Matt Small Video Interview Part One

A little over a week ago I had the chance to see with Matt Small and we spoke about his show Youngstarrs, which is currently on at Black Rat Press in London. Here’s part one of that interview, the rest will be coming online in the coming days. The audio isn’t great, so below the video you can read the transcript.

Also, for some great pictures of the show, check out WallKandy’s flickr set.

Transcript:

RJ: Okay, so we’re here with Matt Small at Black Rat Press for what’s the show called?

Matt: It would be called Youngstarrs.

RJ: Right. It opened last week, and I guess you’re gonna explain to us some of the paintings.

Matt: Well, the show, Youngstarrs, kinda I wanted to do a project about kids I suppose. At the end of the day, these kids are us. Because that’s who we are: big kids. I just thought I thought it would be lovely to have this huge theme of young people. Young people that are living and growing up in today’s society. These young kids who walk round up the roundabouts and they’ve all got their futures ahead of them. You know whatever in the end, whatever negative things, so many worrying stories about what’s happened with our youth and we worry about where they’re gonna be. I’ve got a young child myself, he’s seven. He’d say that’s your formative years. You know that’s really where you become who you are as a person. That’s where [inaudible]. That’s where futures start to really kind of, you know, to be cemented and such. As well as [inaudible] you really kind of becoming you as a person, which is like: do we believe that, [inaudible] we can tell with the recession and [inaudible] and this crime and do we think that our little kids are gonna be down in the scrap heap or do we just see them as these beautiful little angels like “young stars” as such? They’re like stars in the sky. They’re shining bright and that be me is what I think that my little kid, that’s what I thought of him. I can’t see him in a negative way, I can’t see his friends in the negative, I can’t see their futures in anything but the positive, a positive termed vernacular, because I think that that would be failing them. And I’m getting sick and tired of The Daily Mail and all those sort of papers that just talk about how everything’s terrible and the world’s gone to pot because I can’t think like that. So that’s more than your [inaudible]. That’s in the same vein as like, the concrete people, and I’ll do my best to sort of make my kid’s future as bright as possible and I think that’s the [inaudible] in kids. That’s the potential of them all. I think that that should be giving the right message that I’m trying to say, and it is saying that we’ve all got stories, we’ve all been somewhere, we’ve all wanted to have something different in our lives and [inaudible] sometimes takes us to where we don’t wanna be [inaudible] everyone’s got a story. And I’d like to think that when people look at this they sort of see themselves in them. These little young people. It’s like, well, I had the whole world ahead of me, and my story is still continuing but things I might have wanted to do or things that I think I can’t do, I didn’t get the chance, or I wish that this didn’t happen. I might be this place. Or I just think it’s really interesting to think about these children who, they are us. They got the world ahead of them. I think of these as self portraits. They’re all me. I was that little kid once. I don’t know why what happened to me [inaudible] there’s things I could have done I didn’t do it because of life’s little scenarios and what we thought we couldn’t achieve if someone’s saying you can’t do it. And that’s what I’m saying, life starts to inform your mind and tell you what you can and can’t do and I just think, I don’t want that to happen around my kid. I think each one of these kids has got the potential to become world leaders and something incredible [inaudible]. It doesn’t matter if they’re from dodgy or a bad estate or bad area or they’ve got bad things happening around them. They’ve got the chance to grow in a positive place. These are the young stars.

RJ: So it’s sort of like right before, or right as they are sort of realizing that the world might not be that perfect place, but at this point, it still is for all these people.

Matt: It’s totally that. That’s what I see. Like within contemporary London (for me) or wherever you live. You think that these kids are gonna be all savvy and they’re gonna be all different to how we were when we were as little kids. They’re not. They’re still playing tag and they’re still very cheeky and funny and they haven’t been burnt yet. They haven’t had their fingers singed. They’ve still got a lot of energy and a lot of potential. I think that’s exactly what I see every day. As I say I’m at my child’s school. I see that.

Everything Barry McGee

Barry McGee is perhaps the biggest and best respected street artist to ever come out of California (sorry Shepard Fairey). This last week, he’s been on my radar for a few things.

First of all, I started seeing his name popping up for his part in American Realities, the latest show at New Image Art (he was working under the alias Lydia Fong). Check out some photos of that show below (more at Arrested Motion):

Barry

Barry Painting

And then there is the group show that McGee is involved in at CircleCulture Gallery in Berlin…

CircleCulture

Aaron Rose of Beautiful Losers is curating this show, so it’s sure to be something very cool. Images when I get some.

Here’s the PR:

Barry McGee, Ed Templeton and Raymond Pettibon are pioneers and icons of the contemporary urban art movement. Their work can be found in the collections of major museums and has been shown at large exhibitions and biennales worldwide, but all three have repeatedly emphasised their roots in youth subculture – in the worlds of skateboarding, graffiti, punk and hip-hop.
These three sought-after artists are brought together by curator Aaron Rose, whose urban art documentary Beautiful Losers is currently touring the world, in the intimate atmosphere of Berlins Circleculture Gallery.

