Finals are approaching link-o-rama

OX in Paris
OX in Paris

This weekend I’ve been without solid internet access, and Caroline and I have both been knee-deep in exams and final essays for the last week, so here’s a belated link-o-rama…

Photo by OX

 

Roa – “Carrion” at Backwoods Gallery, Collingwood

“Perameles Gunnii” EASTERN BARRED BANDICOOT (open doors)
“Perameles Gunnii” EASTERN BARRED BANDICOOT (open doors). Photo courtesy of Alex Mitchell.

After meeting and developing a friendship with Roa in San Francisco earlier this year, I’ve been really looking forward to him arriving in Melbourne! I’ve always known Roa loved his animals, but have never appreciated him as much as I do until now.

Roa was invited by Healsville Sanctuary to visit and meet some of their animals and paint some walls. Healsville is a very special place and there is no doubt that experience shaped the entire trip in Melbourne and also heavily influenced the exhibition. There’s nothing like seeing an artist meet an animal, touch it, play with it, and then go off and paint it.

Bones
Bones. Photo courtesy of Alex Mitchell.

Roa’s inspiration for CARRION, his show that just closed at Backwoods Gallery in the Melbourne suburb of Collingwood, was a direct result of the visit to Healseville. The animals, the staff and their passion for the animals and having access to things even most Australians have never even experienced really made a difference.

Wombat skeleton on the wall outside Backwoods
Wombat skeleton on the wall outside Backwoods. Photo courtesy of Alex Mitchell.

So how did this impact the show? In so many ways! Firstly, all of the works were Australian native animals. But the installation, as Roa’s shows often are, was something else! The experience began even before entering the gallery, with the scent of something strange to come. Roa painted the wall in the alley way leading into Backwoods with a giant wombat skeleton. The strange smell kept luring you closer and closer, I won’t say it was a pleasant smell, far from it – soon you’ll understand why.

The entrance - CARRION
The entrance – CARRION. Photo courtesy of Alex Mitchell.

Upon entering Backwoods punters were greeted by a green wall with CARRION painted in red. To the right was a shed built inside the gallery, inside were several videos showing a wallaby autopsy (Roa got to watch and film this at the sanctuary). Rather confronting for those not knowing what to expect.

The shed with the Wallaby autopsy
The shed with the Wallaby autopsy. Photo courtesy of Alex Mitchell.

Fish tanks were assembled throughout the gallery with a set of pipes joining them together for air flow. Inside was the cause of the smell, native Australian animals (a possum, a wallaby, an echidna, a kookaburra and several other birds) being slowly consumed by flesh eating beetles! If you were surprised by the autopsy video this was even more of a shock to some. Bones and various other found items were also scattered throughout the gallery.

Dead Kookaburra
Dead Kookaburra. Photo courtesy of Alex Mitchell.

The paintings, all of native Australian animals, were beautifully painted and came in a range of sizes and complexity (in terms of how many moving parts/doors they had). My favourite pieces were the Bandicoot, the Echidna, the platypus and the Honey Possum. Continue reading “Roa – “Carrion” at Backwoods Gallery, Collingwood”

KR in Miami

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I’m not always a fan of KR (I don’t care how good the ink is, a marker should not cost $10, and it should be designed to be refillable) or his murals (I’d much rather see pieces by Just or Katsu using similar techniques), but Olive47 got some great photos of a piece by KR in Miami.

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Photos by Olive47

Paolo Cirio is either a horrible person or a great conceptual artist

214 Lafayette Street, New York

Paolo Cirio is a self-described sculptor of data, or what many others would consider a hacker. On his personal website there is a list of “Key Facts” which are essentially a resume of scams, web disruptions and media subversions that include things like “hacked and stole digital books from Amazon.com and redistributed them for free. The firm had to give embarrassing explanations to the press,” and to greater extremes, “created an online platform to debug the script of Security Theater, the PSYOPS program for antiterrorism measures in international airports.” Paolo is well-spoken about his projects, which is important when you’re trying to pass off the theft of 1 million Facebook profiles as “art”. He seems intelligent, maniacally creative, and has a bizarre, semi-destructive sense of humor. I like him.

