A long overdue post: Living Walls 2012

Mon Iker

Last month, I was at the Living Walls Conference in Atlanta, but it’s only now that I’ve really had a chance to sit down and write about it. I thought that I was going to write this really long post, but the environment at Living Walls is difficult to capture in words, so this post isn’t nearly as long as I would have hoped.

Miso. Click to view large.

Living Walls is, as far as I can tell, the best mural conference/festival/program going on right now in North America. Living Walls doesn’t tend to just invite all the artists who are painting at other mural events around the world. They invite good artists. Sometimes those artists are guys like Roa who are everywhere, and sometimes it’s women like Miso who have only ever painted one or two murals. As a result, Living Walls sets trends among mural festivals.

Lex and Sten

For their main conference this year, Living Walls really bucked popular trends and tried to put street art on a new track by having a festival made up almost entirely of female muralists. While guys like Gaia, LNY and I were still invited to speak at the lecture and panel portion of the conference, the murals by Lex&Sten and Indigo&Andrzej Urbanski were the only two where male artists were contributing.

Martina Merlini

While the murals weren’t as amazing on the whole as they were last year and the crowd of artists wasn’t nearly as rowdy (although that might have been a plus), this year’s Living Walls did bring some great work to Atlanta and really showed that there are some underrated female street artists and muralists out there who could be on the mural circuit as much as guys like Jaz or Roa. My hope and expecting is that the top-tier of artists from the conference will get more attention brought to their work thanks to Living Walls and some will start getting invited to a lot more mural festivals. As I’ve said in the past, I do not generally get excited to give artists preferential treatment based on them belonging to some underrepresented group, but I can see why an all-female Living Walls may have been the right move for this year even if the quality of the work did drop slightly.

Jessie and Katey

This Living Walls conference had more artists than ever before who were either more on the community mural side of the spectrum or had never painted a mural before. The results of that move were mixed, but there were some artists like Jessie&Katey and Mon Iker who took the opportunity and absolutely crushed it.

Hyuro. This wall has since been painted over.

One thing I have to add isn’t so much about the art though. Whether Living Walls were inviting only artists that none of us have ever heard of before or stealing their line-up from Nuart, it would still be at least one of the best mural conferences in the world. That’s because Living Walls’ secret is in their amazing staff. Living Walls has best team of volunteers of any mural festival I’ve ever seen or could imagine. They are unbelievably dedicated to the festival and to getting more world-class street art and murals in Atlanta. Every day, the media team led by Alex Parrish was up until something like 4am putting together a video of what had gone on that day, and then they’d be back up at 7am to start filming all over again. Just last week, I was emailing with Keif Schleifer, their Logistics Director, who was spending her free time advising me on cherry-pickers. The day of the Vandalog Movie Night, volunteers showed up out of the blue to help us set up and run the show. Laura Calle and pretty much everyone else on staff who spent their own money to pay for the gas to drive myself and the artists around Atlanta. The drag queen who was a volunteer last year and this year helped arrange a drag show for the Living Walls Block Party. The artist assistants who stand in the hot sun alongside their artists all day long, offering any help they can. And of course, Monica Campana, the Executive Director of Living Walls, who is the amazing glue holding everything together without ever sleeping or slowing down. Everyone on staff or volunteering at Living Walls works at least as hard as the artists, and they were certainly working harder than me. After visiting two years in a row for just a few days each time, it honestly feels like I have family in Atlanta.

Olive47

Much more after the jump… Continue reading “A long overdue post: Living Walls 2012”

The saga of Hyuro in Atlanta

On September 16th, Hyuro‘s mural in Atlanta was buffed by members of the Living Walls team. As I wrote last month, the mural that Hyuro painted for this year’s Living Walls Conference was the highlight of the festival, but it was considered controversial by some of the local residents. Of course, street art and murals cannot last forever, nor should they, but it’s difficult to not be at least a little sad about the swift rejection of this mural by the community. Creative Loafing Atlanta has a great slideshow going over the story of the mural from start to finish.

Both Hyuro and and (Living Walls co-founder and executive director) made statements about the mural and it’s removal.

Hyuro:

Each person can take it the way they want to, because it is for everyone …and at the end, if it gets painted over, know that the gray paint will not hide the fears of no one, but if anything It will make those fears more visible.

Monica Campana:

Paint on this wall made for a beautiful mural, people talking about it made for a beautiful conversation. A public space was created and all of a sudden this dead intersection became more human. The mural belonged to all of us, to the ones that liked it and to the ones that didn’t, it was our dialogue, it was our challenge, but now it’s gone. Now we are back to ignoring that space again, now we are back at thinking that erasing the evidence will make us think this never happened. It hurt so much to paint over the wall, to destroy something someone else put so much heart and passion into. It was a painful process, but what hurt the most was that for the first time I felt like I had to censor myself. It was a weird feeling, a confusing and ugly feeling that I never want to experience again.

