Stephen Powers: A Word is Worth a Thousand Pictures

A Word is Worth a Thousand Pictures is Stephen Powers aka ESPO’s latest solo show. It opened earlier this month at Joshua Liner Gallery in New York City. Caroline and I had a chance to stop when we were in town for the screening of his film A Love Letter for You (which is available on iTunes as of this week). At the screening, we had a chance to speak with Powers, and it was a pretty enlightening experience. I’d met him once or twice before, but only briefly. Simply having a conversation with Powers gave me a much better appreciation for his work. What you see on the wall is pretty much what you get when you talk to him. Maybe the puns aren’t hitting you at every five seconds like one of his paintings, but there’s a banter that he engages you in that carries over perfectly into his artwork.

A Word is Worth a Thousand Pictures is a good mix of Powers’ greatest hits from the last few years combined with some distinctly new directions. There is quite literally a “greatest hits” walls featuring some of most classic icons and phrases (plus one new design that just began appearing in this show), so no Powers fan can really go away from this show entirely disappointed. As for the new directions, I think his painting that just has a single period against a black background is something new and perfectly Powers, and then there are the ADORE pieces…

If there’s one thing I flat-out did not like at this show, it was the ADORE series. For each of these pieces, Powers got the word “ADORE” painted a bunch of times on metal, like usual, but the signs were put in a square-shaped pile and assembled them into one piece. The idea of layering the signs could yield some interesting results and it’s kinda funny to see a giant painting that orders you to adore it over and over again, but the work comes across as the sort of blah pop art that a gallery with no repeat clients would hang next to Warhol-like portraits of Tim Tebow. Like with Faile’s last show at Lazarides, it’s great to see Powers trying out something new, so there’s no need to pretend that he has succeeded in his first attempts at this new idea.

As for the rest of the show, it made me smile, so I’m happy. The jokes and visual puns are where Powers shines. He is unquestionably clever when it comes to words and simple graphics. His “metalations” are like the silly doodles that most people do in school, but developed to a level that the limits of class time and the margins of a notebook never quite allow for and (sometimes) much more serious than the typical random doodle.

I’ve never totally loved the way that Powers makes the artist’s hand so evident in his paintings, but that’s a minor detail to worry about when you’re laughing, and it’s clearly an intentional choice on Powers’ part rather than a lack of skill. I’m sure he could paint in a KAWS-like superflat style if he wanted.

A Word is Worth a Thousand Pictures is open at Joshua Liner Gallery through this Saturday, and it’s a great place to go if you want to laugh a bit at the fact that life isn’t easy.

Photos courtesy of Joshua Liner Gallery

Weekend link-o-rama

Sam3

Well, the big story this week was of course Hyuro’s wall under threat in Atlanta, but a lot more has been happening elsewhere on the web, plus I missed a week of link-o-rama when I was in Atlanta myself, so here’s what I’ve got to share:

Photo by Sam3

Event-o-rama

Stephen Powers, who has a show coming up at Joshua Liner Gallery

There are a lot of shows coming up soon worth checking out. Here are some of I wish I could check out in person…

  • This week, the Iranian brothers Icy and Sot will have their first New York solo show, and it’s only open this Thursday through Saturday. Made in Iran will be at Openhouse, 379 Broome Street, New York.
  • Lush also has a show opening in NYC this weekend. His will be a show of drawings at Klughaus Gallery. It opens on August 25th from 6-10pm. Lush’s show are practically a place to expect surprises, so best get their opening night before a blog like this one ruins the shock value for you on Sunday. If you do miss opening night, the show runs through September 7th.
  • Next month, Stephen Powers aka ESPO will have his first New York solo show in over 7 years. A Word is Worth A Thousand Pictures opens September 7th from 6-9pm at Joshua Liner Gallery.
  • Galo Art Gallery in Turin has a great two-man show coming up with Bue and Chase. Brothers from Different Mothers opens September 9th from 5:30-9pm.
  • aMBUSH Gallery in Sydney, Australia has a big group show coming up with 67 artists including Anthony Lister, Askew, Does, Numskull, Vexta and The Yok. For Black and White All In Between, all the artists have painted on canvases of uniform sized and only used black ink. The show opens on August 31st from 6-9pm.
  • Jonathan Levine Gallery‘s next three solo shows open on September 8th and you will not want to miss any of them: Judith Supine, Audrey Kawasaki, and Jeff Soto. All three shows open from 7-9pm on the 8th. And speaking of Levine, I caught their current show earlier this week and it is great. Go it see before it closes.
  • Gold Peg’s Release The Wolves go-karting project in South London will have a gran-prix expo on September 1st. It’s gonna be some crazy and fun stuff. And art too, but I think that’s secondary.
  • Shepard Fairey is finally showing those paintings he did for Neil Young’s latest album. The few pieces I’ve seen photos of are impressive. Americana opens at Perry Rubenstein Gallery (which recently moved to LA) on August 25th from 7-10pm.
  • Finally, this last one is a mural festival, and it promises to be a big one… This year’s Urban Forms festival in Lodz, Poland includes Os Gemeos, Aryz, Inti, Otecki, Lump and Shida. Certainly the most-anticipated work of Urban Forms is the promised collaborative mural between Os Gemeos and Aryz. The events run from August 24th through September 30th and will bring the total number of murals organized in Lodz by the Urban Forms Foundation to 22. I can’t wait to see the photos of these pieces.

