Ian Strange [KID ZOOM] – Suburban – National Gallery of Victoria (NGV) – Melbourne

1010508_10151534454679475_2142066181_n

Ian Strange [aka KID ZOOM] has been releasing snippets and teasers for his upcoming show Suburban for some time now. I have been following it closely on his blog but I had no idea that it was going to be exhibited here in Melbourne at the National Gallery of Victoria (NGV).

From the NGV website:

Ian Strange: Suburban is a multifaceted photography, film and installation exhibition created by New York-based Australian artist Ian Strange. Since 2011 Strange has worked with a film crew and volunteers in Ohio, Detroit, Alabama, New Jersey, New York and New Hampshire to create, photograph and film seven site specific interventions incorporating suburban homes. The recording of these interventions through film and photographic documentation forms the basis of this new and groundbreaking exhibition.

1005257_10151559200989475_1874078042_n

Ian Strange: SUBURBAN from Ian Strange [KID ZOOM] on Vimeo.

This exhibition looks like it’s going to be something really different, I can’t wait until it opens. Held at Melbourne’s NGV, a proud supporter of Melbourne and Australian street art and graffiti, it’s exciting to see Ian’s show running alongside the likes of classical artists like Monet.

Ian will also be doing a talk “Talking Strange” on the 1st of August, details here.

All photos courtesy of Ian Strange

Tim Hans shoots… MearOne

-3

Robbie Conal was one of the first artists that Tim Hans met up with for his series of portraits of artists, and Robbie suggested that Tim also photograph MearOne. Since I am mostly aware of MearOne’s work through Robbie, we asked Robbie to interview MearOne for us. – RJ

Robbie Conal: I know Mear One as a whirling dervish.  Painting, drawing, piecing, print making, poster production, T shirt lines, stickers and everything else I forgot to list. Always up to making and thinking about more things than I can even get my mind  around. (In fact, after writing those 3 sentences—conjuring the Mearski—I think I need a nap.)  So….I figure you must be hooked into world history and current events, like you have a social media I.V. drip going directly into your brain 24/7. Or, perhaps you even consume information the good old, old fashioned way…like, have you read  any good books, lately?

MearOne: I haven’t found the time to read any books this past year but the years prior I was on a bit of a reading binge. I studied world history and human psychology from the writings of philosophers like Richard Tarnas, Robert Anton Wilson, Ken Wilber, and I enjoy reference books that explore the mind and place of humanity in reality. I have always enjoyed cryptic Scientific, Philosophical, and Spiritual literature from the late 1880’s through the 1940’s. My family has roots in Art, Music, Astro Physics, and this seems to be a very interesting time in the subject matter that inspires me. I enjoy Anthropology and Archeology too – as an artist I can find an endless story to create and build upon, one you don’t find in traditional public school teachings.

-1

RC: Of course I’m interested in your reception habits and preferred sources of information, but I want to ask you about your big pieces about big subjects—you make more of them than pretty much  any street artist I know. How do you choose a subject to do a big “piece” about—like not necessarily doing a commission, but something more on your own.

M: For the work I create, my personal views and understanding of politics and humanity are worked into a extreme story that I can create to illustrate the issues that desperately need to be discussed. I search for truth to interpret this world that is insane. There seems to be a secret side of life that the average, complacent American victim has no idea about, and is partially responsible for. I believe the powers that be are mindlessly manipulating society to satisfy our addiction to greed and power. There are deeper levels of secret organization who are invested in harming upon the uninitiated and poor worldwide.

RC: Also, how did you develop (or evolve) your major pictorial form—the one (or 2 or 3) you use for the big pieces? (Which seems to me like a contemporary melding of classic social & political muralists’ heroic populist representation, teeming with images, use of deep illusionistic space and cracking open Pandora’s Box just enough to let loose some spiritualized microcosmic sci-fi galaxy spinning.)

M: My subject matter stems from what is happening right now and sometimes incorporates the past but shows how they are linked and perpetuated.  My paintings are philosophical perspectives on reality and I use real world current issues, juxtaposed with ancient myth, symbolism and my own imagination of the future in order to express a multidimensional way of conceiving of life responsibly and artistically. This is my way of looking into larger fields of time and how the human experience plays itself out. In addition, my work speaks about the unheard and lesser known ideas surrounding our culture like Social Conditioning, Political Power, The Higher Self Psychology, and The Material and Non-Material universe. I use current issues to discover their connection to past events and draft out a diagram of how time may be more akin to something like a four dimensional spherical reality as opposed to linear. There is something happening here and I want to know. There is a saying that goes something like, “If you long for ease and comfort than settle for it, but if your quest is for truth than you must search, and search you will.” And so here I am searching through my work to find what is true.

-2

Photos by Tim Hans

Two One – Define Nothing – Backwoods Gallery – Collingwood

TWOONE-BACKWOODS-GALLERY-1-of-32

Two One is one of my favourite artists in Melbourne. I’ve enjoyed finding his work on the streets for many years, starting with his infamous elephant throwies and evolving into giant, yet intricate pieces. His studio work is also amazing. His latest show at Backwoods Gallery “Define Nothing” shows off his latest style and is set to be a cracker judging by the preview shots below.

