Interview with Kaff-eine

After the Funeral, ink on cafe wall, Brunswick July 2012

Kaff-eine is another of my favourite Melbourne street artists. Since first discovering Kaff’s characters pasted in Melbourne’s alleyways, I quickly fell in love with her work.

Kaff-eine paints using a number of different media, including aerosol, pigment ink, watercolor and acrylic paint. Her characters light up drab grey walls and alleys and bring real character to Melbourne’s streets. Her characters evoke emotion and feeling, in particular the sorrowful character cradling a dying swan is one of my favourite works!

‘Reveal’, aerosol + acrylic paint on cardboard February 2012

Kaff-eine has been part of numerous group shows, and has her first ever solo show opening in November called “Boneyard” at “Just Another Project Space” in Prahran. I can’t wait!

I caught up with Kaff-eine a few weeks ago and had a great chat. Here’s some of what we talked about:

LM: Tell me about your background. How did you get into street art? 

Kaff-eine: I’d stopped drawing a decade beforehand. I was at Uni, discovering new street art all around Melbourne as I went to and from Uni, but never thinking about painting myself. Then I met a new bunch of friends who really encouraged me to get back into drawing, and a couple were into street art, so I thought about drawing again, kind of followed my street artist friends around, tried it and loved it. It changed the way I saw urban spaces, and my own artwork. I started pasting my work up, but discovered that I preferred to paint directly onto surfaces. So I’ve been doing it ever since.

A Funeral in December, aerosol on disused shop wall, Brunswick July 2012

LM: What does your name mean? 

Kaff-eine: Aw it’s pretty basic. Everyone who knows me knows that caffeine is my drug of choice. So I tweaked the name a bit, and used it. Without caffeine there’s no Kaff-eine! And the hyphen works too, I think in German it translates as something like ‘coffee one’. So yep, that’s suitable too.

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Collective you should know: Run Don’t Walk

Hailing from Buenos Aires, Run Don’t Walk was formed in 2002 and consists of stencil artist Federico Minuchin and self-taught visual artist Tester. Though we’ve seen them in the Avant-Garde Urbano festival, I was prompted to look into them after reviewing Stencil RepublicSome of their work is not dissimilar from MBW, but RDW seems massively more imaginative, being that their work is pop art that doesn’t rely on buzz icons as a crutch. There’s not a whole lot out there by this collective, but I’m writing this post because I see a lot of potential and would like to see more.

Run Don’t Walk in Beunos Aires for Volkerkunde Hamburg museum

Photos by Run Don’t Walk

Black and White and Theodore: New at Bushwick 5 Points

Overunder and LNY

This week at Bushwick 5 Points the lyric and the comedic collided with the completion of walls by both LNY and Hanksy. Depicting Malik, a student of his in the Young New Yorker Program, LNY brought attention to a cause that he has focused on for the past several months. By depicting the student against the backdrop of the city, the artist gives a voice to the problematic nature of New York’s legal system in his wall.

LNY Detail
Hanksy

Countering the stark color palette and serious tone of LNY’s work, Hanksy brought his typical pop sensibilities to this Bushwick neighborhood. For these walls, or doors rather, the artist used cultural icons Theodore of the Cosby Show and Thor to play on the surfaces that he was given to paint. By transforming Thor to Dhor and stenciling a Theodoor Huxtable, Hanksy brings his light-hearted nature to an area that was once notorious for its violent crimes.

Hanksy
Hanksy
Hanksy
Hanksy

Photos by Rhiannon Platt

Nuart part 4: More outdoor work

Niels “Shoe” Meulman paints a mural within sight of a former bank. Photo by Ian Cox.

In part 4 of my series of posts about this year’s Nuart Festival (here are parts one, two, and three), I’ve finally gotten to the murals and more traditional street work of this year’s festival. This year, Nuart is responsible for new murals in Stavanger by Niels “Shoe” Meulman, Ron English, Dolk, How&Nosm, Mobstr and Eine.

Ron English. Photo by Ian Cox.
Mobstr. Photo by Ian Cox.

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Calle Esos Ojos from “Bogota Street Art”

In Bogota, Colombia, the walls don’t talk. They scream. Featuring the artwork of Bogota Street Art, a collective of four of Bogota’s most active street artists – Dj Lu, Gouache, Lesivo and Toxicómano — the recently released Calle Esos Ojos testifies to both the visual and political impact of street art in Colombia’s capital. Here are some of the images from the book:

Dj Lu has for years been altering the visual landscape of his city with his satirical stencils, targeting a range of issues from consumerism to sexism to the military.

With asymmetrical rhythms and striking colors, Gauche celebrates Bogota’s distinct multicultural mix of everyday people.

Lesivo tends to focus on the darker — or more frightening — underside of the city.

And Toxicómano is on a mission to divert the attention of passersby from commercial ads.

Along with texts – in Spanish — by noted Colombian authors, Darío Jaramillo Agudelo and Antonio Morales Riveira, the book also includes four stencil templates and 15 embossed collectible stickers.

Photos courtesy of Bogota Street Art and special thanks to Marcelo Arroyave of the Colectivo Sursystem for getting this book over to me, reminding me how much I love and miss the streets and people of Bogota.

Ripo is so surreal

Ripo painted this piece, Surreal But So Real, for this year’s Avant-Garde Urbano Festival in Tudela de Navarra, Spain. Besides the obvious (Steve Powers), Ripo is probably my favorite artist juggling signpainting, muralism and graffiti. I think the great thing about this wall, like many of Ripo’s walls, is that you can look at it from a variety of distances and angles and it should still be interesting. From straight on and a distance, there’s text to read or you can just look at it for its aesthetic value and ignore the text. From an angle, at least the colors brighten up an otherwise blank walls. From close up, there are details to catch.

Photos by Ripo

A wooden sculpture by 2501

2501 recently installed this sculpture made of parts of dead trees at the architectural museum in Como, Italy. The piece, In cammino per trasformarsi nell’istante presente (moving to transform into the present moment), is a surprising and I think very successful departure for 2501 whose outdoor work usually looks more like this. Here are some more photos of the sculpture:

Photos courtesy of 2501

Weekend link-o-rama

El Curiot

It seems that the world never slows down. I’m supposed to be on vacation and it’s been one of my busiest weeks all year, so here’s what’s been going on elsewhere across the web:

Photo by El Curiot

Stik hits Bushwick rooftop

In NYC for a few days this past week, the legendary UK-based artist Stik left his mark at Bushwick Five Points. Here are two more images:

Stik begins
Stik at work; mural by Concrete Jungle below

Photos by Lenny Collado, Dani Mozeson and Sara Mozeson

Stinkfish in Paris

Stinkfish is letting everyone on the streets of Paris know that he’s in town. He’ll be making his way to England soon for his first London solo-show opening at High Roller Society. The show, entitled Espina, opens to the public on the 27th and runs until November 11.

Above and Stinkfish on a truck in Paris
Despite being atypical of his signature colorful and detailed portraiture, this simple black, white and red piece is the most powerful piece in the collection to me. Definitely my favorite. Juxtaposed to this, the colorful portraits even look like they’ve been overworked.

Photos by Stinkfish