Shepard Fairey on AP Case: “I submitted false images”

Here’s an interesting letter from Shepard Fairey that showed up on his website yesterday:

In an effort to keep everyone up to date on my legal battle to uphold the principle of fair use in copyright laws, I wanted to notify you of a recent development in my case against The Associated Press (AP).

On October 9, 2009, my lawyers sent a letter to the AP and to the photographer Mannie Garcia, through their lawyers, notifying them that I intend to amend my court pleadings. Throughout the case, there has been a question as to which Mannie Garcia photo I used as a reference to design the HOPE image. The AP claimed it was one photo, and I claimed it was another.

The new filings state for the record that the AP is correct about which photo I used as a reference and that I was mistaken. While I initially believed that the photo I referenced was a different one, I discovered early on in the case that I was wrong.

In an attempt to conceal my mistake I submitted false images and deleted other images. I sincerely apologize for my lapse in judgment and I take full responsibility for my actions which were mine alone. I am taking every step to correct the information and I regret I did not come forward sooner.

I am very sorry to have hurt and disappointed colleagues, friends, and family who have supported me in this difficult case and trying time in my life.

I am also sorry because my actions may distract from what should be the real focus of my case – the right to fair use so that all artists can create freely. Regardless of which of the two images was used, the fair use issue should be the same.

– Shepard

Thanks Shepard. You had a court case that could have helped to show the problems in the completely screwed up American copyright system, and now it’s going to be about how you doctored evidence.

Via Papermag

Cityscape exhibition in London

cityspace

This seems like a cool line up for a group show. Especially looking forward to Skullphone, Neck Face and Taki 183 since I have never seen their work in the UK and I’m a big fan of Neck Face in particular.

Here’s the press release:

Lava Collective presents: Cityscape

Previews November 5th, 6pm – 9:30pm. Then open daily, 11am – 7pm.

The LAVA Collective has put together a group show of predominantly North American origin, focusing on street art and urban culture. Big names like Shepard Fairey, Swoon, Dalek and Skullphone vie for attention with an exciting selection of emerging artists.

The stars of the show are Brooklyn duo Peru Ana Ana Peru, who have been invited over especially to install a site-specific montage of their work. This couple have made a name for themselves in NYC with their vibrant and distinctive street pieces but they also produce video, sculpture, and fine art. They have got a big solo show coming up at the Brooklynite Gallery NYC before heading over here to oversee their first appearance in a London show.

Cityscape will also showcase the photography of Ricky Powell. The man they call the ‘Fourth Beastie Boy’ was on hand to witness the birth of hip hop culture in NYC. For this show he has submitted a selection of his classic portraits, including Run DMC, KRS One, Easy E, Eric B and Rakim. These extraordinary photos depict iconic musicians in intimate surroundings; Easy E is tuning a radio, Jam master Jay is all smiles at the airport. This is a rare opportunity to see Powell’s work in London.

For the full artist line up, go to www.lavacollective.com

Brad Downey’s controversial work at ARTotale

There has been a lot of cool work going up for the ARTotale event at Leuphana University, but this is one particularly interesting piece by Brad Downey.

Brad_Downey_McD

And no, McDonald’s did not pay for that.

Here’s a bit of an explanation from Daniela Kummle, one of the university students:

With the change of university board in 2006 arrived an era of radical reformations at the Lüneburg university. This reformations did not only include the mandatory realization of the Bologna process but also a massive restructuring of the university. Especially the re-naming and the aligned marketing- and image campaign caused public stir. The new image of the university is clearly influenced by marketing considerations such as in private economies. A well-known German advertising agency invented the new name “Leuphana” and developed a “brand” logo which – in some peoples view – rather evokes associations of a car brand than of a university.

Along with these changes comes another big project – the building of a giant lecture hall (Audimax) by the world wide famous architect Daniel Libeskind. The costs are said to add up to a 62 billion euro. In order to avoid a public bid invitation for the building contract, Libeskind was made part-time professor at the Leuphana – not for the benefit of the students though – as he is rarely giving lectures at all.

Overall, the reformation of the university has aroused remarkable suspicion and critique both amongst students and lecturers. In the light of marketing campaigns and a giant construction project, many expressed intelligible suspicion about the use of tuition fees. In 2007, a website appeared which caused further confusion. ‘leuphana.de.vu’ is a mock university homepage which resembles the business-like tone of the new university president. As the page copies the official university pages visual style they look at first sight almost identical. The page also contains an “advertisement” video for the university. This video portraits the university’s campus as a high security area where access is only possible after showing one’s ID. It furthermore shows the university as being sponsored by Coca Cola.

