Rowdy. 91.5cm x 61cm. Estimated £900-1,100.

Lot 47: Studio Critics by Sweet Toof. 91.5cm x 61cm. Estimated £2,000-4,000. Sweet Toof is a painter. He’s a graffiti writer. He’s a street artist. He’s a print-maker. What is he? He’s talented.

Lot 49: Cruncy – Pity of London by Ronzo. 40cm x 40cm Plinth. 106cm x 40cm. Estimated £1,000-1,5000. Apparently this is the only Pity of London sculpture that didn’t go on the streets. So it’s something kind of special.

And now the things about this auction that epically disappoint me. The things that made me not want to write about this auction at all. In no particular order. And there are others lots in this sale that were very disappointing to see at auction, but I’m not going to list them all. Hopefully this gives you a taste.

Lot 13: Self Portrait by Adam Neate. 167cm x 123cm. Estimated £15,000-20,000. Almost everyone I know believes that Adam Neate’s pieces like these should be kept out of auction at all costs. Even if this reaches the high estimate for the piece, it will only serve to further damage the market for his paintings. And in my opinion, Adam is one of the most talented British painters working today, so I’d like to see the market for his paintings recover.

Lot 9: Morons by Banksy. 76.5cm x 56cm. Estimated £3,000-5,000. Every “urban art” auction seems to have at least one Morons print.

Lot 17: Untitled by Seen. 60cm x 70cm. Estimated £600-800. I don’t take issue with this painting. I definitely take issue with how Dreweatts has handled the artwork in their sale. In the catalog, this painting is upside down. Luckily, that’s been fixed online. But when I went to see this piece in the flesh at the auction house last Thursday, it was hung sideways. That, or it’s now sideways online (but given that the central icon of the piece is a Seen tag, I’m guessing that the tag is meant to be read left to right, so the online image is correct and it was hung sideways). Either way, that’s more than a little bit upsetting.

Lot 63: Number 5 by Herakut. 80cm x 100cm. Estimated £2,000-3,000. Another great painting that Dreweatts has just handled poorly. Again, it’s online and in the catalog sideways (and possibly hung that way in the auction-house as well, I can’t remember)! Now, given the content of the painting, I can see how somebody might not be sure which way is up. In fact, you’d have to look at the painting for more than half a second to realize that it might be sideways. How did I figure out that the piece is sideways? There’s an image of the piece online. And it was originally part of a tetraptych, so you know that the image I found online has the painting hanging the right way. Could Dreweatts have missed this? Sure. Except that lot 62 is a painting from the same tetraptych. It amazes me that nobody at Dreweatts took the 30 seconds of research that it took me to figure out which way this painting is meant to hang. Epic fail.

So that’s the Dreweatts “Urban Contemporary” auction. It takes place on Wednesday April 21st in London, and you can bid online.

Best Ever at VSP

Last week, Aaron posted about VSP, a street art festival in Portugal. After seeing all the work that Best Ever did there, I just had to give it another mention. These might be some of the best pieces that this duo have painted so far. I remember when I first heard about Best Ever and thought, “Okay, that’s cool, but they’re going to need to do something so that they don’t seem like they’re playing 2nd fiddle to Herakut.” Now I’m more than convinced that they have differentiated themselves and are doing something completely their own. And they’re doing it damn well.

Collaboration between Best Ever, Mar and Ram

Photos by Best Ever