Photo by Dustin Chambers via Creative Loafing Atlanta

Weekend link-o-rama

Zéh Palito and Tosko

It is time for me to get a reasonable number of hours of sleep. Until I have to get up in the morning. Here’s what we didn’t get to write about on Vandalog this week:

Photo by Zéh Palito

See you at Nuart Festival 2012?

Skewville at Nuart 2009

This year’s Nuart Festival takes place later this month in Stavanger, Norway, and I’ll be there along with a really amazing group of artists and speakers. This year’s artist lineup is Aakash Nihalani, Dolk, Eine, Ron English, Saber, How and Nosm, mobstr, Niels “Shoe” Meulman, Jordan Seiler, The Wa and Sickboy. I’m excited to see the “mostly legal” work that those artists get up to.

I’ll be participating in three events at Nuart Plus, a 3-day international summit on street art taking place during the festival. Evan Pricco, Tristan Manco, Carlo McCormick and others will be speaking there too. Here’s what I’m involved in: On the 27th, Jordan Seiler and I will be giving a tour of some of the art (and ads) in Stavanger; On the 28th, Carlo McCormick and I will be at Martinique, a cafe and pub, to debate about whether or not one can truly appreciate street art on the internet; On the 29th, Evan Pricco, Tristan Manco and I will be on a panel about street art and the internet moderated by Eirik Sjåholm Knudsen. Sorry if I’m focusing a bit too much on my own stuff, but I’m really excited to be going to Nuart, especially since I’ll be speaking alongside so many of my friends and idols.

There will of course also be an indoor art component to the festival.

Nuart’s street work begins September 20th, the indoor show opens on the 29th at Tuo Scene and the panels and talks will take place on the 27th-29th.

Photo by RJ Rushmore

Anybody got photos of the murals at See No Evil 2012?

Pixelpancho. Click to view large. Photo courtesy of See No Evil.

First of all, the frustrations in this post are pretty much the same that Caroline voiced in a post earlier this year about the All City Canvas festival. This year’s edition of the major Bristol mural festival See No Evil finished up recently, and I’m thinking that some great walls were painted. But how the hell can I tell? Other than Nychos’ wall, all the walls I’ve seen are in photos that have been filtered to hell because (I guess) that makes them more bloggable or tumblrable or whatever. Too often now, it seems like street art is more about the photo that will be sent to sites like this than the actual mural which should be meant to be appreciated by thousands of people every day. Photos are important, but rarely should the photo be more important than the actual work. I don’t think that the internet has to be the death of street art, but it damn sure could be when walls get painted for the purpose of taking filtered-to-hell photos of the finished product.

There were some talented artists painting at See No Evil, and the photos looks great if you think of them as photos untied to an actual mural that should be documented, but I’d like someone in Bristol to tell me how the murals actually turned out in-the-flesh. Here are some more photos that I was given from the event:

Conor Harrington. Click to view large (but still not unfiltered). Photo courtesy of See No Evil.
M-City and SheOne from this year and Nick Walker and El Mac from last year. Actually, I like this photo as an overview of the city, but unfortunately it’s the only one available of M-City’s finished wall. Photo by Ian Cox.
Nychos. This pic was not messed with, thank God. Click to view large. Photo courtesy of See No Evil.

I’m sorry to pick on See No Evil about this issue. It’s not something that they started and it’s not something unique to them. They seem like a cool festival, but this is an issue which they are contributing to.

Photos courtesy of See No Evil and by Ian Cox

Weekend link-o-rama

Sam3

Well, the big story this week was of course Hyuro’s wall under threat in Atlanta, but a lot more has been happening elsewhere on the web, plus I missed a week of link-o-rama when I was in Atlanta myself, so here’s what I’ve got to share:

Photo by Sam3

Event-o-rama

Stephen Powers, who has a show coming up at Joshua Liner Gallery

There are a lot of shows coming up soon worth checking out. Here are some of I wish I could check out in person…

