A street art festival in Athens about Athens, with no artists from Athens

Bleeps
Bleeps

The Greek street artist Bleeps painted the above piece in response to a recent street art festival in Athens. Essentially, a mural festival was held ostensibly to spark discussion about the economic crisis in Greece and “on the controversial issue of the value of street art in a period of crisis.” Oddly it would then seem, the festival featured no Greek artists. This raises the issue of street artists being flown around the world to paint murals in communities to which they have no connection to in order to aid the existing power structures there. Bleeps says:

[In] the field of street art which has become a main “attraction” for the last decade, we have been experiencing the proliferation by corporate logic and the state in an “antagonistic” policy, while independent voices are either kept in silence, or subjugated.

Most recently the Αthens School of Fine Arts (state University) in collaboration with municipality of Nikea and private galleries organized a “crisis” street art festival entitled “CRISIS?WHAT CRISIS?”, from which Greek artivists were of course excluded. The organizers invited 20 European artists to create works for the festival. The formal argument of the Αthens School of Fine Arts to exclude local artists was that graffiti and street art in Athens are mostly anonymous and of dubious artistic value. The attempt to commodify art in the public sphere and the “politicized” orientated one, is more than obvious.

In addition to that a festival’s spokesman stated that the goal of the imported artists is to start a discourse with the local ones. Of course no discourse can occur on the basis of exclusion.

There are some amazing street art festivals around the world, but there’s something to be said for the argument that festivals and murals are antithetical to street art and graffiti. I imagine there is more to the story here than just Bleeps’ critique (although I can’t find much about the festival online), but I think Bleeps makes a valid point. Maybe next year Bleeps will be invited to take part in the festival, but I hope he declines the invitation. After all, capitalism is absolutely brilliant at co-opting it’s critics. As @JonHanna recently tweeted, “First they ignore you, then they laugh at you, then they fight you, then they make you a brand, then they win.”

Photo by Bleeps

Francisco de Pajaro’s art/rubbish

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Editor’s note: I’m excited to have this guest post by Dave Nolionsinengland. Dave is a photographer, blogger, tour guide and one of my favorite street art people in London. – RJ

Street art is at its best when it is unexpected, uncurated and just there for the hell of it, no commercial agenda at all. London is currently blessed with the ultimate in ephemeral street art courtesy of Francisco de Pajaro, it’s rubbish, literally. A collection of bin bags, some discarded cardboard boxes or other dumped detritus, a wash of paint and marker pen and trash is transformed into street art. This is “Art Is Trash” by Francisco.

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We chanced across “Art Is Trash” at work in Shoreditch last Sunday, un-fazed by the scrutiny of visitors and photography workshop camera fiddlers alike. The Art Is Trash figures look a bit worried, intimidated, perhaps scared of our hostility towards them. de Pajaro’s figures humanise the trash. We despise the rubbish we create, we can’t get rid of it quick enough so his figures draw attention to our relationship with the final step in the life cycle of consumer products. At the same time Francisco is directing our attention to the disposability of art, literally all art is doomed, it IS trash.

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This art has a tendency to act like a magnet for other dumped crap, it’s a wonderful metaphor for huge swathes of the gallery world, isn’t it? The trash then gets cleaned up by the bin men pretty quick. de Pajaro is putting his street art out with the bins and it barely lasts a day. That’s perfect street art.

It’s not just anthropomorphization though, we love his bin bag lizard.  He also finds cracks in our buildings, little nook and crannies which he fills with stick figures. He doesn’t hang around, he just gets in there and does it.

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Photos by Dave Nolionsinengland

Weekend link-o-rama

Swoon
Swoon

Enjoy your Saturday. Also, if you enjoy the above photo, make sure you didn’t miss this post from earlier in the week.