Why is he being talked about on a street art blog? His online subversion recently made its way into the real world when he pasted life-size printouts of people caught of Google’s Street View camera in the precise location their images were taken. He has dozens of these “Street Ghosts” in three different cities: New York, London, and Berlin.

Dircksenstraße / Rochstraße, Berlin

“This ready-made artwork simply takes the information amassed by Google as material to be used for art, despite its copyrighted status and private source. As the publicly accessible pictures are of individuals taken without their permission, I reversed the act: I took the pictures of individuals without Google’s permission and posted them on public walls,” says Paolo.

Ebor Street, London
80 East Houston Street, New York
12 Cheshire Street, London

For more photos and information on Street Ghosts go here.

Photos by Paolo Cirio

An update from Rone

Wonderwalls, Wollongong, NSW
Wonderwalls, Wollongong, NSW

Rone has been busy since returning from San Francisco. He’s been painting lots of walls in Australia in various different new styles and has been involved in a number of collaborations. Loving all the new pieces around Melbourne. He is currently in Miami painting some amazing walls. Here’s a few of my favourite pieces. Also check out the great video by Callum Preston.

Continue reading “An update from Rone”

Baltimore Invades Brooklyn: NGC Crew at Tender Trap

Those who read my posts about Baltimore graffiti have already seen the pieces, rollers, and tags of Maryland-based NGC crew. Recently, for the New York Art Book Fair, the group debuted a zine detailing their quests painting throughout the gritty spots throughout the city. Opening today, “Kids Eat for Free” expands the reach of their exploits from East to West coasts.This show as an extension of their earlier zine, both being accompanied by personal work, documentary photography, and inside jokes. Only instead of taking on Baltimore, NGC took on the entire country.

-Rhiannon

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Press release:

On Thursday December 13, 2012 from 6pm – 10pm The Superior Bugout presents the opening night of Kids Eat for Free with artwork from North Carolina’s infamous NGC crew. Artists FISHGLUE, MTN, RODA and Thomas Bachman share their photos, sculptures, and diatribes of tales from their travels and mischief. Much of the work appeared in Miles Michaels’ 1480 Gallery in Detroit, MI earlier this year in August, and has now traveled with additional new work to Brooklyn.

The artists’ work documents the past Summer, traveling across America’s northeast corridor, southern and mid-western states and New York City stealing freight train rides and paint. Along the way they’ve reworked the visual landscapes of the towns they passed through with colorful signage, roller pieces, and urban scrawlings. The show will be on display throughout the new year.

Accompanying the artwork will be an experimental sound set with MIND DETRGNT BKF playing eclectic samples and sounds from his vast collection of tape cassettes.

NGC

Photos courtesy of the artists

Wild Style Wednesday! Featuring Klughaus at Miami Art Basel

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DCEVE Smart Crew

There’s something a little awkward about “graffiti” on canvas. The work may look great but it still feels like there is a crucial element missing or out of place…

New York City’s Klughaus Gallery wanted to showcase graffiti in Miami this year the way it was intended to be shown: outdoors on the side of trucks. The graffiti artists were forced into a “natural” state of mind since they went at it knowing that their work would be painted over in the next 24 hours and would be on display for less time than it took them to paint. The work was displayed while cruising down the main streets of Wynwood and around a lot of the Art Basel-gallery-action in Miami Beach. Awesome concept.

KAPUT & LARGE VTS
Kaput & Large VTS
OIL (RIP) by JUNE, DZEE character by OBLVN
OIL (RIP) by June, DZEE character by OBLVN
Topher BBT Smart Crew
Toper BBT Smart Crew
Vor138 DBI
Vor138 DBI
Stae2 GFR
Stae2 GFR

Photos by Klughaus Gallery