Asbestos Boxing Club in Belfast

One of my favorite artists, Asbestos, had a show that opened last week in Belfast. It sounds like a really great show. Here’s some info on the show from Asbestos plus photos. I’ll post the video once it’s online. If you haven’t already read it, check out this profile/interview I did with Asbestos.

Everybody still talks about ‘The Troubles’ in Northern Ireland. But as I approached the Ligoniel Amateur Boxing Club in North Belfast on a cold November evening, I was at an advantage because I had no preconceived ideas as to whether the boxers were Protestant, Catholic or Hindu for that matter. I hadn’t even thought about asking before that night, and as my visit wore on, I started to assume from their names that they were catholic (Sean, Joe, Paddy). You see, there’s been so much conflict in Belfast over the last thirty or so years, that both communities have become isolated in their own suburbs. So for me, this boxing club in the suburbs in North Belfast and the men who give their time for free intrigued me.

I was introduced to this boxing club by the guys who run the Safehouse Gallery and on my way to Belfast on the train that day, the usual images and preconceptions of ‘The Troubles’ in Northern Ireland came to mind. But I wasn’t interested in adding to a landscape of film, painting and literature that couldn’t escape the images of violence and division from the past. It was my intention to create a body of work focusing on people who’re making a difference in their community despite all the shit that goes on around them.

I photographed the boxers training and sparring in Ligoniel Amateur Boxing Club (it’s been on the go since 1971 and has been funded by the boxers and the community around Ligoniel) late one Wednesday evening. Upon arriving I was welcomed in by Eddie, who stood in the doorway eclipsed in the stark boxing hall light, his hand, decked out in gold rings reached out to greet me and welcome me into a club he’s been volunteering in for over thirty years.

I got to know the guys from the club, each had a story, each had a reason to be drawn to boxing and the small club that was a home and a safe family. I came away from that club with a head full of stories and a meaningful idea for an exhibition in Belfast. My initial fear was that these guys would treat me with suspicion, but each was open and honest, happy to talk while I photographed.

The following day, I scoured the streets in different parts of Belfast for the signature yellow Ace Bates skips (he’s the king of the Belfast skip world). I hoped that they might contain the detritus of the city; wood, metal and any other objects that told the cities history for me to paint on. I pulled pieces from skips in the Holy Land, the Shankill Road, the Lisburn Road and the Falls,  then I hauled them home to the studio in Dublin to paint.

Back in Belfast on the night of the show, it was a very humbling experience for me to see each boxer come to see his portrait. It was singularly, the most rewarding and emotional moment in my entire art career. One boxer told me that it’s usually “generals or dead politicians that get their portraits painted, not amateur boxers from north Belfast”;. But to me, these guys are the heroes of the community, they’re the guys who keep the kids off the steets, training three nights a week, they’re the guys who get screamed at by their wives “for volunteering more time at the club than at home”. It was a privilege for me to spend time with and paint the portraits of these contemporary heroes.

Photos after the jump… Continue reading “Asbestos Boxing Club in Belfast”

Know Hope Updates

Couple of bits about Know Hope today. First, he’s got an interview over at Artasty, so check that out here. Second, he’s just posted a new piece on his flickr which is very timely.

"put your money where your mouth is" by Know Hope
"put your money where your mouth is" by Know Hope. Photo by Know Hope
The building is a bank. Photo by Know Hope
The building is a bank. Photo by Know Hope

How To Find A Hero

Last night I posted about Hero leaving work throughout London today. Well those pieces have dropped now, and Hero’s posted photos on his flickr of where they are. Here’s a few locations, and for the rest, go to Hero’s flickr.

At Hoxton Square. Photo by Hero
At Hoxton Square. Photo by Hero
Photo by Hero
Photo by Hero
Photo by Hero
At Laz. Photo by Hero

Old Barry McGee in London

Came across this little piece by Barry McGEe today on Redchurch Street, but I’d never noticed it before. To see it in person for yourself, you can check out Streetartlocator.com where I’ve geotagged the piece.

Anybody know how old it is? Can’t imagine it’s even remotely new.

Sorry for the poor quality pic, it was dark. Check my flickr in a few days, and I’ll get a proper image up.

Barry McGee in London. Photo by RJ
Barry McGee in London. Photo by RJ

Sickboy’s Stay Free Show Photos

Just got some great photos of Sickboy’s upcoming Stay Free show. I posted about the show yesterday. It opens December 3rd, and one visitor will win an installation piece from the show worth £20,000.

In my first post on the Stay Free show, I said I was curious to see how well Sickboy’s work would carry over from rubbish skips and old buildings to gallery walls and living rooms. I think these photos provide some strong evidence that Sickboy is not going to have any problems transitioning into gallery work.

Photography by www.andrepenteado.com
Photography by www.andrepenteado.com
Photography by www.andrepenteado.com
Photography by www.andrepenteado.com

More photos after the jump…

Continue reading “Sickboy’s Stay Free Show Photos”

More on Moss

Last week I posted about “moss graffiti” and how it is made. It looks like the movement’s foremost artist, Mosstika, has been making quite a splash recently. Both Beautiful Crime and Wooster Collective also have posts on Mosstika today.

Beautiful Crime points out that Mosstika is a great example of Disruptive Realism, a term coined by David Hoffer. According to Hoffer, “Disruptive Realism is an expression presented in an everyday context that disrupts peoples perceptions about different things.”

And of course, Wooster Collective’s Q&A with Mosstika is well worth reading.

Below is another photo of Mosstika’s unique work from tedina. More photos here.

Grey Cattle by Mosstika. Photo by tedina
Grey Cattle by Mosstika. Photo by tedina