Sten & Lex

Photo by Sten

It looks like Sten & Lex have been keeping busy. They had a new book published by Drago earlier this year, have been putting up some murals in Rome (including the massive 26 meter tall one in the above photo), there was that great solo show in Paris and now they have a show on at a museum in Italy.

There don’t seem to be any press releases in English, so I’m not 100% sure what is going on at the Carandente Museum in Spoleto, Italy, but it looks like Sten & Lex’s show is taking place in addition to a massive group show of pop surrealists called, unsurprisingly, Pop Surrealism, which was previewed on Arrested Motion.

As the show just opened this weekend, hopefully there will be some pictures surfacing online soon.

Photo by Sten

Mr. Jeff Soto in NYC

Update: The original headline on this post, and the one that you probably saw if you are found this on your RSS feed, mentioned a new toy. Then I decided not to mention Jeff Soto’s new toy because I went on a rant about art versus advertising. If you’re curious though, Hi-Fructose has some info on the new toy that Jeff is working on.

Looks like Jeff Soto just painted this piece outside of Eyebeam in NYC.  Which reminds me, if you’re in NYC, tonight would be a good night to stop by Jonathan LeVine Gallery. Jeff Soto and Dave Cooper both have solo shows opening there tonight (those shows run through July 24th). Arrested Motion recently posted a studio visit with Jeff, which includes some of the artwork that will be at his show tonight.

Now, I don’t mean to direct any potential negative attention towards Jeff Soto, but this piece reminds me of an interesting argument that I had last night with a friend of mine, who I’ll call James because I’m sure he doesn’t want me to publish his name. I said that I’d rather not be subjected to advertising while I’m in a public space, especially illegal advertising. Naturally, James brings up that I’m more than okay with artists putting up street art illegally. He thinks that I’m hypocritical for hating illegal ads but loving illegal art, especially since the definition of what is art is subjective. I say there’s a big difference, since street art, public art and architecture aren’t trying to sell you anything. Naturally, James makes the point that when a street artist puts up a piece, that’s advertising for their own work. In the case of Jeff Soto, Jeff rarely paints outside anymore, and this particular wall is clearly a form of promotion for his show with Jonathan LeVine Gallery. So it’s an ad, right? Not in my opinion. Yes, it’s an ad, if you know who Jeff Soto is and you know that he has a show opening tonight, which is probably less than 1% of the people who walk by Eyebeam today. For the vast majority of New Yorkers, that’s just a piece of art. Even if Jeff had signed his name, it’s not like he’s put a sign next to it saying “You can buy this image as a print for $70 at potatostamp.com!” (although, actually, you can).  Maybe murals like Jeff’s and 99% of street art is a form of guerilla marketing, but it’s only seen as marketing by a tiny minority of the population. For the rest of the world, it’s art in the place of a grey wall, and there’s nothing better than that. So that’s my rant about the different between street art and advertising. Hopefully you agree with me, otherwise I may have just turned a few people off of Jeff Soto, which would suck.

Photo by amc_

Eltono collaborates with the public

Update: D’oh. Aaron posted about this months ago. I just got reminded of it in Eltono’s newsletter and thought “We didn’t post about that right? Why not? It’s cool.” Well, we did post about it. Sorry Aaron.

A few months ago, Eltono put together an experiment on the streets of Coruña, Spain. First, he painted geometric designs on sheets of plexiglass. Then he painted the entire other side of the glass white. He placed these sheets in three spots around town and waited. Here are the results:

Everyday passersby began to draw on the plexiglass or scratch away at the paint… Eventually Eltono’s designs on the other side of the glass began to show through.

After 5 days, Eltono removed the pieces and brought them back to a gallery for the MUAU:

You can see more about the project on Eltono’s website.

Photos courtesy of Eltono

Kolown in the woods

Kolown is an artist in the Philippines. Somebody is probably going to tell me that carving into trees is very damaging to them, but I’m not totally sure if it is or not, so in the mean time, I’m loving this face that Kolown has carved. It’s nice now, but I’d be interested to see what this tree looks like in 1, 5 or even 10 years. Ideally, I guess the face would be preserved, but it wouldn’t be immediately apparent that it was man-made.

Photo by Kolown

TrustoCorp Bombs Over MBW Work

I really do not advocate artists tagging over others’ work usually (unless it is absolute shit/Waterloo Tunnel/or the artist does it himself), but in this case I applaud TrustoCorp for doing what other artists have wanted to for awhile: vandalize MBW’s street art. Granted the guy is a joke, and his portrayal in Exit Through the Gift Shop did not exactly help to improve his credibility in the art world.  TrustoCorps’s work is a physical manifestation of the discussion around Mr.Brainwash and his so called “art” so I smiled when I woke up this morning and saw these pictures. I especially liked the use of the phrase “Locals Only” which harkens back to summer memories of New Yorkers invading my beach on the Jersey Coast. Go away MBW and stop putting up street art. I would rather see a 14-year-old bombing for the first time paint on a wall then see your post modern Warhol wannabe stencils on the streets. And while I’m ranting, Dear Bennies, please stay off the Jersey beaches. Love Stephanie.

Here are some of the pictures from TrustocCorp’s Flickr. You can see the rest from his destructive spree here





The Opening of Gaia’s “The Urban Romantic” at Irvine

Last night, Gaia’s “The Urban Romantic” show opened at Irvine Contemporary in Washington, DC.  The artist drew a pretty decent crowd to the exhibit’s first night, as hipsters, art lovers, and curious residents descended upon the gallery.  While the bulk of the work featured Gaia’s usual black and white intricate aesthetic of mythical anthropomorphic creatures, the following pieces really stood out among the works.

I especially like the oil paintings that demonstrate an even more mature side of the young artist.

Behind the gallery, Gaia left his mark with two large scale pieces that are great additions to the Irvine outdoor collection.