The Man Behind Crunchy…

With the launch of Ronzo‘s latest solo show, “Crackney’s Finest,” Vandalog thought it would be a good idea to get to know the mastermind behind the roach pizza man and Crunchy. Here are some pictures of the opening night as well. And if you haven’t gone to see it yet, get your arse down to Brick Lane ASAP.


How did you get into art in the first place, eventually evolving into your aesthetic today?

When I was little I just always wanted to draw and paint. Later on in school it seemed to be a good career choice as it was the only thing I was  really enjoying plus I wasn’t good in anything else but art class. I think the result of my aesthetics today is a mixture of all the stuff that influenced me on the way, my own ideas/ things I think would be cool to do and the ‘Ronzo Credo’ which is: innovate – don’t imitate. I like my work to look a bit different to the generic perception of ‘Street Art’. That’s how I ended up with the look and feel we see now.

Where do you come up with the concept of your characters? Most of them, although funny and light on appearance, embody a socio-cultural commentary. Would you agree?
Definitely! I’m trying to strike a balance of the work being humorous/entertaining with an element of more or less meaningful social commentary. I don’t want to be shallow but on the other hand I don’t want it to be to political and serious either  –  it would get boring. A good way to get to people is via humour. An excellent example for this is ‘Modern Times’  by ‘Charley Chaplin’. He is one of my heroes. I haven’t got real concepts for my characters. More ideas and things that I see in real life. When I draw I try to remember people or situations I’ve seen and add a bit of a Ronzo twist to it. I try to ‘keep it real’ this way and not overcomplicate things too much.

One of my favorite works of yours will always be the giant Crunchy on the Village Underground. It was one of the first pieces I saw when I lived in London a few years ago and I fell in love with the piece and the intent behind it. How did your notions of Crunchy begin?
Thank you – He’s my favourite too. I always try to melt non-fiction and fiction together. In case of Crunchy, I feel it couldn’t have worked out better. I lost my job then and so did many people I know. I felt it wouldn’t be much use to look for a new job as there weren’t any. Instead I wanted to spend my time on doing something in the public eye that is dealing with the subject. The result was ‘Crunchy’ – a mixture of a real life economy crises and a Godzilla fable creature. I had lot of help while doing it from my friends and Village Underground as well. I’m happy that we did it because I feel that people can relate to it. Everyone has their own experience with the recession and Crunchy reminds as a bit about it everyday.

Can you explain the use of unique materials in your work? I know I was surprised when i discovered what some of your works were made of?
I use spray paint, acrylics, pencil, paper, canvas, fiber glass, resin, wood, metal. clay etc. I’m interested in any materials really. But in the end of the day it’s just materials. They don’t mean anything. The Idea is the only important thing.


Congratulations on your solo exhibit, “Crackney’s Finest,” going on now at Stolenspace gallery. How did you decide what you wanted to do for the solo show?
Thank you – Glad you like it. ‘Crackney’s Finest’ came about as I realised I had too many characters with their individual stories to put under on roof. I just needed a good phrase to round them all up. And as they all live in the virtual borough of Crackney I thought to name them ‘Cracknety’s Finest’ fit’s just fine. Like if they were the ‘creme de la creme’ of the neighbourhood.

Your work is created in so many different mediums? Which outlet do you like to work in most?
That’s difficult to tell – I love everything really. And all of it starts with sketching and drawing.

What is your favorite piece from the show?
The Pizza Roach  (Giant spinning cockroach on Honda delivery bike)

What projects can we look forward to in the immediate future from you?
The good old stuff – Just bigger and better. I’m preparing a big street installation at the moment and a view other things. All top secret of course – but I will keep you posted…
Photos via Butterfly

Art Mosh hits London

On November 25, the next installment of Nixon’s Art Mosh will hit London at Arnold Circus by Liverpool Street. Taking place around the world, Art Mosh continues to display and support some of the best up and coming art and music. This time around artists featured include: Richie Culver, Alexander James, Bose Collins, Andreas Muller, Thomas Traum, Morgan Slade, Yoskay Yamamoto, Sophie Stephens, Andrew Hem, Faith 47, Herakut, Mark Ward, Hornhead, Niall O’Brian, Tomomi Sayuda, B Project, Filtr, Sawdust, Neil Ayling and Yoojin Jung.

For further details please subscribe to the Newsletter here: http://artmosh.com/rsvp.html

Dran Invades London

I Have Chalks show

At the end of this month, Pow will play host to one of the biggest upcoming street artists in the game: Dran. Known for his cheeky socio-cultural illustrative commentaries, the young Frenchman has gained a loyal following both within the street art community an collectors alike. Two separate shows will take place, one in a secret pop-up location in Soho entitled “My Everyday Life” and the second is a print show at POW headquarters in Shoreditch entitled “I Have Chalks.” The pop-up show will center around of Dran’s fictitous characters, Scribouille, who does nothing in life but art. The secret location will be filled with Dran’s sculptures, installations and street work which are rare in solo form (He usually bombs with his crew Da Mental Vaporz)

“My Everyday Life” will open November 26th to the public and the location will be made known soon.

“I Have Chalks” will open at the print shop on December 2.

These are going to be the most talked about shows this winter, so make sure to check out the works of this rising art star. And I am not just saying that because I am a MASSIVE Dran fan.

Image for My Everyday Life show

Images courtesy of Pictures on Walls

Weekend link-o-rama

A lot of events have been happening this week, most likely so that everyone can make a last minute push in shows and such before the holidays. Then we have nothing to write about. Gotta love when a whole industry shuts down for a month or so.

