Wild Style Wednesday!

Trash and Skio in Paris. Photo by Startape Photographe.

Make your mother proud.

HIMSSSANK in Williamsburg, NY. Photo by Damonabnormal.
Roid in LA. Photo by SOKE.
Religion in London. Photo by Big Bozo.
Feek in Bristol. Photo by 4foot2.
Reone in Paris. Photo by Morac19.
Pomb in Argentina. Photo by ThalesFernando.
Josf in San Francisco. Photo by FunkandJazz.
“Soul” by Mags. Photo by TheSaltr
Djalouz in France. Photo by Startape Photographe.
Finok, Snek and Graphis in Brazil. Photo by Graphis.
Tha Sieg Monsterrr
Mello and Onio in Brazil. Photo by P. Matheus Lacerda.

Photos by 4foot2, Big BozoDamonabnormal, FunkandJazz Graphis, Morac19P. Matheus LacerdaTha Sieg MonsterrrSOKEStartape Photographe and ThalesFernando

Rae’s very serious installation in NYC

RAE recently installed the above piece in a New York City subway station where there had previously been a random blank spot in the wall. Maybe a sign that had been removed and never replaced? Well now he spot has been filled with some great art. I love how this piece looks like an official installation, but really RAE just saw something wrong and fixed it.

Photos by Michael Fales

Hellbent: The Devil’s in the Details

With a name like Hellbent and the detail-oriented nature of his stencils, there isn’t a more fitting phrase to capture his work than “the devil’s in the details.” Hellbent on perfection, the artist taped down layer upon layer of paint, paper, and lace to create his geometric patterns. The intricate designs coupled with the florescent colors combine to form work that is both visually and technically complicated.

By incorporating various colors, fabrics, and shapes, Hellbent has given a gate to Bushwick that can be enjoyed by any viewer with imagination. While creating the work, one woman stopped by to share what kinds of clothes she imagine the fabric to be. Others simply fixed their gaze upon the colors, even as they continued their walk down the street.

Photos by Rhiannon Platt

Anybody got photos of the murals at See No Evil 2012?

Pixelpancho. Click to view large. Photo courtesy of See No Evil.

First of all, the frustrations in this post are pretty much the same that Caroline voiced in a post earlier this year about the All City Canvas festival. This year’s edition of the major Bristol mural festival See No Evil finished up recently, and I’m thinking that some great walls were painted. But how the hell can I tell? Other than Nychos’ wall, all the walls I’ve seen are in photos that have been filtered to hell because (I guess) that makes them more bloggable or tumblrable or whatever. Too often now, it seems like street art is more about the photo that will be sent to sites like this than the actual mural which should be meant to be appreciated by thousands of people every day. Photos are important, but rarely should the photo be more important than the actual work. I don’t think that the internet has to be the death of street art, but it damn sure could be when walls get painted for the purpose of taking filtered-to-hell photos of the finished product.

There were some talented artists painting at See No Evil, and the photos looks great if you think of them as photos untied to an actual mural that should be documented, but I’d like someone in Bristol to tell me how the murals actually turned out in-the-flesh. Here are some more photos that I was given from the event:

Conor Harrington. Click to view large (but still not unfiltered). Photo courtesy of See No Evil.
M-City and SheOne from this year and Nick Walker and El Mac from last year. Actually, I like this photo as an overview of the city, but unfortunately it’s the only one available of M-City’s finished wall. Photo by Ian Cox.
Nychos. This pic was not messed with, thank God. Click to view large. Photo courtesy of See No Evil.

I’m sorry to pick on See No Evil about this issue. It’s not something that they started and it’s not something unique to them. They seem like a cool festival, but this is an issue which they are contributing to.

Photos courtesy of See No Evil and by Ian Cox

Weekend link-o-rama

Sam3

Well, the big story this week was of course Hyuro’s wall under threat in Atlanta, but a lot more has been happening elsewhere on the web, plus I missed a week of link-o-rama when I was in Atlanta myself, so here’s what I’ve got to share:

Photo by Sam3

eL Seed paints the tallest minaret in Tunisia

Click to view large

French artist eL Seed recently painted this beautiful mural on the tallest minaret in Tunisia, in the city of Gabès on the Jara Mosque. On the whole, I’m a bit tired of all the giant murals going up over the last year or two, but this one really works. The piece reads, “Oh humankind, we have created you from a male and a female and made people and tribes so you may know each other.” The mural was funded by the Barjeel Art Foundation.

Click to view large

Photos courtesy of eL Seed

Sonni fashions huge boom box on Bowery construction container

Sonni’s distinct aesthetic, marked by bold colors and geometric shapes, has found a second home in the East Village. With his Music Machine on view at Artist Alley @ Extra Place, a huge boom box can now be seen a few blocks north at the Bowery and East 4th Street. Curated once again by Keith Schweitzer, the director of  FABnyc‘s public art program, Sonni’s recent work celebrates the 16th anniversary of New York City’s International Fringe Festival. Here are a few more images of the completed piece:

Photos by Tara Murray

Wild Style Wednesday!

Epok and Smug in Paris. Photo by Startape Photographe.

Drips for days.

Snek, Lipe, Graphis, Dek, Breno in Sao Paulo. Photo by Graphis1.
Richt
Ink Fetish in London. Photo by Graffiti Junkie.
Roid. Photo by Heavy Artillery.
Amson and Jams in Hong Kong. Photo by FuckSabcat – HongKong.
Web’s in Lille, France. Photo by Startape Photographe.

Photos by FuckSabcat – HongKongGraffiti Junkie, Graphis1Heavy ArtilleryRichtSaner KGB and Startape Photographe