I’m a big fan of A1one’s artwork. Although I’ve seen and exhibited it on canvas, cardboard and vinyl, I’ve yet to see it up close in a public space. ‘hoping that A1one aka Tanha can bring his talents to the U.S. at some point! Meanwhile, I’m enjoying the photos he shares with me from time to time.
Down in D.C. this weekend, I spotted some striking political art — new to the streets. The Nigerian artist Aniekan Udofia’s huge portrait of a gagged George Washington on the corner of 14th and U and iwillnot’s postals satirizing Sarah Palin’s use of the word “refudiate” stand out.
Neckface and Reader stickers in NYC. Photos by Sabeth718
If you looked at Vandalog this week, you’d think it was a slow week in street art. That’s not so, but I’ve been locked down working on Up Close and Personal (opening pics here). So here’s some of what I missed covering this week:
This post at Brooklyn Street Art has the info on a number of shows that are opening or have opened recently (Hellbent and John Breiner in Brooklyn, Matt Siren in NYC, Chicago street artists in Chicago, Ad Hoc Art’s show at New Puppy Gallery in LA, Specter at Pawn Works in Chicago and The London Police in Denver).
Gaia has put up one of my favorite pieces from him ever, and has a show opening with the talented Nanook next week in Baltimore. My Love For You’s post on all that is pretty much exactly what I would have posted.
Few cities can boast as many dedicated and talented sticker heads as Philly. Their characters — often meticulously hand-crafted — seem to peer at you from every public space. I’m loving this one by Pheetus, and I never tire of seeing Underwater Pirate’s iconic character:
£1,000 by mobstr, part of The Commodity Series. Photo by mobstr
Because the humor in these pieces is similar, I’m throwing them together in one post.
First, mobstr‘s new series of paintings is called The Commodity Series. I’m a fan. Sort of like On Kawara, but funny. So far it’s four paintings: £1, £10, £1,000 and £10,000. And yes, I know that blogs like Vandalog are probably part of the butt of this joke, as they should be.
And then there’s Paul Richard’s latest piece. Paul is one of those hidden gems that not nearly enough people know about. He’s always on the mark. Here’s what he has to say about graffiti:
Although 5Pointz officially launches its 2011 season today, writers from abroad — as well as local ones — have been busy this past month. The pieces don’t often last long, and we’ve been trying to document this Long Island City graffiti mecca weekly. Here are three (of many) faves that have recently surfaced:
The Yok and Creepy from Australia, photo by Lois Stavsky Never @ Work, photo by Yasmin JonesMeres, et al, photo by Lois Stavsky
While I should probably be studying for final exams right now, I’m spending just as much time getting ready for Up Close and Personal, which opens next week in NYC. Check out a preview on Brooklyn Street Art. Here’s some stuff I would have liked to have covered this week:
New questions about if Banksy’s This Looks a Bit Like an Elephant piece left a man homeless.
Banksy is selling a poster on Saturday at the Bristol Anarchist Bookfair, and all the proceeds are going to charity. Just £5 per poster. The design is a “Tesco Petrol Bomb,” referencing the recent riots in Bristol over the construction of a new Tesco supermarket.
Melrose&Fairfax have an article about Jeffrey Deitch’s continued ties to The Hole, the gallery that his right-hand woman Kathy Grayson set up after Deitch Project closed and Deitch became the director of MOCA in LA. Most of what they mention was already well-known or expected and a lot less explosive than Melrose&Fairfax make it out to be, but I’d still be curious to hear what The Association of Art Museum Directors think about this.