Yote’s animals

Yote is a relatively new street artist, with his flick stream only going back to June, but already he’s put out some work that other major street art blogs have been talking about. Figure it’s about time I gave Yote a mention.

He recently made a trip to Brooklyn and hit up some classic spots with his characteristic animals:

Yote Owl

Yote Coyote

And here’s one of Yote’s earlier pieces:

Yote Bunny

What do you think of the work? Personally, I think Yote is really promising because he does have the technical skills down, but Dennis McNett and Gaia are both using wood and lino blocks to print images of animals and those artists have components in their art that make their pieces more than portraits of animals.

Acclaim Magazine

About a month ago I got a very nice email from the folks at Acclaim Magazine about their latest issue (#17). My copy came in the post a few days ago. It’s the first issue I’ve read and I’m surprised I haven’t picked up Acclaim before. Actually, not that surprised, because my knowledge of “street culture” or whatever you want to call it is woefully poor but still, these guys did interview Martha Cooper and that’s usually enough to get me interested.

Acclaim

Acclaim is a “street lifestyle” magazine, which means toys, art, music, fashion and those sorts of things. On the art side, they’ve definitely got a soft spot for street art.

So, the art coverage: 1 page devoted to Anthony Lister where he just explains some of the objects he carries with him most days. There’s some info on Carrot Clothing, the place where ESPO made his “street art is gay” shirt. And of course interviews with Stormie Mills, Mike Revelli (Upper Playground and Juxtapoz) and others.

I think it’s a testament to Acclaim that the editor of Juxtapoz takes time to have a spot in their magazine.

Acclaim is like a few street culture magazines, but because it is based in Australia, there is a distinct Australian bent to the magazine which is kind of cool.

You can buy copies here.

Kindred Times and Future Goodbyes

Fame Festival isn’t the only place artists are taking over abandoned buildings. The leaders of Israel’s street art scene recently painted a building in Tel Aviv for their show Kindred Times and Future Goodbyes. Know Hope, Klone, Foma and Zero Cents all participated. Here are some pics that Know Hope sent me:

KTFG

Zero Cents
Zero Cents
Know Hope
Know Hope
Klone
Klone
Foma and Know Hope
Foma and Know Hope

More after the jump… Continue reading “Kindred Times and Future Goodbyes”

Luc Price aka Cyclops at Black Rat

LucPrice_2

I’ve been sitting excitedly on this for quite a while now, and finally I can say that Luc Price aka Cyclops’ first solo show is opening on October 15th at Black Rat Press and offer a few images. If you’re familiar with Cyclops’ work on the street, this show, Jesus Help Me Find My Proper Place, is going to be quite surprising in its content.

Here’s the press release which is worth a read if only for its slightly (unintentionally) funny exaggerations. But I suppose exaggeration and spin is the job of a press person.

This October, Black Rat Press presents ‘Jesus Help Me Find My Proper Place’ – a major London solo show by Lucas Price, also known as the acclaimed street artist Cyclops.

Heralded as a new star in the art world, the artist – whose familiar skeletal, giant toothed street art works with painting partner, Sweet Toof, can be seen in high profile spots all over the capital, and the world – will be exploring the fringes of society in a show which tackles narratives of homelessness, dereliction, madness, drugs and redemption.

The show marks Price’s ascension from a life on the streets to one of the UK’s bestselling artists from a graffiti background. Expelled at 15 for daubing the school with graffiti, he later experienced homelessness, drug addiction and jail on two continents. Five years after having kicked his addiction, Price’s much-lauded street and fine art has been recognised by critics, media and buyers the world over, and his works debuted to critical acclaim at auction last year, with pieces including Cease to Exist commanding £15K.

The new body of works on show in this exhibition feature the artist’s irreverent and often politically-loaded satire as well as visual commentary on society’s dark underbelly. Drawing from his personal experiences, the artist questions the ugliness that exists in society and demonstrates the beauty that can be found in even the most abject circumstances.

Price says: “All these references are alive to me. They have beauty within them I’ve seen it first hand. The world is wrecked, but it’s still beautiful, and people are so dumb, arrogant, flawed, imperfect yet so capable of good, so full of potential, and that goes for everyone and everything. I’m lucky, so I suppose it’s my job to not forget and to show people how it can be.”

Featuring works on canvas and paper as well as a series of thought-provoking installations, this promises to be the most audacious debut show of the year. To underline the show’s narrative, Price has worked with Sweet Toof on a site-specific installation – a wake with a coffin bearing an effigy of one of his street art characters. Price says: “The way I see it, he’s dead and this is a new start.”

The show title Jesus Help Me Find My Proper Place is appropriated from the Velvet Underground track Jesus which has been re-interpreted by Price as a direct reference to his past and acknowledgement of his newfound acclaim. It is also one of the subversive slogans that appeared on a hard-hitting series of large-scale light boxes which the artist recently left outside high visibility sites including central London tube stations, police stations, art galleries and major advertising hotspots including Piccadilly Circus.

I think it’s fair to assume that this means Price is retiring his and Sweet Toof’s Lenny The High Roller character. This has got to show some maturity that few other street artists have. I could rattle of a list of half a dozen or more top tier street artists who have essentially been relying for years on the same image or character that made them famous and it get’s irritating, but Price doesn’t seem to want to rest on his laurels.

And finally, some pictures:

Dont-Let-IT-action

I really want to hear from Price what this painting is about, because it could be one of the most controversial pieces of street art this year (even more controversial than most of Banksy’s work for sure). I really like it.

