Tag: rammellzee

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The Museum of the City of New York saves the seeds of a culture

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Mural by Daze behind a display of spray cans. Photo by gsz.

Well, really, the headline here isn’t entirely accurate. The artist and collector Martin Wong saved the seeds of a culture, and then donated his collection the Museum of the City of New York. And then the museum mostly kept those seeds hidden away for about twenty years. But now the museum, with the help of curator Sean Corcoran and others, has brought those seeds back into the spotlight for a new generation to learn from. Of course, I’m talking about City as Canvas, the new show at the Museum of the City of New York, and the seeds I’m talking about are the seeds of modern graffiti.

The back story behind City as Canvas is pretty great. Wong, a painter who lived in NYC’s East Village in the 80’s, was noticing graffiti and as he met some of the men and women behind it, he began supporting the young writers by buying their work. Eventually, that turned into a major collection of work by New York train writers like Sharp, Daze, Lee, Futura and many more. Wong even tried to open his own “Museum of American Graffiti” in 1989, but it didn’t work out. Still, Wong had amassed something special and unique that captured a very important time period for graffiti as artists transitioned from trains to canvases and teenagers to adults, and as graffiti itself spread from New York City to the rest of the world. Eventually, he donated his collection to the Museum of the City of New York. Those are the basics, but really, the story of Wong’s collection has already been told very well and in more detail in the New York Times, so do check out that article.

As for the show itself…

Continue reading “The Museum of the City of New York saves the seeds of a culture”

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City as Canvas: A rare collection on view soon in NYC

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One of the greatest early supporters of graffiti artists was Martin Wong, a painter who lived in New York City during the city’s Golden Age of graffiti. Wong collected the work of young artists working outdoors like Lee Quinones, Rammellzee and Keith Haring. Wong’s collection is perhaps the best existing set of artworks that together give a sense of modern graffiti’s early days in the city where it (effectively) began. In the mid-90’s, Wong donated the whole thing to the Museum of the City of New York. It’s a collection that early writers often tell me about with a sense of wonder, and they always suggest that I have a look at the collection because I could learn a thing or two from it. Now, works from the are about to be exhibited publicly at the Museum of the City of New York for the first time.

City as Canvas: Graffiti Art from the Martin Wong Collection opens next Tuesday the 4th at the Museum of the City of New York. I’m excited to see so much early work (nearly 150 pieces) in person, and to hopefully get a sense of how Wong saw the early graffiti scene. In addition to some early canvas work by artists like Lady Pink and Daze, the collection includes a subset of work that should be particularly interesting for those of us interested in the history of graffiti: perhaps the only collection of blackbook sketches in a museum possession. The show also includes a new short film by Charlie Ahearn and photographs by Ahearn, Martha Cooper, Jack Stewart and Jon Naar. In case it’s not already obvious, let me just state that this sounds like it will be a must-see exhibition for graffiti geeks.

The show is accompanied by a new book by Carlo McCormick and the show’s curator Sean Corcoran.

City as Canvas opens February 4th and runs through July 27th.

Photo courtesy of the Museum of the City of New York

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Weekend link-o-rama

Tellas and Ciredz
Tellas and Ciredz

Looks like the art world has gotten back on track after the holiday season. Lots of links this week.

Photo by Tellas

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Rammellzee show opens today in NYC

Rammellzee at the LA MOCA

The work of Rammellzee, one of the late great mysteries and legends of the New York graffiti community, will be on display in New York City starting tonight at The Suzanne Geiss Company. Letter Racers will have two complete sets of Rammellzee’s letter racer creations on display. By this point, you’re probably either in agreement with me that this show is a must-see, or you’re completely lost because you don’t know who Rammellzee is. Well, The New York Times profiled him last week, which is a better introduction than anything I might write about him.

Letter Racers opens on March 8th from 6-8pm and runs through April 21st.

Photo by RJ Rushmore, flyer courtesy of Suzanne Geiss Company

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Art in the Streets link-o-rama

The entrance at Art in the Streets

Why haven’t hotels figured out that they should have strong free wifi in all rooms? And, if they make you pay for wifi, the signal and speed had better be amazing? Starbucks has it figured out, and I don’t have to pay a boatload of money to hang out in a Starbucks for a couple of hours (unless I’m drinking their coffee while I’m there). And yet, hotels haven’t seemed to get the message. So that problem, and the general busyness of the last few days in LA, is why I am woefully late covering the opening of Art in the Streets at MOCA in LA, probably the biggest indoor event this year relating to street art or graffiti. And I’m still going to be woefully late with coverage today. Expect a full review in a couple of days, but in the mean time, here’s some of the best reviews and coverage from around the web:

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And it begins: Art In The Streets

Patti Astor at Keith Haring's Fun Gallery show, 1983, Photo by Eric Kroll

If you’re the Jeffrey Deitch or museum-hating type, the next few weeks are not going to be your favorite weeks, at least not when it comes to Vandalog posts. I’m gonna be talking a lot about this topic. I could hardly be more excited for MOCA‘s upcoming Art In The Streets show, and some substantive information about the show is finally starting to come out:

  • First of all, what lots of people have been asking for: a solid and confirmed opening date. Art In The Streets opens on April 17th.
  • There will be 50 artist installations including Futura, Margaret Kilgallen, Swoon, Shepard Fairey and Os Gêmeos. Arrested Motion has some photos of Shepard’s installation process.
  • The MOCA iteration includes a lot of West Coast stuff like Cholo graffiti and writers like Revok and Saber.
  • Oh, clarification on the last point: The show movies to The Brooklyn Museum next March. Presumably the show will be refocused a bit NYC graffiti for that iteration.
  • The show will include some mini-shows within it including a space dedicated to The Fun Gallery, a RAMELLZEE installation and Todd James, Barry McGee, and Steve Powers’ new iteration of their legendary Street Market show.
  • Because MOCA is looking at skateboarding as art on the streets too, there will be a custom skate ramp in the museum and Nike’s skateboarding team will be skating there throughout the run of the show.
  • There will be a film festival component to the show.

So yeah. Sounds good. Can’t wait for the opening. If this show succeeds, it could be the American equivalent of Banksy Versus The Bristol Museum in terms of impact.

Here’s some more preview images:

Chaz Bojorquez, Señor Suerte tag with ‘veterano/veterana’ roll calls, Arroyo Seco River, Los Angeles, 1975, photo by Blades Bojorquez
RAMMELLZEE, Battle Station, New York City, 2005, photo by Charlie Ahearn

Photos courtesy of MOCA