Special bonus Barry McGee video after the jump… Continue reading “Everything Barry McGee”

Le Tag in Paris (this show includes Taki 183)

My French is pretty terrible (just got back from France, realized I couldn’t say much more than ‘merci’ after 9 months not taking the language at school), but what this video is still pretty cool, and I Love Graffiti was able to help sort out with the details about Le Tag.

Le Tag is an exhibit in Paris of graffti by 150 writers. It is currated by French architect Alain-Dominique Gallizia.

Taki 183

Artists in the exhibit include (and I can’t believe this first one) Taki 183, Seen, Doze Green, Phase2, and L’Atlas.

I know that in some ways Taki 183 is just one guy that the New York Times picked up on as an early tagger, but the article featuring him inspired so many people to start tagging, and he was one of the first to really get their name throughout New York City. I didn’t even realize he was still writing his name. The last I’d seen of Taki 183 was in Bomb It the movie, and he didn’t seem too interested in graffiti. Even though it’s “just a tag” and I really like Seen and some of the other artists in this show, Taki 183’s stuff is my personal highlight of Le Tag.

Le Tag runs until April 26. More at the official website.

OBEY Rips Off Restitution Press

UPDATE: I was misinformed, the Bandit image below is by Restitution Press, and the skull image is by Euthanasia.

Photo by Lord Jim
Photo by Lord Jim

Looks like it’s time to add Restitution Press to the list of artists that Shepard Fairey may have stolen imagery from without giving credit. Restitution Press has been wheatpasting in LA and other cities for years, and now it looks like two of their images have one of their images has been stolen and combined with an image by Euthanasia for use in a tshirt by OBEY Clothing.

Essentially, here’s what happened:

Equation

Those first two images are by Restitution Press. The first image is by Restitution Press, the second is by Euthanasia, and the last one is a close up of a tshirt by OBEY Clothing. They sure look pretty similar.

Here’s the full image of the shirt:

Shirt

This looks to be one of OBEY’s classic “re-appropriations” where they have taken some images that they like, changed them slightly, and the stuck some OBEY logos around.

And it would be pretty hard for Shepard Fairey to play dumb about these images. He knows they exist. Last year he wrote to the head of Restitution Press complimenting him on their work.

I wonder what Shepard Fairey from last April would have to say about this…

Recession-Inspired Street Art

How I haven’t done this post yet I don’t know.

Street art is a chance for the average Joe to voice their opinions and concerns and to connect with the rest of the public. Often, that means artists put out work that is subversive or anti-corporate. For these reasons, it is only natural that the recession makes it way into street art. So here’s some of the best recession-themed street art I’ve found. Add your favorites in the comment section.

K-Guy's "Bank of Sonia and Mike"
K-Guy's "Bank of Sonia and Mike"
Icon Propaganda's "Where's My Bailout?"
Icon Propaganda's "Where's My Bailout?" photo by shoehorn99
Above's "What Goes Up Must Come Down"
Above's "What Goes Up Must Come Down"

More recession themed street art after the jump… Continue reading “Recession-Inspired Street Art”

Introducing… Ripo

I found Ripo through Roa, as the two have done some pieces together. Ripo is just one of those artists who can make me smile with slogans like “Steal This Space?” painted over a billboard or “Misunderstood” next to some graffiti. His use of simple designs and classic “storefront sign” fonts reminds me of ESPO and Above (whom he has collaborated with in the past). Anyways, I’m not so great at explaining exactly what makes work great, so just have a look.

Roa (left) and Ripo (right)
Roa (left) and Ripo (right)

Ripo Stairs

Ripo’s very first solo show, “is what I meant to say…”, is opening in Brussels on March 27th at the Mr. Ego space. Check out the flyer:

Is What I Meant To Say

Check out more of Ripo’s work after the jump… Continue reading “Introducing… Ripo”

Phillips de Pury Results

Just a quick run through of Saturday’s Phillips de Pury auction results (all prices include buyer’s premium).

  • Herakut’s canvas for the War Child charity went for £3750.
  • Only one Paul Insect piece managed, to sell (a print at £375).
  • Seen was quite strong, with a large painting on subway maps selling for £4000.
  • Out of 2 prints and 1 original by BAST, only one print sold and it was at below estimate (and that original was really nice in person, even if it isn’t his typical style).
  • None of the Faile prints or originals sold.
  • Nick Walker’s Moona Lisa, which was estimated at £7-9000, sold for £18,750. Seems like a bit of a fluke though, as the rest of Walker’s work was within the estimate.
  • The Swoon on Mylar was withdrawn
  • Finally, as I anticipated, the two Os Gêmeos giant head boxes sold for more than the estimate of £4-6000, but they sold A LOT more: £18125 including the premium.

For the full results a pdf can be downloaded here.