HOTTEA helps revitalize a tennis court (with hot pink yarn)

Lost & Found is HOTTEA‘s latest project. It took place in Minneapolis, where HOTTEA had found a disused tennis court without a net. With a bit (okay, a lot) of yarn, HOTTEA was able to at least temporarily make the court usable again for tennis. Here’s a timelapse video of the piece being made:

But the story doesn’t end there. HOTTEA’s work actually seems to have made a bit of an impact on at least two local residents. Here’s the story in HOTTEA’s words:

After the net was complete I rounded up some of the local youth to come try it out, tennis racquet’s and all. They loved it! Mission complete. 🙂 I ended up giving the tennis racquets to one of the locals that had a sincere interest to play tennis. I came back a few days later to check up on the net and I happened to run into him again. His name is Abnan. He told me this wonderful story about what had happened to him earlier that day….

He and a friend were playing tennis with the newly installed net and a gentelman stopped by and told Abnan if he and his friend came back later that day at 4:00 he would give them both new racquet’s to play with. Sure enough Abnan and his friend showed up and the man kept his word and gave them both brand new racquet’s and a few tennis balls. I couldn’t have been more excited after he had told me the story.

After hearing Mike Lydon speak about tactical urbanism at Living Walls last week, it’s great to see a street artist trying it out a bit and succeeding so fantastically with such a simple intervention. Street art that improves public space is pretty much the best kind of street art.

Photo courtesy of HOTTEA

Gaia and Roa in Chicago thanks to Pawn Works

Quetzalcoatl and the Stork by Gaia. Photo by Brock Brake. Click to view large.

Continuing the work that Pawn Works, 25th Ward Alderman Danny Solis (who is paying for these murals), The National Museum of Mexican Art, and the Chicago Urban Art Society have been bringing to Chicago, Gaia and Roa both recently painted in the Pilsen neighborhood of Chicago.

Gaia painted a piece called Quetzalcoatl and the Stork, about the neighborhood transitioning from mostly having Polish immigrants to now being home to many Mexican immigrants.

Quetzalcoatl and the Stork by Gaia. Photo by Gaia.

Roa‘s piece is a nice illusion of sorts and utilizes the space absolutely perfectly. Some of the best placement of a mural or piece of street art I’ve seen all year. Remember folks, learn from Roa and always practice good placement.

Roa. Photo by Brock Brake. Click to view large.
Roa. Photo by Brock Brake. Click to view large.

While in town, Gaia also painted another piece independently of the Pilsen project called Afro Cuban Siblings.

Afro Cuban Siblings by Gaia. Photo by Brock Brake.

Photos by Gaia and Brock Brake

Chris and Veng (RWK) busy in Bushwick

The walls outside Bushwick’s new Low Brow Artique have evolved into first-rate open-air gallery.  Now alongside the mural fashioned by the Yok and Sheryo, is an exquisitely intriguing piece crafted this weekend by Chris and Veng of Robots Will Kill. Here are some earlier images:

Chris at work on his iconic character
Veng begins painting his wondrous chameleon
Veng adds finishing touches

Photos by Tara Murray

Vandalog Movie Night as a blog post

Earlier this week, I hosted a movie night at The Wren’s Nest in Atlanta for the Living Walls Conference. Living Walls asked me to put together a list of some short films to show, and I ended up with 27. A few people have asked me to post those films online to share with friends or just to see a film that they missed while they were getting some food, so after the jump you’ll find embedded versions of all 27 films that were screened at the movie night (many of which have appeared on Vandalog before). Enjoy! Continue reading “Vandalog Movie Night as a blog post”

Peace on the streets

“See no evil”

Based out of Hawaii, Cryptik is known for brining popular Eastern philosophy iconography to Western walls. The hand-painted script by this man, who is described by the Huffington Post as “reclusive, fastidious and soulful,” apparently stems from a background in “gang graffiti.”

 

Photos courtesy of Cryptik Movement

Graffiti vs. Street Art: A debate I don’t understand

Sometimes when I’m making these Wild Style Wednesday posts, I have a difficult time deciding whether I can include a piece because I can’t distinguish if it is “graffiti” or really just “street art”. For some reason, that matters. I ask myself questions like “Does the work have arrows?” “Is there reference to a 3-letter-name graffiti crew?” “Was this done with a legitimate risk of arrest?”

Instead of WSW this week, I’ve decided to compile some photos that didn’t make it into a previous WSW post, and assign them to more fitting ‘subcategories’ of graffiti/street art.

