Dreweatts Urban Contemporary auction

This Wednesday, Dreweatts hosts their latest urban art auction in London. This time around it’s called “Urban Contemporary.” Honestly, I’ve avoided posting about this auction until now because while there are some highlights, the lowlights are awkward and disappointing to write about.

Lets start with the positives. Some of works that I’m really liking (in no particular order):

Lot 89: Point Blank by Martin Lea Brown. 67cm x 167cm. Estimated £3,000-5,000. This painting looks okay online, but is just so nice in person.

Lot 72: Musas by Sam3. 91.5cm x 61cm. Estimated £700-900. An interesting painting for the price. It amazes me how cheap a Sam3 original can be. Though I suppose his work is best experienced outside.

Lot 64: African Fence by Rowdy. 91.5cm x 61cm. Estimated £900-1,100.

Lot 47: Studio Critics by Sweet Toof. 91.5cm x 61cm. Estimated £2,000-4,000. Sweet Toof is a painter. He’s a graffiti writer. He’s a street artist. He’s a print-maker. What is he? He’s talented.

Lot 49: Cruncy – Pity of London by Ronzo. 40cm x 40cm Plinth. 106cm x 40cm. Estimated £1,000-1,5000. Apparently this is the only Pity of London sculpture that didn’t go on the streets. So it’s something kind of special.

And now the things about this auction that epically disappoint me. The things that made me not want to write about this auction at all. In no particular order. And there are others lots in this sale that were very disappointing to see at auction, but I’m not going to list them all. Hopefully this gives you a taste.

Lot 13: Self Portrait by Adam Neate. 167cm x 123cm. Estimated £15,000-20,000. Almost everyone I know believes that Adam Neate’s pieces like these should be kept out of auction at all costs. Even if this reaches the high estimate for the piece, it will only serve to further damage the market for his paintings. And in my opinion, Adam is one of the most talented British painters working today, so I’d like to see the market for his paintings recover.

Lot 9: Morons by Banksy. 76.5cm x 56cm. Estimated £3,000-5,000. Every “urban art” auction seems to have at least one Morons print.

Lot 17: Untitled by Seen. 60cm x 70cm. Estimated £600-800. I don’t take issue with this painting. I definitely take issue with how Dreweatts has handled the artwork in their sale. In the catalog, this painting is upside down. Luckily, that’s been fixed online. But when I went to see this piece in the flesh at the auction house last Thursday, it was hung sideways. That, or it’s now sideways online (but given that the central icon of the piece is a Seen tag, I’m guessing that the tag is meant to be read left to right, so the online image is correct and it was hung sideways). Either way, that’s more than a little bit upsetting.

Lot 63: Number 5 by Herakut. 80cm x 100cm. Estimated £2,000-3,000. Another great painting that Dreweatts has just handled poorly. Again, it’s online and in the catalog sideways (and possibly hung that way in the auction-house as well, I can’t remember)! Now, given the content of the painting, I can see how somebody might not be sure which way is up. In fact, you’d have to look at the painting for more than half a second to realize that it might be sideways. How did I figure out that the piece is sideways? There’s an image of the piece online. And it was originally part of a tetraptych, so you know that the image I found online has the painting hanging the right way. Could Dreweatts have missed this? Sure. Except that lot 62 is a painting from the same tetraptych. It amazes me that nobody at Dreweatts took the 30 seconds of research that it took me to figure out which way this painting is meant to hang. Epic fail.

So that’s the Dreweatts “Urban Contemporary” auction. It takes place on Wednesday April 21st in London, and you can bid online.

New Sam3 animation and prints

If you like that new animation from Sam3, you’ll love his new prints at Studiocromie. I think these were available at Fame Festival, but now they are online too.

The set is an edition of 50 and is available online for 220 €. They’re a bit different from Sam3’s usually work in that they have two colors and there are lines instead of his usual drawings filled in completely in black, but I really like the first print (particularly because it reminds me of this piece Sam3 painted in San Fransisco).

