
Last week, I posted about Jeff Soto‘s friendly cat piece in Lyon. Before he left Lyon, he painted one more cat: Les Chat Terrible. It’s exciting to see Soto working outdoors more, hopefully something that he’ll continue with.


Photos by Jeff Soto

Last week, I posted about Jeff Soto‘s friendly cat piece in Lyon. Before he left Lyon, he painted one more cat: Les Chat Terrible. It’s exciting to see Soto working outdoors more, hopefully something that he’ll continue with.


Photos by Jeff Soto

James Reka and The Yok, two street artists originally from Australia, collaborated on this wall in Brooklyn last weekend.



Photos by Reka
This piece by Decertor reminds me of Aryz from Spain, but of course done with paint rollers instead of spray cans, and it’s in Peru. Plus, Decertor is actually influenced by the masks of the Paucartambo festival in Cusco, Peru, rather than Aryz.

Photo by Decertor

While some people would argue that LA has one of the most vibrant mural, street art and graffiti scenes in the world, there’s something holding it back: The legal impossibility of painting murals with permission. Because the city of LA essentially considers all murals commercial signage, getting permission from the property owner is not enough. Without permission from the city government (which sounds nearly impossible to get), even murals painted with the building owner’s permission are illegal in the eyes of the city.
Today, Saber decided to fight back against the city by hiring 5 skywriters to write messages in support of art and his friends across the skies of LA. Additionally, Saber has a blog post explaining his opposition to the city’s mural moratorium and cataloging instances where good art has been impacted by the absurd enforcement of a law that was intended to impact public advertising.
Saber has also started a petition urging the city to end its mural moratorium. You can sign that here.
Here’s a bit more of what Saber had his skywriters put up:



Photos by Saber

Brooklyn Street Art have been up in Albany for Living Walls Albany. These are some of my favorite photos so far, but check out way more images here and here.



Photos by Jaime Rojo

Here are two of Jaz‘s latest walls, painted in his city of Buenos Aires. Since being the surprise hit at Living Walls in Atlanta recently, I think we’ll be seeing a lot more of Jaz in the future.

Photos by Jaz

Young & Free, the first major group show of Australian street artists in America, opened last week at 941 Geary in San Fransisco. The show looks amazing. I wish I could see in the flesh myself. If you’re in San Fransisco, get down there before the Young & Free closes on October 22nd. Graffuturism has a full set of photos that you should check out, but here’s a small sampling.


Photos courtesy of Graffuturism

This week has been a lot of trying to get ahead on my work, because on Saturday evening I’m headed to New York City for the night. I’ll be checking out Flash at the Wooster Street Social Club. Here’s some stuff I missed covering over the last few days:
Photo by RJ Rushmore

Eyez on the Job…in these Modern Times! is a video of Peat Wollaeger putting up a stencil. So you’re probably thinking, “Oh great, another pointless time lapse of street art that probably should have just been shared as a quick photo on twitter, but instead I have to wait 2 minutes to see this finished product while the artist tries to look all cool and rebellious when the whole thing is actually sponsored by a major shoe manufacturer.” Luckily, Peat has a sense of humor, and that’s not what this video is like at all. Instead, it’s Peat’s humorous view of what it’s like to be “a professional street artist” today.
Eyez on the Job…in these Modern Times! from Peat Wollaeger on Vimeo.
Photo courtesy of Peat Wollaeger

Jeff Soto sent over these photos of a mural he painted this week in Lyon, France. He was in Lyon for a show, Les Enfants Terribles. Jeff says he wasn’t sure what he was going to paint until he got to the spot and saw the neighborhood cat wandering around.
