Spaik and Painters in Cali, Colombia for the First Biennial of Public Art and Muralism

Spaik. Click to view large. Photo courtesy of Spaik.

Last week, the first Biennial of Public Art and Muralism took place in Cali, Colombia; inviting 33 artists, 17 international artists. This is a pretty big deal given that Cali is a medium scale city that has struggled with drug cartels and violence. In recent years, the city has made efforts to develop more positive outlets for communities through various non profit and government ran projects. Considering Cali’s context, bringing  together international artists to create murals and workshops proves that the development of community awareness to nurture cities, towns and neighborhoods is spreading via public art throughout various geopolitical boundaries. Festivals like this are inspired by street art movements in Europe and the U.S, and although some headliners in Cali’s Biennial of Public Art and Muralism are from those countries, most artists and speakers are Latin American and I can only predict that more festivals (organized and headlined by Latinos) are going to take force in Central and South America in order to give agency and more local cultural context to those artists and their communities.

Here are some works by Spaik (Mexico) in the Stadium Pascual Guerrero, Cali.

Photo courtesy of Spaik
Spaik. Photo courtesy of Spaik.

And here are some works by Painters (Chile) in the Stadium Pascual Guerrero, Cali.

Painters. Click to view large. Photo courtesy of Painters.
Painters. Photo courtesy of Painters.
Painters. Photo courtesy of Painters.

Photos courtesy of Painters and Spaik

A video from Mike Ballard aka Cept

British artist and graffiti writer Mike Ballard aka Cept recently posted this video, titled The Rest Pretend, showing some of his indoor and outdoor work over the last few years. I’m a huge fan of his work both as Ballard and Cept, so it’s cool to see the Cept work given a sort of Ballard-style touch through the editing of the video. Usually, it seems that the Ballard and Cept identities are kept a bit more separate and distinct.

Via Very Nearly Almost

Photo by RJ Rushmore

Living Walls curates walls at Miami Art Basel

In collaboration with Fountain Art Fair and Samson Contompasis’ The Marketplace Gallery, the people of Living Walls have been given 175 ft. of wall space to divvy out amongst artists at Fountain. From December 6 to the 9th, 22 street artists including Rone, LNY, Trek Mathews, Jaz, Ever, Dal East, Faith47, Pixel Pancho, Never 2501, Joe Iurato and more will be painting Fountain’s outdoor courtyard.

The rise in success of Living Walls over the last 3 years has been fascinating to watch. This is their second year at Miami Basel but their first year there curating walls. Indoors they’ll have a booth, showing the works of a few international artists like La Pandilla, Interesni Kazki, and some of the artists listed above, as well as a few Atlanta favorites. Definitely looking forward to seeing their contribution.

Video courtesy of Living Walls

“The Wrinkles of the City” with JR and José Parlá

A 26 minute documentary called “The Wrinkles of the City” will be premiering at The Standard Hotel in Miami this Basel Week. The film follows JR and José Parlá‘s experience last year during the Havana Biennial. During which, the two collaborated on portraits of 25 elderly Havanan citizens. The elders were selected, interviewed and photographed, and put up with JR’s signature wheatpaste portraiture interlaced with Parlá’s calligraphic detailing. Along with the film, there will be a book release which features some essays and some behind the scenes shots. The results were breathtaking.

Read more about the project here.

Photos courtesy of JR

Paul Insect brings his brilliance to NYC

Psychedelic saints

The first time I saw any artwork by UK’s Paul Insect was about six years ago on the Separation Wall in Bethlehem. I was instantly enthralled. Since then I’ve seen his art here in NYC printed on stickers and featured in a few group exhibits. But as RJ blogged earlier this week, Opera Gallery is currently presenting Paul Insect’s first solo exhibit in New York City. And it is ravishing — both aesthetically and conceptually. Meticulously crafted paintings, sculptures and installations on a range of themes — from the media and the environment to religion and identity — reflect the artist’s imaginative sensibility and astounding array of skills. Here are a few more images:

Madonna
Anatomical silhouette
Clockwork America
Sculpture, close-up

The exhibit continues through December 21 at 115 Spring Street in SoHo.

Photos by Lenny Collado and Lois Stavsky

Read More Books / The Reader showing “Affective Duplication” at White Box

The Reader in New York

Read More Books aka The Reader always keeps us on our toes with what he’s up to. From December 6th to January 26th, The Reader’s latest solo show Affective Duplication will be open at the University of Oregon’s White Box Gallery. Along with an eclectic mix of found object sculptures, paintings, and installations, this show will debut new video work (I’d be really interested to see that). If you’re in the area, this sounds worth checking out.

Photo by Luna Park

Get Rowdy in Newcastle

Rowdy of the UK’s Burning Candy crew is currently showing at Tower Art Gallery in Newcastle, England for a solo show called Get Rowdy. The show is open now and runs through the 10th of January. Here is a video trailer for the show and a few shots from the opening…

And Rowdy also painted a bit on the roof of the gallery…

Photos courtesy of Tower Art Gallery

Weekend link-o-rama

Anthony Lister in London

It’s almost December, and this December I’m going to be taking a bit of a holiday. For most of the month, Caroline Caldwell is going to be doing most of the writing for Vandalog, while I focus on another project. But, of course, the more important thing about it being almost December is that it means Basel Miami craziness is about to be upon us. Some artists are already in Miami (specifically Wynwood) and painting their murals. Not to piss all over that parade, but I’d like to quote Workhorse of The Underbelly Project. He once said to me, “It’s sorta sad that an entire district of 7-story-tall murals is becoming blasé, but it is.”

Photo by Alex Ellison