Ron English, Shepard Fairey, TrustoCorp and Risk painted last week at the London Pleasure Gardens, a brand new cultural center of sorts from the folks behind MuTate Britain. Fairey has had some involvement with MuTate Britain organization before, but I’m not sure about the other artists. Whatever the case, there’s some nice work that went up at the gardens, including Fairey’s tallest mural to date and some great work on airplane nosecones by Risk and English (shown above).
Swap Fairey for Saber and you have the line-up at Letters from America, the show Corey Helford Gallery is putting on at Black Rat Projects starting July 4th, so if you like this work, definitely check out that show too.
Here’s some of the work at the London Pleasure Gardens, and we’ll probably do a part-2 of with more work in a few days:
LA’s Corey Helford Gallery (who do advertise on Vandalog) have teamed up with London’s Black Rat Projects to put on a show, called Letters From America, in London on the 4th of July. Because the 4th is Independence Day in America, Corey Helford Gallery are bringing over a team of four American street artists to show at Black Rat Projects: Risk, Saber, TrustoCorp and Ron English. There aren’t many more details available for now, but I’ve been a lot of very exciting whispers about this show…
The team at Arrested Motion have curated their second show, and it is set to open in LA next month. City of Fire opens June 5th at Stephen Webster. The show includes work by Ron English, Kid Zoom, Pedro Matos, Nick Walker, Rostarr, Jeff Soto, Judith Supine, TrustoCorp and others. For more info about the show, email exhibitions [at] arrestedmotion (dot) com.
UPDATE – LOCATION CHANGE: The Underbelly Show has moved to 78 NW 25th Street in Wynwood, Miami to accommodate the large scale of the artwork in this show.
The Underbelly Project is back. Last year, I posteda lotabout the project where 103 artists from around the world secretly painted an abandoned/half-completed New York City subway station. After that initial burst of press here and around the web, The Underbelly Project organizers stayed silent. With only occasional vague tweets from a mysterious twitter account and the appearance on Amazon of an upcoming book about the project. Yesterday though, The Underbelly Project announced that they will be participating in this year’s Basel Miami Week madness with a pop-up gallery in South BeachWynwood.
The organizers of The Underbelly Project and The Underbelly Show, Workhorse and PAC, have this to say about the show:
Workhorse: The New York Underbelly was an important chapter for us, but the story hadn’t been comprehensively told. The Underbelly Miami show gives us a chance to present the broad scope of documentation – Videos, photos, time-lapses and first hand accounts. The project is about more than just artwork. This show gives us a chance to show the people and the environment behind the artwork.
PAC: While the experience each artist had in their expedition underground can never be captured, it is my hope that this show will highlight some of the trials and tribulations associated with urban art taking place in the remote corners of our cities. Too often the practice of making art in unconventional venues remains shrouded in mystery and I hope this exhibition will shine a faint light on those artists who risk their safety to find alternative ways to create and be a part of the cities they live in.
35 of the 103 artists from The Underbelly Project will be exhibiting art in The Underbelly Show, plus video and still footage of the artists at work in the tunnel. Here’s the full line-up: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.
For this show, the space will be transformed into an environment imitating the tunnel where The Underbelly Project took place, right down to playing sounds recorded in the station while The Underbelly Project was happening.
If you absolutely cannot wait until February to get We Own The Night, the book documenting The Underbelly Project, a limited number will be available at The Underbelly Show in a box set with 9 photographic prints and the book all contained in a handcrafted oak box. Additionally, you will be able to your book signed by the artists participating in The Underbelly Show.
The Underbelly Show will take place at 2200 Collins Avenue, South Beach, Miami78 NW 25th Street, Wynwood, Miami. There will be a private opening on November 30th, and the space will be open to the general public December 2nd-5th, with a general opening on the 2nd from 8-10pm.
Happy almost Halloween. It’s been a week of wasted energy, or so it seems. A potential legal wall that I was organizing has fallen through for the time being, but hopefully things are just delayed rather than cancelled. Here’s some of what I should have posted about this week:
Reported, this sculpture at Occupy London was made and left there by Banksy, but that claim is unconfirmed by Banksy so far. Nonetheless, Zeus added this modification to the piece. And Above has also made some work in solidarity with the Occupy movement. Similarly to K-Guy’s work at Occupy London, I’m conflicted here. On the one hand, it’s great when artists who know how to get headlines do so in solidarity with a political movement of sorts, but on the other hand these artists are of course latching on to the movement and associating themselves with it in a way that they know will get headlines and potentially help them sell some paintings. Of course the same could be said of many of the celebrity speakers who have been generally well-received at Occupy events. So there’s that dilemma to think about.
Last time I was in NYC, I saw this billboard for Hennessy cognac with designs by Kaws. Just interesting to see the flip from a decade ago when Kaws would have modified that billboard illegal to insert his work onto it in an effort to associate with the Hennessy brand, and now Hennessy pays Kaws to associate with their brand. Also, this new Kaws/Snoopy toy goes on sale today on Kaws’ website. Okay, one last bit of Kaws news: I love this new painting by him.
TrustoCorp‘s latest show, Life Cycle, will be opening next week at Opera Gallery‘s New York location on Spring Street. Ambitious as ever, Life Cycle will be based around 4 installations examining the stages of the life of an American, including over 50 artworks. Here’s one, called Botched Operation:
Life Cycle opens on October 21st and runs through November 11th and should be a must-see show (particularly the opening night if past TrustoCorp shows are anything to go by).
Euth, a street artist, sued Green Day for appropriating one of his images in background graphics for their live show. That lawsuit has been dismissed. Melrose&Fairfax seems to lean towards agreeing with Euth on this one, but while Green Day might have been in an ethical grey area by not compensating Euth, they were undoubtedly legally in the right, and on the whole, that’s a good thing. No idea is 100% original and appropriation is appropriate. As M&F point out in this post, a lot of street artists base their work on appropriation.
A guy in the Hamptons is selling a bunch of Banksy pieces that were ripped out of walls from around the world. Gawker has some explanation of what happened. Of course the work is all unauthenticated and the morals of the whole situation are pretty sketchy.
So I got the latest issue of Juxtapoz in my inbox today (I have a digital subscription), and realized that I still haven’t read the last issue yet. D’oh. So while I get on that, here are a few links to keep you busy.
This is perhaps a controversial statement, but Faile’s print show in LA looks great. I barely mentioned the show here before it opened because I didn’t have high expectations and the print release seemed silly, but damn was I wrong (about the show, still big on the print release). Faile get a lot of crap for their prints, but when they are on, they are really really on.
Lois has beenposting on Vandalog about Ad Hoc Art’s Welling Court mural project, and the photo at the top of this post is from that project as well. Obviously I’m a fan. So here’s even a bit more from Welling Court, over at Brooklyn Street Art.
Someone, possibly associated with Banksy and possibly not, tagged this Banksy piece at MOCA. There has been work put up inside MOCA by uninvited artists, both in the bathrooms and throughout the McGee/James/Powers Street installation, but Banksy has also been changing up his section, so either option is definitely possible.
On March 30th, Jordan Seiler and some Madrid-based helpers disrupted bus-shelter advertisements throughout Madrid for PublicAdCampaign‘s latest takeover, MaSAT (Madrid Street Advertising Takeover). Over 100 artists and everyday people from around the world contributed to MaSAT by supplying text which was then printed on the posters that Jordan and his crew installed. Here are a few of my favorites: