Untitled II: The Beautiful Renaissance

One of my favorite street art books is Untitled, so upon receiving the sequel, Unitled II: The Beautiful Renaissance, in the mail last weekend, I couldn’t wait to read it and see if the sequel could live up my expectations.

In short, it does. For £19.95, you can get a well printed hardcover art book just shy of 200 pages long that could easily retail for more than that in high street shops.

Most of my favorite artists are included in Untitled II: My all time favorite Gaia image is on the cover, there are some cool shots of Banksy’s work, Swoon, Mark Jenkins, PosterBoy, Roa, WK Interact, Judith Supine, Blu and many many more.

Untitled II feels like the compiler (Gary Shove) really just sat around one day and said, “here’s some stuff that I’m really digging at the moment” and turned it into a book. And I mean that in a good way. The whole thing feels very holistic and it doesn’t seem like he’s tried to cram in certain artists just to say “yeah this book includes a photo of X’s work.” There are a few sections which are generally organized, like the section on New Orleans or the one on Norway, but really it’s just pictures that look nice together. And the quality of the photos is top notch. I just pulled a half dozen street art books out off my shelf to compare, and it is clear that the guys behind Untitled II have spared no expense in printing or finding the best photos.

But the truth is that pictures are only half the story with Untitled II. The text alone is reason to buy this book.

Too many people in art take themselves too seriously. Not so in Untitled II. The end of the book carries this disclaimer: “None of the words and spaces contained herein have any relevance to any of the photographs. They are only included to keep the pictures company and make us look cleverer than we actually are.”

You know how Banksy includes little bits of text in Wall and Piece? Think that sort of thing but taking up way more space. The text either proves that the writers are geniuses, or, much more likely, very good at BSing like geniuses. And those sort of texts are always fun to read when you know there is a bit of a humerous conceit to the whole thing.

Untitled II also includes a DVD called Storytelling. It has a few short films on it like Spending Time with PosterBoy plus Living Decay, a film about street art in Norway.

This isn’t the book you want if you’re looking for a serious book about street art, or if you’re just getting introduced to the genre, but for people who already know the street art scene well, this Untitled II deserves a spot on your bookshelf.

Untitled II is available on the Untitled website or at FUSShop.

Magkinetic Drawing with Aakash Nihalani… and Us

Aakash

Aakash Nihalani just released a project website in which some of the shapes and motifs that he employs in his gallery and street work can be altered and transformed. He has entitled this piece Magkinetic Drawings, and here is the explanation provided:

“One of the key elements of my physical street-level art is that it engages the viewer, making them more than just a viewer but rather an active agent in the artwork itself. The photo documentation of my work shows how the installations transform with each individual’s reaction and interaction with them, so it’s not just one piece of art but infinite. In an effort to translate that very personal unique interaction of human and art, I have begun to explore interactive digital artwork that can be experienced via the internet, from anywhere in the world. Integrating the visual and experiential concepts present in my tape installations into this digital medium, I present Magkinetic Drawings.”

Check out the website at http://www.magkinetic.com/

Gaia

Blu at FAME

While Blu is working an animation for FAME festival with David Ellis, he also painted this wall (or maybe it’s part of the animation, I’m not positive). Amazing amazing amazing. I just love it.

Blu

Blu

And here is the story behind the wall, just as interesting as the art itself (via the FAME Festival blog)

If you’re new to FAME festival, you probably dont know that Grottaglie is 10 minutes far from Taranto. if you’ve been in Taranto, you probably remember that the city has a massive ugly factory called ILVA (one of the biggest steel factory in europe).this factory is destroying the territory and killing a lot of workers ’cause of its big lack of security measures and high environmental pollution. the direct consequence is that Taranto has one of the highest rate of death by cancer in italy.

As a plus, the smartest politicians from Grottaglie’s town council allowed, back in ‘96, the construction of a very filthy special wastes dump right outside the city. they did not inform the people, they did not ask anybody’s opinion, they just did it. i wish i could wonder WHY they did it.

this said,
i usually like to think that every piece of art can have different meaning, depending on who is looking at it and from wich perspective he is looking from. this time, i prefer to think that we’re all looking at a mere mirror of the actual situation we’re living in.

especially for our mean local politicians, none of them excluded. i hope that they can recognise themselves in these huge faces and feel disgusted for what they’ve done to their people.

Via Unurth

Nothing to see here

It should come as no suprise that Banksy took every step possible to prevent The Bistol Museum from revealing his identity or very much at all about his show Banksy Versus The Bristol Museum. Banksy’s lawyers (yes, even street artists need lawyers) crafted a seemingly airtight contract with the museum, and now a Freedom of Information request regarding the show has revealed almost nothing.

You can read the full results of the request online, but in short, here’s what was learned: Banksy was paid £1 for the exhibition, pretty much all the CCTV footage is destroyed after 30 days (so if you want to rob the Bristol Museum, just make sure whatever you steal can go missing for a month before anybody notices), and that Banksy really wants to keep his identity a secret.

So really, who cares?

Via @Banksynews

Burning Candy reclaims space

On a similar note to my last post, Burning Candy has reclaimed a wall in Hackney Wick very recently. Unfortunately, I don’t have permission to you Romanywg’s photos (I should really ask him for that because he takes spectacular pictures), so for the 6 months ago and 10 days ago images I have to give you links, but I can show you the latest piece on this wall.

Here’s a 6 months ago.

Here’s last week when the piece was painted over by a big blue nothing

And here is what they’ve done now:

Photo by nolionsinengland
Photo by nolionsinengland

I think it looks even better than before. Cyclops, Sweet Toof, Gold Peg and Might Mo and done it again. Just with Tek33 was involved a well.

Conor Harrington mural fixed

Thank God. Looks like all is back to the way it should be with Conor Harrington’s impressive painting in New York City. Here’s what happened.

First it was like this and everybody was happy:

Photo by laverrue
Photo by laverrue

Then NPA came along recently and made it look like this:

Photo by amolho4
Photo by amolho4

Nobody (except maybe Steely Dan and NPA) was happy about that.

Luckily, the law was taken into the hands of the citizens of New York City and now Conor’s painting looks like this again:

Photo by amolho4
Photo by amolho4

Thanks to PublicAdCampaign and DickChicken for getting rid of those ads. Always good to see a painting revived when I thought it was lost to adverts.

Also, I’ve emailed NPA asking for some information about this incident, so we’ll see if I hear anything back from them.