Brad Downey’s contribution to the Art Totale, which goes in line with the welcome week for the first semester students, has lead to further discussions about Leuphana’s politics. An artwork that could in other context be read as a plain provocation acquires a deeper social and political meaning within in the recent history of this specific university. It imbibes the earlier articulated fears of critics, that forsee Leuphana becoming somewhat of a private university serving primarily economic interests. By raising disturbance and maybe even irritation, it functions well as a means of re-initiating the current discourse amongst the students. It will now take time to see, whether the Leuphana will incorporate its own institutional critique by allowing the work to be a permanent installation.

And there is a short interview with Brad about the piece over on Ekosystem.

Just has plenty of other photos from the event.

Vandalog turns one today!

Happy birthday to Vandalog. October 15th is the 1st birthday of Vandalog. In the last year, there have been 600-some posts from 7 different writers (not including the Great in 08 series), the addition of Gaia and Elisa Carmichael as contributing writers, interviews with artists like Veng and Matt Small and a bunch of other bits. Well over 1000 people are reading Vandalog every day, and next week I’ll be launching an internet tv series. Basically, it’s grown a lot this year and been extremely fun to write.

Photo by Kelly Sue
Photo by Kelly Sue

Enough self-congratulations. I really want to thank everybody who reads Vandalog and has been supportive of what I’m trying to do with it. And if you haven’t emailed me before, please know that I’m pretty good about responding to just about any email within 24 hours, so if you need any street art related help, do not hesitate to ask. Interaction with the art community is why I post here.

The Ghostvillage Project

This looks awesome…

Ghostvillage from Agents Of Change on Vimeo.

Remi says…

Curated by Agents of Change, The Ghostvillage was conceived as an antidote to a world of ever increasing safety and mediocrity. Six artists were given free reign of a never inhabited village on the west coast of Scotland – working on pristine walls Remi/Rough, Stormie, System, Timid, Derm and Juice 126 have created a gallery like no other…..and finally given the village the ghosts it deserves…..

Shepard Fairey retrospective hits Warhol Museum

If you missed the Shepard Fairey retrospective Supply and Demand while it was in Boston recently, you can still catch it at the Warhol Museum in Pittsburgh starting October 18th (17th if you want to pay $35 to get into the opening party).

Almost makes me wish I wasn’t on a gap year right now because I almost decided to go to university in Pittsburgh.

And if you have already seen the show in Boston, you can still check out all the pieces Fairey has been placing in the city streets. One way to do that is wander around central Pittsburgh until you see something. A quicker way to to use this Google Map with all the locations already marked for you (some with pictures).

Roa visits London

Roa

Roa has spent the last week or so in London, and he’s been doing quite a bit of painting. He’s maybe the most prolific street artist I can think of. I went out this afternoon to take photos of the pieces I knew about and discovered 3 new ones walking around Brick Lane. These are most, but not all, of the pieces Roa has painted while in town.

Roa

Roa

Roa

Roa

Roa

Expect a time lapse of Roa painting plus video interview with him coming soon…

MuTate Britain: One Foot in the Grove

Giles Walker_Baby Head

MuTate Britain: One Foot in the Grove is now open. It might not match last year‘s event, but it’s still a great party with cool art and something for everybody.

Put simply: MuTate has sculptures shooting fire into the air. ‘Nuf said.

In all seriousness though, the sculptures and paintings are very cool. Best Ever, Busk, Mode2, Sickboy and many many many others have contributed to make something special and unique.

Sickboy
Sickboy

I could say that I liked this painting or that painting, but half the time I didn’t know who painted my favorite pieces, they were just good, regardless of the name behind them.

Bleach, Busk and Zadok
Bleach, Busk and Zadok

But is it the absolute best art in the world? Not always. It’s just fun to see. Even a poorly painted stencil contributes to the atmosphere and makes MuTate a nice place to grab a beer or two.

Best Ever
Best Ever

This is the art show you can bring your friends to who would rather just go to the pub (see: my comment about fire).

Part2ism
Part2ism

MuTate Britain is located underneath Westway in London near Ladbroke Grove station. Who knows how long this party is going to continue (even the artists I spoke with said anywhere from a few weeks to indefinitely), so go check it out now.