Vhils in Philadelphia

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Photo by Steve Weinik

This summer I’ve been interning at The City of Philadelphia Mural Arts Program. The program is a city-run organization that has installed thousands of murals in Philadelphia over the last 30 years. Most of the artists they work with are traditional muralists, but they have also worked with Kenny Scharf, Steve Powers and others from the street art and graffiti scenes. Last week, Vhils came to town and installed a wheatpasted mural similar to the piece he did outside of the Leake Street Tunnel a few years ago in London. Rather than starting with a layer of old advertisements like he usually does, Vhils began the mural with a layer of collaged historic photographs of Philadelphia and covered that with a layer of white paper. The mural is on Drury Street in Center City, around the corner from the murals by Kenny Scharf, Gaia, and How&Nosm on 13th Street.

An art class from Mural Arts visits Vhils on site
An art class from Mural Arts visits Vhils on site. Photo by Steve Weinik.
The first layer of the mural. Photo by RJ Rushmore.
The first layer of the mural. Photo by RJ Rushmore.
Vhils and his crew projecting on the wall. Photo by Lisa Murch.
Vhils and his crew projecting on the wall. Photo by Lisa Murch.
Photo by Steve Weinik
Photo by Steve Weinik
Click to view large. Photo by Steve Weinik.
Click to view large. Photo by Steve Weinik.

Photos by RJ Rushmore, Lisa Murch and Steve Weinik

Updates from Spaik (Mexico)

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Spaik has been working on big and small scale, legal and illegal murals throughout the past few months. His experimentation with themes of cultural relevance such as: intimacy, nature, education, social mobility continue to be apparent in his two latest works.

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"The Flight" in Queretaro, Mexico.
“The Flight” in Queretaro, Mexico.

Photos courtesy of Spaik

The surpisingly rare street art featuring Edward Snowden

Portrait by (I think) Thierry Ehrmann at the Abode of Chaos. Photo by Thierry Ehrmann.
Portrait by (I think) Thierry Ehrmann at the Abode of Chaos. Photo by Thierry Ehrmann.

There’s been surprisingly little street art or graffiti about Edward Snowden, the patriot who leaked information to the press about the NSA’s massive internet spying programs. I would think that street artists would jump at the chance to make art in solidarity with Snowden, but so far that hasn’t been the case. The two pieces here by Thierry Ehrmann aren’t even on the street in the sense of being placed in truly public view, they are in his outdoor museum Abode of Chaos. I also found work by PosterBoy, Bamn and Eclair Acuda Bandersnatch. There was also this projection in Berlin, but I guess I’m looking more specifically for street artists who are taking up the cause.

PosterBoy
PosterBoy. Photo by PosterBoy.
Eclair Acuda Bandersnatch
Eclair Acuda Bandersnatch. Photo by Steve Rhodes.
Bamn. Photo by Jamie NYC.
Bamn. Photo by Jamie NYC.
Portrait by (I think) Thierry Ehrmann at the Abode of Chaos. Photo by Thierry Ehrmann.
Portrait by (I think) Thierry Ehrmann at the Abode of Chaos. Photo by Thierry Ehrmann.

This is what I’ve been able to find so far. If you know of more Snowden-related street art or graffiti, please let me know in the comments section of this post.

Photos by Steve Rhodes, Jamie NYC, Thierry Ehrmann and PosterBoy

Saga Uno in Bogota

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Saga Uno in Neiva, Colombia.

Since moving back to Bogota, I’ve found a true pleasure in looking for a character that pops up in the most unexpected spots; he is everywhere and I take my hats off to Saga Uno and his efforts to conquer the city, cause he knows damn well how to do it. So this is my very quick introduction to  Saga Uno and the ever evolving and traveling Salsaman.

Bogotá Mambo from Al Loro on Vimeo.

Click to view large
Click to view large

Photos and video courtesy of Saga Uno

It’s twilight in America

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Jetsonorama sent over this photograph along with an interesting explanation:

after reading your piece about shep’s displeasure with the obama administration, i too am bummed.

i pasted an image of a kid from my community on a roadside stand in april.  when i shot the image the kid (owen), was playing with matches while his mom was watching a video close by.  hoping he wouldn’t notice him, he’d peer over his shoulder from time to time to see if she was looking.  the look on his face is one of guilt + slyness, hoping he doesn’t get caught with his hand in the cookie jar so to speak.

a visitor to the little colorado river gorge where the image is pasted recently shot this image which in my mind is a subtle commentary on our current state of politics with the obama administration getting caught with it’s hand in the cookie jar – increasing the use of drone missles, spying on it’s citizens + allies and not persecuting those responsible for the predatory lending that resulted in the housing crisis.

it’s twilight in america.