A mural of graffiti.
By MataOne in Renaix. Photo by Startape Photographe.
Ghetto product placement
Satyr, Goser, 4Gets and Mr. Ef in East Bay. Photo by FunkandJazz.
Pop-contemporary egoism
Adek and MQ in San Francisco. Photo by FunkandJazz
Slap-stick vandalism 
By Lush in Australia. Photo by Merciful Fate.
Caricature of a “graffiti artist” painted illegally.
By Graphis in Brazil.
Noncommissioned neo-cubist mural
BemsGF in France. Photo by GhettoFarceur.
Graffiti disguised as street art.
Ed Mun in Brazil.
Art school vandalism
Snek, Graphis and Terone. Photo by Graphis.
Childstyle graffiti.
Alissa in Brazil. Photo by Graphis.
Unwarranted expressionism
Bims and Rems. Photo by GhettoFarceur.

Let’s play a game.

VIEWERS DECIDE FIVE: Street art? Graffiti? Subcategory?

1.

Cranio in Brazil.

2.

L’Arabe-StrĂ© in France. Photo by GhettoFarceur.

3.

Feustay, Sway and Kalouf in Niort. Photo by Startape Photographe.

4.

Mr. Wany and Coze. Photo by Heavy Artillery.

5.

A tag by Amour in Paris. Photo by Morac19.

 Photos by Cranio, Ed Mun, FunkandJazz, GhettoFarceur, Graphis1, Heavy Artillery, Merciful Fate, Nardstar and Startape Photographe

From the Lyric to the Symbolic: ND’A at Bushwick 5 Points

Over two days, artist ND’A was invited to paint a tall narrow space nestled between Nick Walker and Jay Shells at  Bushwick 5 Points. At the crossroads where St Nicholas, Troutman, and Scott meet, Joe Ficalora has created a street art oasis. While his family have owned the buildings for years, Joe has taken it upon himself to breathe new life into them. When speaking to Joe, you can tell the passion he has for the artists with whom he shares his walls. This passion has created a space where artists from other countries as well as the New York area can have a more permanent home than the temporal streets that surround his buildings.

Since his visit to Mexico in June with LNY, ND’A’s style has shifted from text-based to the symbolic. Originally incorporating lyrics from various sources including music, the artist has moved towards a more universal meaning for his murals. Rather than having the text connote a specific reference, he is using symbols to create an appeal for the general public. For example, “drunk or sober never lose your composure,” as he used in his Bushwick Open Studios panel, will divide viewers as either those who understand the RZA line or those who are left feeling outside the reference. However, when removing the lyrics and leaving only the symbols behind a crown, a wolf, a bike lock, and a foam finger can take on a number of meanings for those who venture to Bushwick 5 Points.

Photos by Rhiannon Platt

“Cause and Effect” Captures the Beat of the Streets

Ski URNY

For sheer fun, few exhibits I’ve seen this summer surpass “Cause and Effect” at 211 Franklin Street in Greenpoint, Brooklyn. Curated by UR New York (2ESAE & SKI) and Tone MST, it features works in various genres by a range of artists whose works are seen on NYC streets. Graffiti and street art meet here and fuse seamlessly – sometimes within the same pieces. Here are a few more images:

Cern
Sofia Maldonado
KA

The exhibit continues through August 22nd.

Photos by Lois Stavsky

A mural that reduces air pollution

This new mural by Andreco is more than just a nice painting of a tree in Bologna, it actually helps the environment by reducing air pollution. Andreco used a special kind of photochemical paint that reduces the amount of nitrogen monoxide in the air. Andreco’s mural is part of the Frontier project, curated by Claudio
Musso e Fabiola Naldi and coordinated by the City of Bologna.

Click to view large

Photos by Andreco

OBEY is the drug

That thing above this text? Yeah, that’s Love is The Drug, the latest print by Shepard Fairey. When people complain about Fairey’s work not being up to the standard that it once was, this might be the sort of product that they’re thinking about.

I don’t think it’s entirely fair to criticize Fairey for putting out mediocre prints from time to time. After all, he puts out a lot of work. Not all of it is going to be great. But this one just seems particularly disappointing. Love is The Drug is red and black and gold, and nobody would care about it if Shepard Fairey’s signature wasn’t in the lower right corner and an OBEY star logo wasn’t in the top left.

Despite the weak image, my bet is that the print will still sell out in less than an hour once it is released for sale sometime on Tuesday.

Photo courtesy of OBEY Giant