German photorealistic graffiti artist CASE pays tribute to Egyptian activist Khaled Said

This tribute to the Egyptian activist and rapper Khaled Said — brutally beaten to death in June 2010 and posthumously awarded the Human Rights Award 2011 this week — was just painted on two original pieces of the Berlin Wall by Andreas von Chrzanowski aka CASE, a founding member of  the renowned graffiti crew Ma’Claim.  It will soon be placed at Berlin’s Freedom Park on the banks of the river Spree. Next month, CASE will again paint the portrait in Khaled Said’s home town Alexandria, as part of a project with the Goethe Institute.

Written below portrait:: "We are all Khaled Said," calligraphy by Mohamed Gaber
Photo by Joel Sames, courtesy of From Here to Fame Publishing

Saber hits the LA skies in defense of murals

While some people would argue that LA has one of the most vibrant mural, street art and graffiti scenes in the world, there’s something holding it back: The legal impossibility of painting murals with permission. Because the city of LA essentially considers all murals commercial signage, getting permission from the property owner is not enough. Without permission from the city government (which sounds nearly impossible to get), even murals painted with the building owner’s permission are illegal in the eyes of the city.

Today, Saber decided to fight back against the city by hiring 5 skywriters to write messages in support of art and his friends across the skies of LA. Additionally, Saber has a blog post explaining his opposition to the city’s mural moratorium and cataloging instances where good art has been impacted by the absurd enforcement of a law that was intended to impact public advertising.

Saber has also started a petition urging the city to end its mural moratorium. You can sign that here.

Here’s a bit more of what Saber had his skywriters put up:

Photos by Saber

Weekend link-o-rama

A freight train in Atlanta

This week has been a lot of trying to get ahead on my work, because on Saturday evening I’m headed to New York City for the night. I’ll be checking out Flash at the Wooster Street Social Club. Here’s some stuff I missed covering over the last few days:

Photo by RJ Rushmore

Brad Downey verus(?) Banksy – “What Lies Beneath”

While some lazier blogs have been misreporting things (as the media notoriously does), here’s what really going on at a gallery in Germany where an artwork by Banksy has been “rediscovered” and uncovered beneath layers of paint. While one might initially suspect that this is a publicity stunt by a gallery (my first thoughts were: the piece could be a fake, or even if it’s real, it’s most likely a ploy by a crass gallery owner to get people in the door, and the wall will quickly be sold like so many Banksy street pieces and the gallery had just been waiting for the right time to do this), it’s not that simple. In fact, the room is installation by Brad Downey, titled What Lies Beneath.

Here’s what is known about the artwork: The Banksy piece seen the above photo is real and was painted in 2003 for the Backjumps Live show, Brad instructed art restorers to uncover the piece which was hidden beneath years of paint, Brad got the rest of the walls painted red, Brad got sections of the other walls in the room removed, Brad lists the materials as “restored/extracted ‘Banksy’ Installation (originally painted in 2003 for the exhibition Backjumps- Volume:1), red paint,” the piece is part of a show curated by Adrian Nabi called Do Not Think! and Adrian Nabi curated the Backjumps show.

That said, Brad Downey is a clever artist. In fact, one of the only street artists that I suspect might be more clever than Brad would have to be Banksy. For that reason, I suspect that there is some mystery yet to be uncovered about this installation. Especially given Brad’s use of the word “extracted” in the description of What Lies Beneath and also the text on Banksy’s piece, “Every picture tells a lie!”, I’m curious to know more about those segments that Brad has removed from the room. I’d say there’s definitely more to this story than meets the eye (maybe Brad has extracted a few Banksy’s to throw up on eBay), but maybe the installation is telling a lie. While of course many blogs and newspapers seem to be excited about the new (to them) Banksy, according to one German newspaper, “[Brad’s] work was not primarily about Banksy’s work, but to criticize the art market.”

You can see What Lies Beneath for yourself at the Kuenstlerhaus Bethanien gallery in Berlin through October 29th.

Photos courtesy of Brad Downey

Poster Boy Show Cancelled / Censored

Hi Vandalog readers, it’s Elisa here (yup, it’s been a while). Just wanted to update you all, in case you hadn’t heard yet, that Poster Boy‘s upcoming show at Trinity College in Hartford, CT, which was set to open on September 15, has been cancelled/censored due to the illegal nature of his street work. I hung out with PB recently and know that he was not only looking forward to this opportunity, but was working very hard for it. I don’t know about you, but I don’t have much respect for censorship in the art world, no matter what the reason is. Not only has there been too much of it recently, it only seems to be getting worse and to put it crudely, makes this whole business, world or whatever you want to call it, look ridiculous.

Galleries, museums, institutions, general public: don’t say you want art if you’re just going to turn around and try to pretend it doesn’t exist, simply because you have an issue with it. Nobody can possibly like or approve of the work of every artist in the world – I certainly don’t – but that’s no reason to invite one to present what they do and believe in, then whitewash their wall, cancel their show, or attempt to stifle their voice. On the upside, of course, with people like Blu, Poster Boy, Ai Weiwei and the countless other artists who have suffered from this treatment recently or in the past, all it does is strengthen and help to spread their message.