Linking it up

Street art news seems to come in cycles, right now there is a lot of news coming in. Here’s a few highlights:

  • Sam3 has a new book out with Studiocromie and it looks great. More info at Feed Your Wall.
  • Shepard Fairey’s opening at the Warhol Museum looks amazing, but as Richard Lacayo points out, the AP case might have run into another snag for Fairey since the AP has countersued again on the basis that either Fairey only spent about 5 minutes “transforming” the photo into his poster or he is lying again and didn’t forget which image he based HOPE on. One thing Lacayo and the AP seem to have forgotten is that Fairey has a bunch of assistants. I don’t know how his studio functions, but it seems a fair assumption that Fairey sent his assistants a photo and they developed poster from there, or they gave him an already cropped photo based on his specifications and he went from there. It’s definitely not as simple as Lacayo is making it seem.
  • Elbow-toe still has a few prints left for sale on Etsy.com for only $30!
  • Anthony Lister has put up a beautiful new piece in Brooklyn.
  • Damon Ginandes has also been painting murals in New York.
  • This new video interview with Swoon is a must-see.
  • I missed this piece by Vhils inside the monastery at FAME Festival. It’s just too awesomely well-hidden.

Fame Festival wrap-up

An overdue post. Fame Festival opened almost 2 weeks ago now and I haven’t properly covered it. There were a few of us who traveled to see the festival (some from as far away as LA), and if you couldn’t make it for the opening, I have to recommend it for a weekend getaway or something. Everybody had a great time. There was good food, good company and good art.

The gallery component of the festival was nice, but the highlight of Fame isn’t the temporary gallery exhibition but all of the street work. Artists have painted all over the small town of Grottaglie, Italy. Here are some of my pictures:

Blu
Blu
Dem
Dem
David Ellis
David Ellis
Vhils
Vhils

While it is great to wander around the town and see so much street art almost wherever you look, the highlight of Fame Festival is the monastery. There is an abandoned monastery where I am told the local teenagers usually go to bunk off school, and it has been transformed by artwork. It also happens to be where the Blu/David Ellis film Combo was filmed.

To enter this monastery, you have to go down a road out of town, walk past what I think was a small vineyard, find the wall that surrounds the monastery and follow it until you see some red drips of paint. Then you climb over the wall by standing on a shaky pile of rocks. The other side of the wall looks like a park that has been left to grow for a few decades. There are a few paths where you can see that plenty of people have walked, and you have to find the correct one to follow. Eventually, you realize that you’re on the roof on the monastery and you have to find your way inside. Once you’re finally inside though, it is immediately worth the trouble of finding your way there. I spent maybe 1.5 hours there and still didn’t see all of the artwork. Here are a few of the pieces I did find though:

Conor Harrington
Conor Harrington
Sam3
Sam3
Limow
Limow
The remains of Combo by David Ellis and Blu
The remains of Combo by David Ellis and Blu
Judith Supine
Judith Supine
Word To Mother
Word To Mother

More photos from Fame in my flickr set

News I missed while in Stavanger

Most of what I was posting while away in Stavanger for Nuart was prewritten so that I could focus on the festival. The downside being that I missed a bunch of cool potential posts over the last few days. So here’s my usual post holiday link wrap-up:

  • Sam3 has a new video animation out (Via Wooster Collective). You can watch it on Vimeo. Oh and on a related note, the first pieces on loan from collectors for The Thousands arrived at my house this weekend, including a piece by Sam3.
  • Also from Wooster Collective is a new piece by Mark Jenkins. A sculpture of a person made of newspaper.
  • JR released this video about the women who were involved with his project in Kibera, Kenya (Via unurth):
  • Juxtapoz has details about Woodward Gallery Keith Haring show in New York City (which opened September 12th)
  • Another photo has been released for Adam Neate’s October solo show at Elms Lesters (via Arrested Motion). “A New Understanding” opens October 9th. This could be the street art exhibition of the year, though I’m not feeling this new work as might as I’d expected.
    adam neate

New JR and Sam3 Prints for FAME Fest

JR

JR and Sam3 have been working hard in the studio in Grottaglie! JR’s print is based on his piece “Self Portrait in a Woman’s Eye, Kenya” from the Circle Culture show back in June. Sam3’s print is called “Subconscio”. Even though these artists are stylistically very different, the introspective quality of the imagery is quite complementary; I think these prints would look nice on the wall together.

Can’t wait to see what JR does on the streets.

blog-sam3-print-2

blog-sam3-prints