Urban Angel – The Show Must Go On

Yesterday I had the chance to see Urban Angel’s latest group show, The Show Must Go On.

There are a bunch of artists involved in the show, but I’ve just picked a few high (and low) lights to cover here.

As usual, Best Ever is coming out with even better work. These guys have continued to develop their style into something distinctive and just plain cool to look at.

Best Ever
Best Ever

Also some cool work from Remi. Just when I think I’m going to get tired of his stuff, he paints something to get me interested again. The sketch in particular caught my eye.

Remi Sketch
Remi
Remi
Remi

Ok and now for that lowlight (is that a word?) I mentioned. Mantis. Mantis has done some work that I like. His work at Hackney Wick is not to be missed and I’m sure that if this stencil had been by Banksy, it would be worth a couple hundred grand. But his latest piece by Old Street just doesn’t cut it for me. I get the message, but it’s about 10 months too late and not that great to begin with. And why does he have to turn that image into a print release and an original work after being on the street for less than a month?

Mantis

Surely, the message is now completely gone. The way I saw this piece on the street, it is about how people paid absurd amounts of money for Banksy’s work, which is often meant to make a poltical statement about poverty, when instead they could spend that money actually helping some starving African kids. And now I’m expected to buy that image from Mantis. No thank you.

So as to not end on such a sour note, let me say that there is also new work from Mikael Alacoque in the show, and though I could never have one of those dogs in my house all the time, they sure are fun to go and have a look at.

Photos by WallKandy

Elbowtoe in London

I’m a bit late on this one, but I think the work that Elbowtoe put up while he was in London recently is really something. He came over as part of a show at Black Rat Press, but I think where he really made an impression is on the streets. Unfortunately, a lot of this work hasn’t survived very long, but there is still one large piece completely untouched just outside the doors to Black Rat Press (as if you needed a reason to stop by that gallery).

Elbowtoe
Photo by Kriebel
Photo by Kriebel
Photo by Kriebel
Photo by Mermaid99
Photo by Mermaid99
Photo by Mermaid99
Photo by Mermaid99

Vhils – Scratching The Surface

Can we all just agree that the very best work at the Cans Festival was Vhils? That would make this whole thing a lot easier. Vhils completely surprised everybody there by literally taking a jackhammer to the walls of Leake Street. So then he released a couple of prints at Pictures on Walls which sold out instantly. They are beautiful and the bleaching technique is different from what anybody else is doing. Occasionally, there would be original work from Vhils available through Lazarides or at a gallery in Portugal. People loved his torn poster portraits and city-scapes. When Lazarides announced a Vhils solo show, it was cause for celebration. That show, “Scratching The Surface,” opened on July 3rd.

Vhils Laz

Now, I wasn’t in London for the opening, but I made sure to visit the gallery as soon as I got back in town.

Vhils

The show includes a few different kinds of work from Vhils. First of all, there are his wonderful installation pieces that are carved into a temporary wall that has been installed in the gallery. These are probably his most iconic and identifiable works (check out this cool video of Vhils chiseling them). Then there are his almost as well known ripped poster portraits. These two styles take up more than half of the show. Although I like these works, there are just too many in this show.

Vhils

The above piece was my favorite of Vhils’ ripped poster style, and I think it was one of only 2 of that style in the room it was in. Maybe it is a coincidence, but I think that maybe this style just doesn’t work well when you see a lot of them at once. They just don’t seem as well. I also like the drips on this one and the way it looks much more like a natural occurrence than some of the other paintings.

Then there were the pieces carved into wood.

Vhils

They looked beautiful, and there were only a couple, so I’m still eager to see more. I think that’s the way to do it. Now I’m excited to see where Vhils takes this style in the future.

Another style I’m looking forward to more of are the pieces on metal.

Vhils

They remind me of Vhils’ prints, and have a nice 3D look to them while, ironically, the actually 3d carving and ripped poster pieces look very 2d.

I think that the user “Irony” on the WallKandy forums sums up this show very well: “One of the few examples where the art in pictures looks better than the ‘live’ art. Although I see plenty of potential there (technique, variety of material used, skills), it just doesn’t work well in the gallery. Too clean and deliberate. And the mostly portrait theme of the show doesn’t help either. However one of the better artist out there.”

I like the portrait style, but would have liked to see more of Vhils’ cityscape pieces mixed in, and Vhils definitely has talent, I’m just not sure he quite compares to some of the other artists having solo shows at Lazarides just yet. After seeing the show, I suggested on twitter that maybe it could have been better as a two man show. Maybe I would be more excited about Vhils’ new work if there had been half as much, because then it would have been varied, and only the better half of this show would have been on display, and that better half is definitely worth checking out.

Although this post has been a bit critical of Vhils, I have to say that that some of my favorite new pieces of art for the past year have been Vhils’ prints, and I would urge people to check out his latest print release at Pictures on Walls, which is still available.

Photos from WallKandy

Crack and Shine

Crack and Shine

I haven’t had a chance to read this book in person yet, so I have to refer to to what Hurt You Bad says about the book. Sounds like a pretty good overview of London’s graffiti scene.

If you’re looking for a copy, the gallery is open from 12-6 on Saturday and from 12-3 on Sunday, or you can order the book online.

Charming Baker news

The official video for Charming Baker‘s recent show “The Meaning of Everything” has just been released. Normally I’m not one for videos of shows when I could just look at photos that are a higher quality, but kind of like the soundtrack to this video, so I’m posting it.

Charming Baker is one of those few artists who can transition seamlessly from “urban art” to “contemporary art,” in fact, sometimes I don’t quite understand why he is considered an urban artist (then I remember that he has, on occassion, taken guns and shot his paintings). So while his last show was on Redchurch Street and clearly had a bit of an urban art spin to it, this latest project puts Baker up alongside some of the greats in the wider contemporary art scene. The Blank Canvas Project is a charity art project involving artists like Charming Baker, Peter Blake, Gavin Turk, the Chapman Brothers, and Tracy Emin. Each artist creates a tent, and they will be displayed at The Bill Chill Festival to raise money for The Big Issue and Amnesty International.

Tales From The Seaside

Prescription Art has given Londoners a reason to take a quick seaside holiday over to Brighton. For two more weeks, “Tales From The Seaside” features work from artists like Pinky, Zeus, Aakash Nihalani, Skewville, and Case.

Prescription Art

Here are a few photos from the show:

Case
Case. Seen this in person, and it is a very nice piece. Love it.
Aakash Nihalani
Aakash Nihalani
Pinky
Pinky
Skewville. Kind of funny that Skewville has done a Brighton piece, but it's nice if you like Brighton.
Skewville. Kind of odd that Skewville has done a Brighton piece, but it's nice if you like Brighton.

Just some links

Today I’m being a bit lazy and just sharing a few links, but I’ve just spent all day catching up on a backlog of emails and RSS feeds, so hopefully I can be excused. A full review of Vhil’s show at Lazarides gallery is coming tomorrow. Most of these things are a bit dated and just events that happened while I was away on vacation but were not covered by my wonderful guest posters.

  • There are three galleries I have yet to visit which I really need to make my way over to. The first is Gallery 118 for some new work by Inkfetish. His recent work outside of Cargo is really nice, and although his gallery work hasn’t blown me away quite yet, I’m confident he is improving. Next is “Metamorphosis,” a solo show by Ortiz at the Pure Evil Gallery. Although I have no idea who this Ortiz person is, I had a look in the window here on Tuesday after they were closed and thought the work looked very nice and worth checking out. And of course, opening tonight, something that has been mentioned on Vandalog recently, Urban Angel’s latest group show: The Show Must Go On. I would have been at the opening tonight, but with my wisdom teeth just removed yesterday I’ve been ordered to stay at home for a few days (I even had to miss last night’s Nine Inch Nails concert). Based on images from WallKandy’s flickr though, Best Ever is at their best and Pho is as well.
  • Everybody in NYC should go see the latest Os Gemeos mural for me. If you’re stuck in another city like myself though, here are some photos and video.
  • Steve Lazarides had a very nice interview/profile in The Times recently.
  • Normally I can’t stand this guy, but I’ve got to hand it to Cartrain for stealing some pencils from Damien Hirst’s “art” at The Tate Britain. Absolutely love it.
  • Just read through issue 2 of The New Order magazine, and if you’re in LA you should try to make it to their launch party at The Carmichael Gallery on the 18th. Otherwise, find the magazine in stores somewhere. I found it in Paris, but you can also buy it online.

All the usual Shepard Fairey updates

Time to talk Shepard Fairey. And that means two things.

First: The Boston Arrest. Fairey was arrested back in February at the Boston ICA during the opening of his show there. He was charged with a number of counts of vandalism. Most of those were eventually dropped. The most recent news is that Fairey has pled guilty to those remaining charges and in exchange agreed to not carry graffiti supplies in Boston for two years. I guess he won’t be doing any more work with Boston’s mayor on the side of City Hall during that time.

Via Arrested Motion

Second: Mannie Garcia, the photographer who took the photo that Fairey based his Obama poster off of, has made claims in court that he was not employed by the AP at the time he took that photograph and therefore own the copyright to it. Now, he’s made those claims official in court. The Art Law Blog, which has done an amazing job following this case, has more.

Dan Witz’ “Dark Doings”

Dan Witz, who needs to become much better known in the UK by the way, has started on a new project and it is as great as ever. Here are a few images from “Dark Doings“:

Dan Witz

Dan Witz

Dan Witz

Without a doubt, these street pieces are impressive, but what about Witz’ work in the gallery. Here is a piece from the current group show at StolenSpace Gallery:

Dan Witz

For me, it doesn’t quite work. I’ve seen pieces by Witz that work very well in the gallery, and he is an amazing painting on the street or indoors, but for the most part, I think his paintings are much more powerful when outdoors and unexpected rather than in galleries or homes.

Via Wooster Collective

ABOVE hits up the Berlin Wall

ABOVE (interviewed) continues his trip throughout Europe with a stop in Berlin, Germany, making his mark on the Berlin Wall a little over 20 years after Ronald Regan made his historic speech at Brandenburg Gate stating, “Mr. Gorbachev, open this gate. Mr. Gorbachev, tear down this wall!” Here are some detailed photos ABOVE’s massive word/play piece and how he marked the anniversary of the bridge to this divide.

Check out the rest of the pics and see the video here.

Cheers, Tan