TWOONE-BACKWOODS-GALLERY-2-of-32

Continue reading “Two One – Define Nothing – Backwoods Gallery – Collingwood”

Shepard Fairey on Snowden and Obama

4467147732_4803d10e3e_z

Shepard Fairey has expressed his disappointment in Obama before, but maybe never with such strong language as he used on his own blog recently when discussing Edward Snowden’s release of documents relating to PRISM and other NSA domestic spying programs. The posters Fairey designed promoting Obama are some of the most iconic political images in a generation, but now Fairey writes, “The extent of Obama’s spying is unacceptable and I feel sickened and betrayed by someone I dedicated a huge amount of time, energy, and money to support based on the way he presented his views as the antithesis of Bush’s. The charge of Edward Snowden with espionage for exposing the Prism program only dims my view of the Obama administration further.”

In the same blog post, Fairey defends Snowden writing, “I got choked up today thinking of the courage it takes to expose a horrible problem when you know you will be brutalized as a consequence. I see nationalism as falling in line with the govt. agenda regardless of how morally flawed it is, while I see patriotism as doing what pushes the country in a morally superior direction, even if it conflicts with govt. policy. We need more patriots and fewer nationalists.”

There have been a few great parodies of Fairey’s Obama images in light of Snowden’s revelations, and Fairey told the LA Times that he’s happy that people are subverting his work to critique Obama.

You can read Fairey’s full post about Snowden, Bradley Manning, and Prism here and his full comments to the LA Times here.

Photo by Daquella manera

“From the Street Up” opens tonight at Woodward Gallery with tantalizing street art sculptures

Stikman, detail
Stikman, detail

RJ had mentioned Woodward Gallery’s new exhibit, “From the Streets Up,” last week, and it is, indeed, wonderful. Opening this evening from 6-8, it features intriguing street art sculptures in different media by a range of artists crossing generations, cultures and sensibilities. Here are a few more images:

NohjJColey does Royce Bannon
NohJColey does Royce Bannon
Close-up from Robert Jamz installation
Close-up from Robert Janz installation
Gabriel Specter
Gabriel Specter

Co-curated by Royce Bannon and Cassius Fouler, the exhibit continues through July 31 at 133 Eldridge Street on Manhattan’s Lower East Side.

 Photos by Tara Murray and Lois Stavsky

2501 in Bastiglia, Italy

_1020062

I’m enjoying these two new works by 2501 in Bastiglia, Italy. They were painted for the Icone 5.9 Festival, where each artist in the festival paints a wall in a different town in the Emilia-Romagna region of Italy. Last May, an earthquake measuring a magnitude of 5.9 hit the region, hence the name of the festival and the motivation behind it.

_1020071

_1020181

I especially like this second wall because it’s part of 2501’s Dynamic Influences series, where he works with the space he is given and embraces the changing shadows as part of the work rather than thinking of the shadows as a hindrance to properly viewing the piece.

total

composit dinamic influences2

dett

Photos by 2501

Weekend link-o-rama

Kuma
Kuma

Okay I’m gonna write this quickly and get outside, because it’s basically been cloudy and rainy for two straight weeks in Philadelphia and now there’s finally some sun. But just in case the weather where you are isn’t so nice, here are some links:

  • I haven’t had a chance to listen to this yet, but Jowy of Subway Art Blog has started a new podcast, Jowy’s Blackbook, and gilf! is the guest on episode 1.
  • Rowdy has a new print out. I really like that the print is laid out on the page so that the whole thing looks like a blown-up polaroid photo. The print is pretty massive though, which could make it difficult to hang.
  • And Escif has a new print as well.
  • Check out this post over at Melrose&Fairfax for some hilarious shit-talking about Anthony Lister. Apparently, Greg is not a fan…
  • MOMO has a solo show with StudioCromie/FAME Festival next week in Grottaglie, the little Italian town that is home to FAME Festival. This show is the culmination of a months-long project that MOMO has been working on with FAME Festival which included traveling to Cuba and Jamaica.
  • Ron English has a new resin version of his MC Supersized toy available on his website (technically this is the MC Lover variation of the character). Not that there aren’t already about a million variations of this character out there, but it’s great to see such an iconic image by English available for just $40.
  • I love this new mural in Poland from Blaqk.
  • Honestly, I wouldn’t have selected Revok and Pose to paint the Bowery/Houston wall if I were the curator. Especially not right after How&Nosm and Crash. And as the mural was coming together, I kept thinking that it looked like it wasn’t really coming together. But then I saw the finished piece. Revok, Pose and the other members of MSK who joined in absolutely nailed it. The result is a mural that fans of graffiti and random New Yorkers can all love. This is one time where I’m very glad I didn’t speak out sooner, because my initial thoughts were completely wrong. I just with the wall itself weren’t a hoarding that pops a few feet off the building, inevitably making anything painted there look a bit like a billboard, but I guess that can’t be helped (after all, there’s an Os Gêmeos mural behind that hoarding).

Photo by carnagenyc

Aiko, John Fekner and more stencillers in Chicago

-1
John Fekner

Chicago’s Vertical Gallery has a group show opening this weekend featuring the work of some of the world’s top stencil artists (and some artists who are just stencil artists in the world). sten(t)-səl includes over a dozen artists, including John Fekner, XOOOOX, Aiko and Rene Gagnon. It opens this Saturday from 6-10pm and runs through July 27th.

XOOOOX
XOOOOX

Photos courtesy of Vertical Gallery

Pøbel and Escif in Horsens

IMG_9163_2
Pøbel

Here’s more from Public Art Horsens in Horsens, Denmark, organized by Henrik Haven and ArtRebels’ Simon Caspersen. Today we have some work from Escif and Pøbel. Pøbel is funny as usual, but Escif really knocked it out of the park with this one. Personally, I look at his piece as a commentary on the way that murals have become a new form of plop art.

IMG_9094_2
Pøbel
Escif
Escif
Escif
Escif
Escif
Escif

Photos by Henrik Haven