  • Dr. D and Leah Leah Borromeo floated some sculptures in a London canal (near where the whole Banksy / Robbo feud went down) to comment on England’s welfare and tax policies.
  • Clet Abraham’s road signs are kinda awesome.
  • Hyperallergic has been doing an amazing job covering street art related stories recently:
    • Urban Maeztro has been putting up some very Mr. Brainwash-y posters in Honduras, but they aren’t so bad when you consider the context.
    • This artist reacted brilliantly to all the recent new about Detroit.
    • Peter Drew, who recently wrote this post for Vandalog, may be expelled from the Masters program he is taking at the Glasgow School of Art. The administration is not happy that he is continuing to do street art while enrolled at the university, which is weird because it sounds like he was admitted at least in part on the basis of his street art… Shouldn’t it be the administration’s job to support Drew now that he is enrolled there, rather than try to stifle his creativity?

Photo by Luna Park

Beautiful Decay: NYC’s withering wheatpastes

My favorite wheatpastes rarely lose their beauty. They just continue to evolve until they, sadly, wither away. Here are a few:

Imminent Disaster in Bushwick, Brooklyn
Imminent Disaster in Bushwick, Brooklyn — 2013
Swoon in Gowanus, Brooklyn
Swoon in Gowanus, Brooklyn — 2012
Swoon, close-up, in Bed-Stuy, Brooklyn
Swoon, close-up, in Bed-Stuy, Brooklyn — 2013
Cake in Williamsburg, Brooklyn
Cake in Williamsburg, Brooklyn, 2010

Photos by Dani Mozeson, Tara Murray and Lois Stavsky

Fantastically creepy characters

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From what I’ve been able to infer from his Facebook and Instagram, it seems Bault hasn’t been getting up on the street (at least under this identity) for very long, but I’ve already fallen in love with his style. His characters are strange but really nicely painted/drawn and beautiful, sometimes in a Tim Burton-y way. I hope we’ll see more from him soon, but here’s a little of what Bault has done so far.

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Photos courtesy of Bault

Alleg, where have you been?

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It was only this summer that I first came across Alleg‘s work, thanks to Juxtapoz, but it looks like Alleg has been getting up in Italy for a good few years. I really love his style. He clearly knows how to draw and paint, but he doesn’t overemphasize intricate technique. Too many murals these days are too perfect and plenty more street artists just aren’t talented enough to make a perfectly-rendered image if they tried. Alleg is just right.

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Melbourne Monthly Madness – June 2013

June was another busy month in Melbourne. My round up for the month includes trains, walls, shows, a rad new publication and some other bits and pieces of goodness.. I’ll start with my favourite train for June. This one ran on June 6th – thanks to The best of Melbourne Graffiti for the pic. This guy has been killing it lately!

01 RUNZ - Photo via The Best of Melbourne Graffiti
RUNZ. Photo courtesy of The Best of Melbourne Graffiti.

Some shots from Burg’s show at the Vic below, more here. Burg’s street characters are some of my faves with twisted and expressive faces appearing all around Melbourne.

BURG - Photo by AllThoseShapes
BURG. Photo by AllThoseShapes.
BURG - Photo by AllThoseShapes
BURG. Photo by AllThoseShapes.
BURG - Photo by AllThoseShapes
BURG. Photo by AllThoseShapes.

Knock Knock Magazine released their latest issue, Issue 4 -The Travel Issue. Knock Knock is an online magazine focusing on talented creative people, this issue features articles on Ben Quilty, Mark Drew, Geoffrey Lillemon, Dave Cragg, Sobekcis, Sheryo & The Yok, Onur Gulfidan, Rosek, Haribow, Maaden, Beatrix Curran, Kate Florence Knowlden, Val Kelmer, Jess Howell, Robyn Aubrey, Arman Nobari, Embassy, Spoonty and DoubleTrouble. A great read and a well put together production. Check out these screen shots from Issue 4:

Screenshot from KnockKnock Issue 4
Screenshot from KnockKnock Issue 4
Screenshot from KnockKnock Issue 4
Screenshot from KnockKnock Issue 4
Screenshot from KnockKnock Issue 4
Screenshot from KnockKnock Issue 4

Continue reading “Melbourne Monthly Madness – June 2013”