Photo courtesy of Joshua Liner Gallery

Waking up Vardø

E.B. Itso. Click to view large.

Note from RJ: We at Vandalog are excited to publish Tristan Manco‘s first post on the site, hopefully the first of many. Tristan is one of contemporary street art’s greatest champions and most-distinguished writers. Tristan curated by iterations of Cans Festival, worked at Pictures on Walls for half a decade, has written or in some way contributed to 8 art books since 2002 as well as numerous magazine articles in publications such as Juxtapoz. I’ve known Tristan for a couple of years, and he is one of the people whom I really trust when it comes to art.

Taking place in the 24-hour daylight of a Northern Norway summer on a small island town called Vardø north of the Arctic Circle – Komafest was always going to be a unique event…

Vardø is the oldest settlement in Northern Norway and in recent years has become depopulated with many buildings left empty, partly as a result of the collapsing fishing industry. The curator and organizer of the festival, the Norwegian artist Pøbel saw the potential of a street art festival to make a visual transformation of the town and to show the local people it was possible to make changes. While developing the idea Pøbel spent time getting to know the locals and with his unassuming nature and enthusiasm he began to gain their trust. Soon the public began to get behind the idea and offer up buildings for artists to paint on and volunteering to help in the organization. It became a truly grassroots movement rather than something imposed on the community.

Click to view large

The island, shaped like a butterfly, has an otherworldly atmosphere and is only accessible overland by a winding 3km undersea tunnel, which appears out of the ground like something out of a science fiction movie, but the real stars of the show are its traditional wooden buildings. Many of the wooden jetties, warehouses and buildings are abandoned, weather-beaten and in a state of beautiful decay. Although standing empty these heritage buildings all have owners who are often unable to afford their proper restoration. The idea of project is that the art that is created on them can awaken these buildings out from a coma, giving the festival it’s name – Komafest.

Steve Powers. Click to view large.

What I found inspiring about this project was the way the invited artists responded to the place. Each artist had some idea of what they might experience but in most cases their preconceptions soon changed once they began to speak to the locals and learn more about their environment. According to local fisherman Aksel Robertsen, Philadelphian artist Steve Powers had many ideas planned but scrapped them as soon as he began to meet the people and experienced the place for himself – all those encounters shaped his final murals; such as “Cod is Great” and “Eternal Light – Eternal Night”. The French artist Remed painted a mural on an old seafront warehouse, which took some of its imagery from the seascape but included the text Hellige Heks Fortuna, (Hellige Heks means Holy Witch in Norwegian). This references to witches dates back to the Vardø witch trials that were held there in 17th century resulting in many of the accused being burned alive at the stake.

Remed. Click to view large.

More after the jump… Continue reading “Waking up Vardø”

Going to the gallery

There are a bunch of shows open now or opening in the next month that I’d like to mention, but there are only so many hours in the day. So here’s a bit of a round-up:

  • Détournement: Signs of the Times is a group show that just opened at Jonathan Levine Gallery in NYC. It was curated by the legendary Carlo McCormick and features artists who “subvert consensus visual language so as to turn the expressions of capitalist culture against themselves.” Some of those artists in Détournement are Aiko, David Wojnarowicz, Ripo, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers, TrustoCorp and Zevs.
  • Chris Stain and Joe Iurato are showing together for a two-man show at NYC’s Mighty Tanaka. The show opens on Friday. These are two great and underrated stencil artists. I highly recommend checking out this show, particularly given the superb quality of Stain’s recent indoor work.
  • Sweet Toof has a solo show opening this week at High Roller Society a pop-up space in Hackney Wick, London.
  • Contemporary Wing’s (Washington, DC) latest group show, opening on the 16th, is an exhibit of secondary market work, but there should some nice stuff, including work by Shepard Fairey, WK Interact, Gaia, Faile and Blek le Rat. I must admit that I’ve included a piece in this show, but I’m not going to say which one (so if you want to help me out, just buy the entire show…).
  • Finally, Dabs and Myla have curated a show at LA’s Thinkspace Gallery which will open September 1st. In addition to their own paintings and installations, the show features 32 of their friends, plus a solo show in Thinkspace’s project room by Surge MDR. Those shows open September 1st.