Poster Boy is an interesting case when it comes to institutional censorship as he doesn’t often exhibit his work indoors and when he does, the focus is on spreading his views on the advertising industry, rather than profit off the artwork itself. Here are his thoughts on the situation, via the Hartford Courant:

“The main point of the show was to reach people and to bring awareness to the sort of visual pollution we see advertising to be and the whole hypocrisy behind being able to put advertising up yet street art and graffiti is illegal,” he said. “When the media gets a hold of it the fact that this was censored and cancelled, more people will hear about it, more people will be forced to think about what the work stands for and what Poster Boy stands for. Whether they agree with it or not it will definitely reach a lot more people.”

He said he had been looking forward to the show because “it’s a controlled setting, without someone looking over me or having to look over my shoulder for police officers. … That gives the artist involved a little more time to showcase maybe some flair or go in a little more depth than is usually gone into with subway pieces, which are completely improv with only a razor.”

Anyway, like everything else in life, this is open to interpretation and I’m sure everyone here at Vandalog would be interested in your opinion. Personally, I find it a bit hard to understand why  an artist’s show would be cancelled due to the illegal nature of some of their work. Last time I checked, a lot of graffiti and street artists have had gallery shows. Conservatism like this makes me sick.

– Elisa

Image via Poster Boy’s Flickr

Weekend link-o-rama

Snyder, a tribute to Kase2 (RIP) by Krush, Dame and Evol and other pieces

You know what’s really nice? Sleep. Hence, this weekend is a blessing. For now, life is school school school and more school. Hopefully there’s still a trip to NYC in my near future though… Here’s what has been going on around the internet and on the street:

Photo by Snyder

Portland pigs attempt to shut down an art gallery

Swampy at The Railyard

Thanks to Endless Canvas for turning us on to this story.

It seems that police pressure in Portland has resulted in The Railyard gallery being evicted from their location. The Railyard opened earlier this summer with an installation-based show where dozens of artists (including Swampy, Feral Child and Gats) painted on the walls of the space. Portland police claim that the gallery is responsible, through that show, for bringing artists to Portland who then painted street art and graffiti illegally while they were in town. On the one hand, this whole thing is ridiculous: The Railyard is not responsible for what artists do in their spare time, and the work that The Railyard is responsible for was painted legally (and looks pretty good too). On the other hand, I’m surprised that more police around the world don’t try this tactic. Probably because a. it’s a difficult case to prove and b. it makes the police look like uncultured jerks. Shutting down art galleries isn’t exactly a popular move. Although in this case, it sounds like the police just used intimidation rather than actually pressing charges, so there’s really nothing that would have to be proven in court.

Get the full details on this series of events here and here.

Best of luck to The Railyard. Hopefully they can move to a new space where the police will leave them alone.

Photo by Nuclear Winter

Via Endless Canvas

Banksy complains the old-fashioned way

According to The Guardian, Banksy‘s got a little problem with Channel 4’s Graffiti Wars documentary about Robbo and the Banksy versus Robbo feud. Rather than taking it to the street like you might expect when a street artist has a problem with the government or mass media, Banksy has sent a formal letter of complaint to Channel 4 and demanded an investigation. Among other concerns, Banksy is particularly upset that, in his opinion, the end of the documentary implies that Banksy was responsible for putting Robbo in a coma. To be clear, Banksy was not responsible for Robbo’s injury. Check out more details of Banksy’s complaints over at The Guardian.

Speaking of Robbo, a fundraiser for him took place today at Cargo in London. We hope it was a success.

Photo by Nolionsinengland

Ron English gives a glimpse behind the scenes of Exit

Ron English

An interview with Ron English has revealed a number of new twists in the stories of Banksy/Shepard Fairey/Mr. Brainwash/Exit Through the Gift Shop, as well as confirmed some major long-time rumors. Read Ron’s words in full over here, but here’s a summary:

  • Thierry Guetta/Mr. Brainwash is a real guy and he’s really like how Exit portrays him. He’s not some actor hired by Banksy or whatever else people have claimed.
  • Even before becoming Mr. Brainwash, Thierry was pretty wealthy and he owned a bunch of property in LA. That was his big “in” to connect with street artists: He could offer them the best walls to paint legally.
  • Exit Through the Gift Shop came out of Banksy’s intervention in a lawsuit between Shepard and Thierry over Thierry essentially holding hostage all these tapes that Shepard and Banksy wanted access to.
  • Banksy is a smart dude, and also cynical.

But make sure to check out the full story on herald-review.com.

Photo by Brandon Shigeta

Via Inside The Rock Poster Frame

Weekend link-o-rama

El Mac

First week of school down. Just a boatload more to go. Here’s what I’ve been checking out to procrastinate doing homework:

Photo by unusualimage