Barry McGee at the Boston ICA next month

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Remember the retrospective of the fantastic Barry McGee last year in California? Exciting news: That show is headed to the ICA Boston next month. The show, simply titled Barry McGee, runs April 6th-September 2nd. Last year’s Os Gemeos show at the ICA was great, but it was small if you don’t include their outdoor work. This McGee show won’t be small, and it covers his work from the early 90’s through to today. Not much else to say yet except that you should see this one if it’s at all possible.

Photo by PunkToad

Do not miss: F.A.T. Lab retrospective at Eyebeam

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The Free Art and Technology (F.A.T.) Lab, founded by Evan Roth and James Powderly in 2007, have a retrospective opening April 1st at Eyebeam in NYC. F.A.T. Gold, curated by Lindsay Howard, will include highlights of F.A.T. Lab’s work so far as well as new work and a whole boatload of events throughout the first week of the show’s run. This amazing group of artists (including some of my favorites: Jayson Musson, Evan Roth, and KATSU) are at the forefront of technology, art and pop culture, and particularly the intersection of all three.

F.A.T. Gold runs April 1st through the 20th. There will be an opening on the 1st from 7-9pm. For a list of all the F.A.T. Gold events, check the press release (PDF WARNING).

I am extremely saddened that I won’t be able to make the opening of this show or many of the events. So, please make me extremely jealous and check this out if at all possible.

Tim Hans shoots… Sweet Toof

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The secretive Sweet Toof recently invited Tim Hans over to his studio as part of Tim’s continuing series of photo-portraits of street artists, and Caroline Caldwell has interviewed the artist.

Caroline Caldwell: What influenced you to do street art? Do you remember your first time?

Sweet Toof: No one forgets the first time, its like sex, started in 1986, and still at it. I blame Beat Street and Style Wars.

C: Do you try to do different things with your work or do let it evolve naturally?

ST: It is always good to experiment, working on the street fuels the studio work. One feeds another, what ever it takes a fat roller to a fine brush. The work evolves from mission to mission.

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C: Burning Candy represents like a graffiti crew however the work is almost entirely character based. When Burning Candy was coming together, was there discussion over whether you all identified as a “graffiti” or “street art” crew?

ST: I left BC 3 years ago…. Burning Candy is what you see is what you get. We are like minded people working with characters, letterforms, tags, pieces, throw ups. Canvas sculpture print etc.

C: What’s one of the most interesting experiences you’ve had painting alone?

ST: Sinking in Quicksand was a strange experience.

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C: And what about when you were painting with someone else?

ST: New York with friends was killer.

C: Have you been working on anything or collaborating with anyone lately?

ST: Working on a new body of work at present, watch this space for the rest.

Photos by Tim Hans

Toe The Line for PS 132

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Joe Iurato

Logan Hicks has organized an online auction to benefit the PTA at his son Sailor’s school, PS 132 in Brooklyn. Toe The Line includes contributions from Joe Iurato, Swoon,  Shepard Fairey, Chris Stain, Dabs and Myla, How and Nosm, Eric Haze, Faile, and others. Logan’s girlfriend and Sailor’s mother Kristen Zarcadoolas is the PTA president of PS 132, and they organized the auction after after yet another funding cut at the school.

“There is a lack of resources at every level within the public school system and I want to do all that I can to ensure that my son has a proper education,” says Hicks. “There is a moral responsibility to do everything possible to help support the public education.”

The auction went live just a few hours ago. You can see all the works and bid here.

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Photos courtesy of Logan Hicks

As Much As You Can

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“I felt always like I was part of a larger thing, that would encompass a lot of people. And all of those energies of all of these individuals and all of their unique talents and unique contacts is what came together to make that thing happen.”

-Aaron Rose

When Joe Ficalora (pictured left) brought me to the roof adjacent to Alicé Pasquini’s wall he said, “only family comes up here.” The deep personal connection I felt looking over a year’s worth of accomplishments with Joe and Alicé is the feeling that both individuals are trying to instill upon the community surrounding this intersection. A close Italian family who emigrated to Brooklyn only generations ago, the Ficaloras welcome any person to the neighborhood who shares their passion for beautification, like Joe’s grandmother who is always quick with coffee and snacks on cold days.

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Although the nexus of this project was marked with personal tragedy, these losses became the impetus for change. Starting during Bushwick Open Studios last year, the area quickly became the Brooklyn hub for visiting muralists, which gave Yok and Sheryo some of their first walls as well as other notable visiting artists, such as Nychos and most recently Alicé Pasquini.

For her first visit and wall in the United States, the artist worked through the wind, which at one point toppled her ladder, to complete a deeply personal mural for the area. The wall that the Italian artist was given previously belonged to Jim Avignon, the yellows of which were incorporated into the space’s latest iteration. The figures in her piece, titled “As Much As You Can,” bustle around the streets of Alicé’s imagined vision of New York City. Having never previously visited the city, the artist imposed the dreams and ideologies of her imagined characters, who represent the beliefs of the many people who come to this city for a new life. Being aware the Ficalora’s roots in her native Italy, the artist painted this piece as a tribute to not only all immigrants, but specifically for his family.

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From the sense of family I felt when standing on that roof to the kindness that the Ficaloras extend to any person who finds their way to the neighborhood from the Jefferson train stop, Alicé has distilled this sense of belonging into her mural. By reflecting the vibrancy and closeness that occurs in the small neighborhoods within New York City, one would think she had lived here her whole life, rather than a first visit.

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Photos by Rhiannon Platt

Weekend link-o-rama

"Modern Tulipa" by Ludo
“Modern Tulipa” by Ludo

Bit of a shorter link-o-rama this week. I’ve been with my parents in Colorado, trying to get some work done on my upcoming book. The hope is that Viral Art will be released for free online in mid-June. There’s still a fair bit of work left to do though. Anyway, the links…

Photo by Ludo

LNY’s “Golden Hour”

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Click to view large

LNY recently painted this mural, Golden Hour, at 22 East 2nd Street in New York City for Fourth Arts Block. It’s the same spot previously painted by Know Hope, Phlegm, and Faith47. Great work. Reminds of me Erica il Cane.

Here’s what LNY has to say about the piece:

It’s based on a couple of things; a beached whale found dead in NYC after Sandy, the battle between nature and human technology and the economic factors that facilitate this situation. The whole image should read as this struggle for survival between the whale/oil transit ship and the two headed heron snake that represents nature turning to technology by literally changing its body from one end to the other… I also decided on a title “Golden Hour” after the medical term meaning the period of time after traumatic injury during which treatment is most likely to prevent death.

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Photos by Luna Park