  • This week, the Iranian brothers Icy and Sot will have their first New York solo show, and it’s only open this Thursday through Saturday. Made in Iran will be at Openhouse, 379 Broome Street, New York.
  • Lush also has a show opening in NYC this weekend. His will be a show of drawings at Klughaus Gallery. It opens on August 25th from 6-10pm. Lush’s show are practically a place to expect surprises, so best get their opening night before a blog like this one ruins the shock value for you on Sunday. If you do miss opening night, the show runs through September 7th.
  • Next month, Stephen Powers aka ESPO will have his first New York solo show in over 7 years. A Word is Worth A Thousand Pictures opens September 7th from 6-9pm at Joshua Liner Gallery.
  • Galo Art Gallery in Turin has a great two-man show coming up with Bue and Chase. Brothers from Different Mothers opens September 9th from 5:30-9pm.
  • aMBUSH Gallery in Sydney, Australia has a big group show coming up with 67 artists including Anthony Lister, Askew, Does, Numskull, Vexta and The Yok. For Black and White All In Between, all the artists have painted on canvases of uniform sized and only used black ink. The show opens on August 31st from 6-9pm.
  • Jonathan Levine Gallery‘s next three solo shows open on September 8th and you will not want to miss any of them: Judith Supine, Audrey Kawasaki, and Jeff Soto. All three shows open from 7-9pm on the 8th. And speaking of Levine, I caught their current show earlier this week and it is great. Go it see before it closes.
  • Gold Peg’s Release The Wolves go-karting project in South London will have a gran-prix expo on September 1st. It’s gonna be some crazy and fun stuff. And art too, but I think that’s secondary.
  • Shepard Fairey is finally showing those paintings he did for Neil Young’s latest album. The few pieces I’ve seen photos of are impressive. Americana opens at Perry Rubenstein Gallery (which recently moved to LA) on August 25th from 7-10pm.
  • Finally, this last one is a mural festival, and it promises to be a big one… This year’s Urban Forms festival in Lodz, Poland includes Os Gemeos, Aryz, Inti, Otecki, Lump and Shida. Certainly the most-anticipated work of Urban Forms is the promised collaborative mural between Os Gemeos and Aryz. The events run from August 24th through September 30th and will bring the total number of murals organized in Lodz by the Urban Forms Foundation to 22. I can’t wait to see the photos of these pieces.

Photo courtesy of Joshua Liner Gallery

Vandalog Movie Night as a blog post

Earlier this week, I hosted a movie night at The Wren’s Nest in Atlanta for the Living Walls Conference. Living Walls asked me to put together a list of some short films to show, and I ended up with 27. A few people have asked me to post those films online to share with friends or just to see a film that they missed while they were getting some food, so after the jump you’ll find embedded versions of all 27 films that were screened at the movie night (many of which have appeared on Vandalog before). Enjoy! Continue reading “Vandalog Movie Night as a blog post”

Waking up Vardø

E.B. Itso. Click to view large.

Note from RJ: We at Vandalog are excited to publish Tristan Manco‘s first post on the site, hopefully the first of many. Tristan is one of contemporary street art’s greatest champions and most-distinguished writers. Tristan curated by iterations of Cans Festival, worked at Pictures on Walls for half a decade, has written or in some way contributed to 8 art books since 2002 as well as numerous magazine articles in publications such as Juxtapoz. I’ve known Tristan for a couple of years, and he is one of the people whom I really trust when it comes to art.

Taking place in the 24-hour daylight of a Northern Norway summer on a small island town called Vardø north of the Arctic Circle – Komafest was always going to be a unique event…

Vardø is the oldest settlement in Northern Norway and in recent years has become depopulated with many buildings left empty, partly as a result of the collapsing fishing industry. The curator and organizer of the festival, the Norwegian artist Pøbel saw the potential of a street art festival to make a visual transformation of the town and to show the local people it was possible to make changes. While developing the idea Pøbel spent time getting to know the locals and with his unassuming nature and enthusiasm he began to gain their trust. Soon the public began to get behind the idea and offer up buildings for artists to paint on and volunteering to help in the organization. It became a truly grassroots movement rather than something imposed on the community.

Click to view large

The island, shaped like a butterfly, has an otherworldly atmosphere and is only accessible overland by a winding 3km undersea tunnel, which appears out of the ground like something out of a science fiction movie, but the real stars of the show are its traditional wooden buildings. Many of the wooden jetties, warehouses and buildings are abandoned, weather-beaten and in a state of beautiful decay. Although standing empty these heritage buildings all have owners who are often unable to afford their proper restoration. The idea of project is that the art that is created on them can awaken these buildings out from a coma, giving the festival it’s name – Komafest.

Steve Powers. Click to view large.

What I found inspiring about this project was the way the invited artists responded to the place. Each artist had some idea of what they might experience but in most cases their preconceptions soon changed once they began to speak to the locals and learn more about their environment. According to local fisherman Aksel Robertsen, Philadelphian artist Steve Powers had many ideas planned but scrapped them as soon as he began to meet the people and experienced the place for himself – all those encounters shaped his final murals; such as “Cod is Great” and “Eternal Light – Eternal Night”. The French artist Remed painted a mural on an old seafront warehouse, which took some of its imagery from the seascape but included the text Hellige Heks Fortuna, (Hellige Heks means Holy Witch in Norwegian). This references to witches dates back to the Vardø witch trials that were held there in 17th century resulting in many of the accused being burned alive at the stake.

Remed. Click to view large.

More after the jump… Continue reading “Waking up Vardø”