Photo by James Patrick Kelly

Weekend link-o-rama

Buff Monster and Hoacs
Buff Monster and Hoacs

Enjoy the weekend:

Photo by Lois Stavsky

Pastel in Buenos Aires

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Pastel recently finished a wall in Buenos Aires, Argentina. What I like of Pastel’s work is how it references so neatly and effortlessly his influences in archetectural studies and demonstrates a hightened conscience of lines, shapes, and the richness that can expressed utilizing the absence of colors.

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Photos courtesy of Pastel

Safari in the urban jungle with The Wa, OaKoAk and fra.biancoshock

The Wa
The Wa

The Wa, OaKoAk and fra.biancoshock recently teamed up on a project across cities where all three of them made work on the theme of a “safari in the urban jungle.” The work was made in Milan, Berlin, Dusseldorf and St. Etienne. The three artists agreed on a theme, but beyond that each of them had no idea what the other two were making for their contributions to the project.

fra.b
fra.biancoshock
OaKoAk
OaKoAk
The Wa
The Wa
The Wa
The Wa
The Wa
The Wa
The Wa
The Wa

Photos courtesy of The Wa

Tim Hans shoots… MearOne

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Robbie Conal was one of the first artists that Tim Hans met up with for his series of portraits of artists, and Robbie suggested that Tim also photograph MearOne. Since I am mostly aware of MearOne’s work through Robbie, we asked Robbie to interview MearOne for us. – RJ

Robbie Conal: I know Mear One as a whirling dervish.  Painting, drawing, piecing, print making, poster production, T shirt lines, stickers and everything else I forgot to list. Always up to making and thinking about more things than I can even get my mind  around. (In fact, after writing those 3 sentences—conjuring the Mearski—I think I need a nap.)  So….I figure you must be hooked into world history and current events, like you have a social media I.V. drip going directly into your brain 24/7. Or, perhaps you even consume information the good old, old fashioned way…like, have you read  any good books, lately?

MearOne: I haven’t found the time to read any books this past year but the years prior I was on a bit of a reading binge. I studied world history and human psychology from the writings of philosophers like Richard Tarnas, Robert Anton Wilson, Ken Wilber, and I enjoy reference books that explore the mind and place of humanity in reality. I have always enjoyed cryptic Scientific, Philosophical, and Spiritual literature from the late 1880’s through the 1940’s. My family has roots in Art, Music, Astro Physics, and this seems to be a very interesting time in the subject matter that inspires me. I enjoy Anthropology and Archeology too – as an artist I can find an endless story to create and build upon, one you don’t find in traditional public school teachings.

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RC: Of course I’m interested in your reception habits and preferred sources of information, but I want to ask you about your big pieces about big subjects—you make more of them than pretty much  any street artist I know. How do you choose a subject to do a big “piece” about—like not necessarily doing a commission, but something more on your own.

M: For the work I create, my personal views and understanding of politics and humanity are worked into a extreme story that I can create to illustrate the issues that desperately need to be discussed. I search for truth to interpret this world that is insane. There seems to be a secret side of life that the average, complacent American victim has no idea about, and is partially responsible for. I believe the powers that be are mindlessly manipulating society to satisfy our addiction to greed and power. There are deeper levels of secret organization who are invested in harming upon the uninitiated and poor worldwide.

RC: Also, how did you develop (or evolve) your major pictorial form—the one (or 2 or 3) you use for the big pieces? (Which seems to me like a contemporary melding of classic social & political muralists’ heroic populist representation, teeming with images, use of deep illusionistic space and cracking open Pandora’s Box just enough to let loose some spiritualized microcosmic sci-fi galaxy spinning.)

M: My subject matter stems from what is happening right now and sometimes incorporates the past but shows how they are linked and perpetuated.  My paintings are philosophical perspectives on reality and I use real world current issues, juxtaposed with ancient myth, symbolism and my own imagination of the future in order to express a multidimensional way of conceiving of life responsibly and artistically. This is my way of looking into larger fields of time and how the human experience plays itself out. In addition, my work speaks about the unheard and lesser known ideas surrounding our culture like Social Conditioning, Political Power, The Higher Self Psychology, and The Material and Non-Material universe. I use current issues to discover their connection to past events and draft out a diagram of how time may be more akin to something like a four dimensional spherical reality as opposed to linear. There is something happening here and I want to know. There is a saying that goes something like, “If you long for ease and comfort than settle for it, but if your quest is for truth than you must search, and search you will.” And so here I am searching through my work to find what is true.

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Photos by Tim Hans