HarveyBadge_Oil Painting

SnoopyBadge_Oil-Painting

Phillips de Pury NOW sale

On Tuesday night I went to the preview of Phillips de Pury’s latest auction, Now: Art of the 21st Century, which will occur on Saturday. Overall, I was impressed with what I saw, and it is a great example of how important it is to view work in person and not judge things by their jpegs. Unfortunately this is a website and I can’t fly all of Vandalog’s readers to London, so jpegs will have to do for this post. This auction is a really solid sale all around, but since this is a street art blog, I’m just going to focus on a few pieces today.

This series of prints from Barry McGee (lot 170) is probably my favorite piece in the auction from a street artist. They are APs from an edition of 25. The set of 10 includes screenprints, aquatints and etches. This series would be a perfect introduction to Barry McGee’s work, beacuse it is varied and includes many of his best known characters. The best part is that some of these actually look like originals. Unfortunately, they are estimated at £6000-8000, and after tacking on the auction house fees and all that, you might as well look for a deal on an original McGee cluster for a similar price.

McGee dePury

Judith Supine (lot 177) is one of the few street artists who has never really flooded the market with his work. While you can buy Faile originals on eBay these days, I was suprised to see an original by Supine at auction (though, this particular piece has actually floated around quite a bit). While the jpeg may not look all that impressive, this piece in person is really something else. All three of his pieces at FAME Festival sold quickly, and he hasn’t shown in London recently (and I don’t think he plans to), so if the right buyers spot this piece, I think it could go for more than the £3500-4500 estimate.

Supine

A Kaws companion (lot 178). This time the collaboration is with Yue Minjun. I’m not a huge Minjun fan, I go back and forth in my opinion of Kaws, and I rarely like toys, but I think I’m the minority on all three of those. Though after seeing it in person it isn’t my taste, it seems like another one of those pieces that could really catch the interest of a couple big collectors because both Kaws and Minjun are extremely important artists. The question is, does their collector base have enough overlap?

Kaws

I’m guessing that with this piece (lot 176) Phillips was hoping to capitalize on Lister’s solo show at New Image Art (opened September 12). Unfortunately, most of what I’ve seen from that show (thanks Arrested Motion) was meh. This painting does look nice in person though.

Lister

All that I really know about Chris Johanson is that he is a Beautiful Loser and not a street artist. I love this painting (lot 172) though. Art that comments on the state of modern art either works or it absolutely does not. This one works (I think).

Johanson

The Art of Rock

As previously mentioned, Logan Hicks is curating a street art show for Green Day inspired by their latest album, 21st Century Breakdown. Well now we know that the show is called The Art of Rock and it will be opening at Stolenspace Gallery in London on the 22nd of October. I particularly like Broken Crow’s piece. Here are a few preview images:

Logan
Logan Hicks
Broken Crow
Broken Crow
Eelus
Eelus

More info at Urbanpainting.info

Banksy’s No Ball Games

Photo by Romanywg
Photo by Romanywg

Well this is now two new Banksy pieces on the street in one week (see: Ikea Punk) (and three in about a month) and the 3rd 4th (UPDATE: Thanks to Mick for sending this image of the piece at the Barely Legal show from 2006) iteration of his “No Ball Games” image.

First there was this piece up for sale at the Dreweatts Urban Art Auction in March. If I remember correctly the piece was for charity and direct from Banksy:

Ball Games Auction
Photo by s.butterfly

Then there was this piece at Banksy Versus The Bristol Museum. If you look carefully, in some photos of this painting, you can see that Banksy has sprayed over the image of a tv and replaced it with this new sign:

No Ball Games Bristol
Photo by Boxlace

And now with “No Ball Games” on the street (somewhere in London), it is looking great and truly where it belongs. Some pieces work well indoors, some work well outdoors. Banksy knows this. Yesterday’s post about his “Ikea Punk” is a good example of this point.

At Banksy Versus The Bristol Museum, there was a stencil piece of an anarchist being helped by his grandmother who was getting him dressed for a protest, and it was perfect for being inside. With “Ikea Punk”, that is an image (involving a similar character) that only works outside.

“No Ball Games” (IMHO) didn’t work as well indoors because for one thing that green background wasn’t enjoyable to look at, and for another thing that’s just the kind of joke that fits perfectly on a wall somewhere. Not to say this wouldn’t make a nice screen print, but like a sketch by Blu, what you’d really be buying is a nice piece of work and a memory of what the piece looks like outdoors.

Another reason I prefer this image outdoors instead of at Banksy Versus the Bristol Museum is that I’m a fool. When I saw that piece at the Bristol Museum and noticed that it was the same piece that was at Dreweatts but repainted slightly, I got the idea of a tv in my mind, and thought that the “No Ball Games” sign was a flat screen television. The mind plays tricks on us / I’m lazy. And I didn’t think the piece worked as well with a flat screen tv. Clearly though, after thinking about the piece for 2 seconds, you can see that a street sign is being thrown, not a flat screen tv, and the piece outdoors makes that even more clear.

Is this just the start of Banksy’s renewed work in London? Let’s hope so.

Roa versus Best Ever at Prescription Art

If I weren’t at Fame Festival this weekend, I would have been in Brighton enjoying Prescription Art‘s latest show which is a 3 person show with duo Best Ever and Belgian Roa. Best Ever have only been around as a street art duo for about a year and have already made a strong impression on the London scene, and without Roa I can’t imagine that Ghent, Belgium would even have a street art scene (no offense to other painters in Ghent, but Roa just seem to paint something new every day).

Here are some pics:

Best Ever
Best Ever
Roa
Roa
Roa
Roa
Best Ever
Best Ever

All photos by Prescription Art, and you can see more on their flickr