Blu (photo vua Nuart)

Anyways, so here is what has been going on:

  • Tonight is the opening of the London Miles Gallery “The Idol Hours”. The show is a group show that gives artists like Luke Chueh, Travis Lampe and Scott Young the opportunity to portray artworks from the art canon in a modern sense
  • Factory Fresh will be hosting a Block Part in Brooklyn Nov. 20th with a live mural painting from Gai, Imminent Disaster, Chris Stain and Skewville. The Burning Candy Crew will also be showing new portions of their ongoing documentary Dots
  • New Blu piece in France popped up recently. Such detail as usual
  • Remi/Rough has been busy in England lately. He has a new print released, designed the decor of the new Wahaca Soho eatery, and put up a nice piece in Birmingham with time lapse video
  • Finally, A Barry McGee retrospective will take place in 2012 in Berkeley, California in conjunction with the Berkeley Art Museum and Pacific Film Archive. The two organizations were awarded a $100,000 grant by the Andy Warhol Foundation to put on the show
  • Unusual Image has some great photos of the Best Ever show that took place at Blackall Studios last night
  • Stolenspace will play host to the second solo show by Ronzo entitled “Crackney’s Finest.” The show will open Nov. 19th

Roa’s work threatened by Hackney Council

As most of you may know, one of Roa‘s beloved works in East London is facing removal after the owners of the building were told they have 14 days to remove it or the Council will. The whole ordeal is a bit ridiculous, since the Hackney Council is calling the piece a “blight on the environment”even though the owners the building gave the artist permission to paint int he first place. An online petition is going on to save the work and pretty much tell the Council to back off. So sign it and try to save the piece. I would hate to start seeing even more works under glass…

More info at The Guardian and Londonist.

Photo by Matt From London

New Works from the Weekend Onwards

With the run-up to Frieze in London and everyone and their mother in town for events, there has been a bit of an explosion of art this week. So, I thought I would do a little round-up of pieces I have come across online since for the next few days all you will hear is “Oh my God! Hell’s Half Acre is Amazing!!” and “Moniker looks so cool!” Sometimes we need a break from that. Ok, well at least I do.

Motor in Leake Street by Steph Keller
Banksy Door at Old Vic Tunnels by Butterfly
Trustocorp for Reform School in NYC
Eine "Calculate" by VNA
Sando by Walls of Milano
Stik on Great Eastern Street by Spen H
Banksy "haring dog" by Romany W G

Oh come on, I had to post this one! It is one of my favorites of the new Banksy pieces. Plus, whoever made the Haring sculpture in response is awesome. It is a great addition unlike the graffiti next to it.

Overlap: Aakash Nihalani at Bose Pacia

Aakash Nihalani has a solo show coming up at Bose Pacia Gallery in Brooklyn, NY. Entitled Overlap, the show will feature new works by one of my favorite geometric artists. Including photography, paintings, sculpture and digital design, the November show brings Nihalani’s to another level inside a gallery space. Always coming up with new ways to evolve his art, this show will definitely be one to watch.

PS- Does anyone know what artist’s obsession with balloon animals are these days? Not that I’m complaining, but first Banksy, then this guy La Bouller and now Aakash. Anyone want to make me a life sized one?

Photo courtesy of Jim Kiernan for Aakash Nihalani

The Making of Crunchy

Ever since I lived in London two years ago during study abroad,  I fell in love with countless street pieces that are sadly R.I.P. Yet, one of my favorite pieces still stands above the Village Underground in Shoreditch untouched and unscathed by vandals and the elements. Ronzo’s Crunchy the Credit Monster stands as a symbol of the recession overlooking the now gentrified Great Eastern Street, although to me, he still looks like a baby Reptar from the Rugrats (which is actually what I thought it was before I researched the piece). Recently, Ronzo and company released a video finally explaining the making of the adorable sculpture.

Crunchy the Credit Monster

CRUNCHY – The Credit Crunch Monster from Ronzo on Vimeo.

Hell’s Half Acre Photo Exclusives

On Friday, I was graciously given an early preview of Lazarides highly anticipated new show, Hell’s Half Acre. Taking place at the Old Vic Tunnels by Leake Street, the off-site display hosts new works from heavy hitters Conor Harrington, Vhils, George Osodi, Antony Micallef, Doug Foster, Todd James, Paul Insect, Mark Jenkins, Boogie, Ian Francis, Polly Morgan and Jonathan Yeo.

The team at Laz still had a lot of work to do before the private opening tomorrow, but from what I could tell, this is sure to be one of the most talked about shows for months to come. Loosely basing the concept off Dante’s The Inferno, the works themselves reek of death, destruction, fantasy, and myth. The dark and wet tunnels create an ambiance that not only makes viewers uncomfortable, but forces them to react to the art. I don’t want to give too much away, but all of the work is brand new and most of it was made specifically for the show, especially the large scale installation spaces. At every turn in the tunnel’s maze, there is something new to be discovered, attempting to shock and intrigue viewers.

Here are just some of the pictures I have as well as the Babelgum preview video that is circling the Internet like crazy this weekend.

Photos by Stephanie Keller

Wild Fantasies features a Decade of Don’t Panic Posters

Yes, I know this post is a week late, but give me a break. I have photos! Well, borrowed photos (thanks Sandra!).

So last week premiered the Stolenspace opening of some amazing work by artists featured in the Don’t Panic packs that you find around London. On the walls hung pieces by Shepard Fairey, C215 and Word to Mother; pretty much a whose who of contemporary street art. I especially like the latest piece by D*Face. You cannot go wrong with a Spiderman motif.

I had to laugh though. I guess I have never seen how dedicated street art collectors are, because there was a crazy line to buy the posters. Not knowing what original you were going to receive, guys were walking out with four or five tubes under their arms after waiting in line for over an hour while trying to balance a drink. Eager beavers.

Photos courtesy of s.butterfly