Openings in New York and LA

While I’m still in Stavanger enjoying Nuart (check out Logan Hicks’ photos on Brooklyn Street Art), there are two art openings tonight I wish I could make it to.

The first is in Los Angeles. Anthony Lister’s show And Then The Wind Changed is at New Image Art. Just a super talented painter.

Lister

Lister

And in New York City the Jonathan LeVine Gallery has solo shows from Mark Dean Veca and D*Face.

Mark Dean Veca
Mark Dean Veca

I could say a lot about D*Face’s show, Ludovico Aversion Therapy / All Your Dreams Belong To Us, but it seems like the best coverage has been on Arrested Motion and Juxtapoz, and they have both interviewed D*Face and have plenty of pictures to show for it.

Link post

I’ve noticed a number of links piling up over the past few days, so it’s time for one of my link compiling posts. Oh and thanks to C-Monster for featuring Vandalog on today’s Daily Digest (the probably superior link post series that I try to emulate a bit from time to time).

  • On the Beautiful Losers front, the DVD is coming out this month. Anybody who has seen the film will tell you the same thing: buy the DVD. Also, there was a touching profile of Margaret Kilgallen, one of the artists featured in Beautiful Losers, in The Guardian over the weekend.
  • The extremely talented Titifreak has a book. I didn’t know he had one coming out, but apparently plenty of people in Rio did because his launch party looks like it was a huge success.
  • Some people love D*Face. Some people hate him. If you’re a hater, just pretend this is somebody else, because D*Face says some things work listening to in this interview with Walrus TV (via Juxtapoz)

Myartspace.com Interviews D*Face

The Myartspace.com blog has done over interviews with contemporary artists including PosterBoy, Anthony Lister, and Mark Jenkins. Their latest in this series is London local D*Face.

Here’s a little preview of the interview, you can read the rest on their blog:

Brian Sherwin: Tell us more about your thoughts on consumerism and popular culture– and how your work offers, or at least explores, an alternative. For example, would you say that most people live in contradiction– in the sense that they strive to be individuals while embracing every message that flashes on the TV screen?

D*Face: The thing is life is full of contradictions, it keeps things interesting, certain people try to live out their lives through products and brands, it’s excepted in our society that shopping is a ‘hobby’ and wearing brands depicts your of a certain ‘stature’ or ‘class’. What I noticed recently with the down turn in the economy is that people are still going to the shops, it’s as if their lives have become programmed to do that, no matter whether they have money or not.
I was at a shopping center recently and it was strange, people were walking round the shops but like zombies or vultures circling a giant rotting corpse looking for a ‘bargain’. It was surreal, but at the same time really interesting, the backdrop of most shops ‘Sale’ or ‘Closing down’ signs covering the windows, made it feel like a film set or art installation.
I really don’t want to come across like I’m preaching, because I wear Nike, I drink Coke, but if there’s an alternative it should be considered.
My work has always been about a subversive intermission from the media saturated environment that surrounds us, I always saw the characters I was putting up as a break to to the advertising bombardment, it was also my escape from this world, I was surrounded by it, not just in the public domain, but at the time the marketing mumbo jumbo speak that I’d hear at work… it made me really cynical, I guess seeing and hearing it with my own eyes and ears made me want to spread the rot from the inside out.

You know, I’ve never said ‘don’t buy this brand or wear that label’ what I’ve wanted to do is get people to consider an alternative or look at the brands that surround us with different eyes. The billboard liberation’s I’ve created are my most direct way of instigating this.

The White Noise Review

So last night was the opening of Black Rat Press’ White Noise show. Most of the work was from Lucas Price/Cyclops, Asha Zero and Brian Adam Douglas/Elbowtoe, but there was work from Blek le Rat, Nick Walker, Matt Small, and D*face as well.

Cake by Brian Adam Douglas. Photo by RJ
Cake by Brian Adam Douglas. Photo by RJ
Self Portrait by Brian Adam Douglas. Photo by RJ
Self Portrait by Brian Adam Douglas. Photo by RJ

For Brian Adam Douglas, the show was a chance to introduce a whole new direction in his work: collage. These collage pieces are amazingly detailed and I can’t wait to see how the work progresses. For now though, there is at least one collage which had a crowd of people around it all night. Douglas’ self-portrait, pictured on the left, may be the perfection of collage. His other collages were good, though I prefer his older work to most of them, but his self portrait is probably the best piece I’ve ever seen by Douglas. The video below from JetSet Graffiti features Douglas/Elbowtoe and talks a bit about his collage work at the end.

Detailed. Photo by RJ
Detailed. Photo by RJ

More after the jump…

Continue reading “The White Noise Review”