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Cake’s Women at Home off the Bowery

About four years ago, I began noticing Cake’s women wheatpasted onto the walls of  Williamsburg and Chelsea.  Their poignant elegance transfixed me.  Even in various stages of decay, they never lost their heart-rending beauty.  Thanks to Keith Schweitzer and MaNY, in collaboration with FabNYC, three of Cake’s women have now found a home off the Bowery in Lower Manhattan.  Here are some scenes from today’s installation:

And a wonderful full view of the installation can be seen on Cake’s page.

Photos by Lenny Collado and Lois Stavsky

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Word to Mother can’t afford to be broke

Word To Mother is busy preparing for his upcoming show in San Fransisco at White Walls Gallery, Can’t Afford to be Broke. After years of successful solo shows in London, it’s great to finally see Word To Mother getting the attention he deserves in the USA too. The show includes new original pieces on wood, painted baseball bats and zines with a screenprinted cover.

Can’t Afford to be Broke opens on May 12th (7-11pm) and runs through June 2nd.

Photo courtesy of White Walls Gallery

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Kidult against/for Marc Jacobs

It looks like Kidult hit a Marc Jacobs store in New York, but rather than panic, buff and pretend it didn’t happen like most other stores that Kidult has hit, Marc Jacobs’ Twitter has claimed the work. Of course, they still buffed the piece. The New York Observer has more, and as they point out, maybe Kidult was commissioned to do the piece, as has often been speculated about his work. After all, it’s well-known that KAWS was approached by companies to do ad disruptions for him (which he eventually sort of did, in that he has designed work for use on billboards, but without the illegal look).

Via Street Art News

Photo courtesy of MarcJacobsIntl

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Street art stories – LNY in Baltimore

LNY was in Baltimore recently to check out Open Walls Baltimore (exactly what Caroline and I are doing right now actually). He had quite a time while there and put up a couple of very Baltimore-specific pieces. Here’s what he has to say:

So I got a story to tell you and some pics to share, see I ended up making these drawings in Baltimore by randomly running into this group of urban horseback riders galloping down an East Baltimore neighborhood while visiting Gaia and Nanook. It was Sunday so what would be better than to go on a horse ride right? So I took some pictures and then made some work to later find out that they are part of this old Baltimore tradition of Huckstering, basically going around in a horse drawn cart selling vegetables. These guys are also called Arabs, which comes from the term “street Arab” as in an abandoned kid who roams the slums, and I was lucky enough to find a stable in South West Baltimore where horses are bred and taken care of by the community. All of which blows my mind because these guys were so happy and excited about my posters as I was about meeting them and discovering this otherwise invisible history of a city I am completely alien to. As I was putting the work up I got a lot of feedback from the neighborhood and they read the images in so many different ways that I had never even considered; we talked about resilience, beauty, vision, excellence, dead space, gold, bling and the efforts of Sowebo to rejuvenate the neighborhood from the inside. I feel totally overwhelmed by the way the work was able to engage and be fulfilled by having this conversation with the neighborhood. All of this thanks to Martha Cooper who introduced me to Sowebo and has been constantly engaging and documenting the area, these are her pictures and a lil clip I took of the spot.

Photos by Martha Cooper

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Sever on street art?

What is Sever trying to say with this piece? Honestly, I am confused. That Twist head in particular looks really well painted, but the actual meaning of the piece is unclear. Is he taking a shot at street art in general? If so, Vandalog readers know that I would be ready to listen and probably even laugh. But I’m just not sure what the joke is, or if Sever is making a joke at all. Maybe I’m an idiot and the meaning of this piece is apparent to everyone but me (maybe even because it’s aimed at bloggers like me), but I have some questions…

Did Sever intend this as a diss to all street art or just contemporary street art, and what does he think of the artists whose logos he included? Does he like them and just dislike the latest street art? Does he dislike all street art? Is this piece is street art itself? Does Sever do street art now too? If so, what does that mean? Is this not a diss about street art at all but rather just a bunch of iconic images mashed up together because such a piece would obviously go viral? Is street art dead?

I’m curious to hear what, if anything, Sever will say about this piece. He is a member of MSK. Some members of MSK have transitioned over the last few years into doing art that looks more and more like street art on an aesthetic level while still retaining their roots in graffiti. Sever has done some of that as well, not just with this piece, but also with these two and probably others. What differentiates members of MSK who are embracing the aesthetics of street art from the Johnny-Come-Lately street artists whom Sever seems to be bemoaning with this piece? Is it that the members of MSK have years of experience with illegal graffiti (they definitely have that experience)? Is it that the members of MSK are more skilled than other artists (they definitely are skilled)?

Pretty much all that I can say for sure is that Sever knows how to paint and knows some icons of street art/character-based graffiti. The rest of what I’ve got right now are questions. Does anyone out there have answers? If so, please leave a comment.

And if you’re looking for some art where street art is the butt of the joke and the joke is a bit more clear, try Lush, mobstr or Katsu.

Photo by Jsinghur

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Interesni Kazki for Living Walls Concepts

Photo by Nathan Bolster

The Ukrainian duo Interesni Kazki are the latest artists to paint a wall in Atlanta with Living Walls for their Living Walls Concepts series. Neuzz is in town painting now, so expect to see something from him soon, but for now here’s what IK got up to…

Photo by Noah Orisich
Photo by Noah Orisich
Photo by Nathan Bolster. Click image to view large

Interesni Kazki are now at work on another mural in Mexico City.

Photos by Nathan Bolster and Noah Orisich