Photo by Susan NYC

Preview: Young New York auction

Overunder

As Caroline mentioned earlier this month, the group Young New York is having a charity art auction this Tuesday at White Box Gallery in New York to raise money for their restorative justice art workshops with teenagers who have been put into the adult court system in New York.

Here are just a few of the dozens of artists with work in the auction: Steve Powers, NohjColey, Joe Iurato, Cake, Overunder, Gaia, Rudie Diaz, LNY, Blackmath, Mare139, Doodles, ND’A, Radical!, C215, Clown Soldier, Jill Cohen, Labrona and Luna Park. And here are a few of pieces that will be on offer:

Cake
Sean Lugo and Blacksmith
Radical and C215

Photos courtesy of Young New York

Young New Yorkers

Young New York: A Silent Art Auction & Fundraiser is an fundraising initiative for the Young New Yorkers (YNY) program, which aids and raises awareness for teens who have been legally classified “adults” and thrown into New York State’s adult criminal justice system.

The silent action will be happening Tuesday May 29th from 6pm-10pm at WhiteBoxes projects, and feature works by Steve “ESPO” Powers, LNYSteven Holl, Gaia, LabronaNohjColeythe YOK, ASVP, Doodles, Radical!, Feral Child, Cake, Ian Kuali’i and many others. All proceeds will go toward enabling workshops with successful artists, designers, teachers and social workers who will use creative theraputic methods to reach out to these teens in New York State’s criminal justice system.

You can purchase tickets to attend the auction here. For more information check out the YNY website or Facebook.

Weekend link-o-rama

Snyder in Beijing

While I spend my day at my other job explaining to people how a skee-ball tournament is art (seriously), I hope you’ll enjoy these newsbites from the past two weeks:

Photo by Snyder

Let’s talk: Discussions this week in NYC and ATL

Gaia and Nanook

This week, there are at least three discussions about street art and graffiti that look worth checking out.

The first two events are in New York at screenings of the film Vigilante Vigilante. VV is a film that I’ve been hoping to see for at least a year. It’s about the people who take graffiti removal into their own hands and paint over graffiti without permission. Here’s the trailer. VV has two screenings in New York this week at the Maysles Cinema: Wednesday and Friday at 7:30pm. After Wednesday’s screening, there will be a discussion with director Max Good, artists ESPO (aka Steve Powers) and Lava 1 & 2. After Friday’s screening, there will be a conversation between Max Good and retired Vandal Squad Cop Steve Mona. Either event should be interesting, but I’ll be at Friday’s screening (although I might have to bail on the discussion in favor of Fountain’s opening party. We’ll see). You can buy tickets for Vigilante Vigilante and read more about the film and the post-screening events online.

The final discussion is on Sunday evening in Atlanta. Living Walls Concepts is bringing Gaia and Nanook, both participants in the Living Walls Conference since its inception, to town to discuss “the impact of mural projects on urban areas” and “the importance of illegal street work and direct action.” Given their years at Living Walls and other mural festivals and Gaia’s experience starting up the brand new mural project Open Walls Baltimore, this should be something pretty special. You can find details of the event here.

Photo by Nanook

Weekend link-o-rama

Jade in Ecuador

It’s still technically the weekend for a few hours, so writing this is the perfect procrastination tool before I get down to doing homework. Hopefully you can take advantage of these links in a similar fashion:

  • Phlegm has a new print available. Quite a beauty.
  • A Love Letter For You, a film related to Steve Powers‘ project of the same name but also not the standard documentary you might expect, will be released soon. Here’s the trailer.
  • It’s definitely NSFW but also definitely worth checking out: F*CK ART at the Museum of Sex.
  • I’m guessing Vandalog will cover this in more detail with a full post and not just this tiny mention, but here are a boatload of shots from Os Gemeos’ show in LA.
  • Unurth happened to post cool optical illusion pieces this week by e1000ink and Rub Kandy.
  • Few things I’d rather see on a truck than a horse by Reminisce.
  • High Rise Murals is sort of a new project from Monorex. It organizes all of their murals (read: massive painted outdoor advertisements) under one banner. They launched High Rise Murals in two ways: By having INSA paint a mural and painting a massive Coca-Cola advertisement over some great graffiti. After someone very publicly shamed them, High Rise Murals selectively buffed the advertisement to make it look intentional and not about the massive tag (HW stands for the location of the advertisement, Hackney Wick). Over Twitter, Monorex said that they “are now in phase 2, re commissioning wall with artists.” This phase is also known as phase oh crap, we really screwed the pooch on this one and it’s time to backpedal. Monorex claim that phase two was always the plan, but I don’t see any reason to believe that. Artists need to get paid and painting advertisements can be a lucrative way to do that, but I think we can all agree that painting over graffiti and street art to replace it with advertising is not cool. Let’s hope High Rise Murals have learned from this experience and stop going over murals and art with advertisements.

Photo by Jade