For a while now folks have been telling us to check out the Crotona Park East neighborhood of the Bronx. We finally did today and loved what we saw.  Here’s a brief sampling:

Shiro, Deem, Rubin415, King Bee, Shepard Fairey +

Close-up: Cope2, Royce Bannon, Shiro & Deem

Cope2, King Bee and Sen2 +

Ket & Os Gemeos

Photos by Lois Stavsky

In a funny coincidence, Time Magazine commissioned Shepard Fairey to illustrate their “Person of the Year” issue cover and Arrested Motion reports that Wired commissioned WK-Interact to illustrate their cover. In a further coincidence, Time’s Person of the Year is “The Protester” and Wired’s cover article is “#Riot: Self-Organized, Hyper-Networked Revolts—Coming to a City Near You.” Unfortunately, Wired changed their mind and used this cover, delegating WK’s art to staying inside the magazine.

Regarding Fairey’s cover for Time Magazine, the responses have been mixed. Here’s Fairey’s explanation of the work, an article criticizing it and an argument for it’s success for having mass appeal.

WK-Interact’s aborted cover for Wired is a real shame. The reasons for the change are not known, but I have seen the cover they used and it pales in comparison to WK-Interact’s work. My low-quality photo of the actual cover does not really do justice to how lame it is compared to what could have been. Sticking with the “rebellious street art/graffiti” vibe, even the Wired logo has been made to look it has been poorly stenciled onto the page, as you may be able to see more clearly in this close-up shot. I don’t know if Wired made their decision before or after news of Time’s cover came out, but maybe the Wired editors just thought that two street artists designing covers for major magazines in one month was too many. It’s too bad though, I think WK-Interact’s cover would have been much cooler than Fairey’s is.

Images courtesy of Arrested Motion and Obey Giant

Neuzz at Wynwood Walls

Peter Vahan sent over these images of what’s been going on over the last few days in Wynwood, Miami. Primary Flight and Wynwood Walls each have a number of murals being painted by a range of artists. Here’s just a small selection of the progress so far from Neuzz, How & Nosm, Above, Shepard Fairey and Retna…

Retna for Primary Flight

Above and Shepard Fairey

How & Nosm, click image to view large

How & Nosm

Photos by Peter Vahan

Vandalog’s friends at Arrested Motion have curated their first show, due to open this week in Hong Kong. East West Connect consists  of an impressive group of13 artists who are either of Asian heritage or whose art has been influenced by the Far East: Luke Chueh, Faile, Shepard Fairey, Evah Fan, Stella Im Hultberg, Tat Ito, Akino Kondoh, Travis Louie, Tomokazu Matsuyama, Brendon Monroe, Edwin Ushiro, Nick Walker and Yoskay Yamamoto.

East West Connect will be at Above Second from November 25th through January 12th, with an opening on November 25th.

There are two new Kickstarter projects that look very worthwhile for the graffiti and street art worlds. Kickstarter is the website where people can crowdsource funding for their ideas. Both of these projects are looking for about $30,000.

On the set of Style Wars. Photo by Martha Cooper

The first project is the restoration of the 30 hours of unseen outsides from Style Wars, the ultimate classic graffiti and hip-hop culture film for inclusion on a blu-ray rerelease of the film. Here’s what Henry Chalfant, a co-producer of the film, has to say about the project:

Shepard Fairey's first billboard takeover, done in 1990. Photo by el-pablo

The second film is a new one, but it also tells a true story from before I was born: Julian Marshall is a filmmaker currently attending RISD, the college that Shepard Fairey attended. He would like to tell the story of Shepard Fairey’s early career. Julian’s film will focus on Shepard’s first billboard takeover, pictured above, the idea for which came from a class assignment at RISD. It’s kinda like The Social Network for Shepard Fairey (so less coding and more bombing). Here’s what Julian has to say about his film:

Each of these films only have about 3 more weeks to reach their funding goals on Kickstarter. Any contributions or help spreading the word could make the difference that these ideas need to see the light of day. To support the Style Wars outtakes project, go here. To support the authorized OBEY origin story film, go here.

Photos by Martha Cooper and El-Pablo

Steve Powers, Malarky, Word to Mother, Dabs and Myla, and Best Ever exhibit on The Wall.

Little over a week ago I was watching Word to Mother painting his outdoor piece for Moniker Art Fair. Allocated one of the 3 by 4 metre recesses he took to the piece with gusto. Layer after layer of tag and dub was laid down and a day later, a final coat of white was rollered onto the wall.

Appropriately dubbed, “The Wall”, the expanse of brick along Great Eastern Street has played host to a variety of artists, both local and international. Dabs & Myla, Best Ever and Malarky followed Word to Mother, but I could also name drop Steve Powers, Herakut, Nychos, SheOne, Shep Fairey and Know Hope among others. However soon after an artist completes a piece it is buffed or covered by another artist, pretty much like any wall I suppose.

But Village Underground hope this will all change following a Kickstarter fundraising project. Their aim is to raise enough funds to design, build and install bullet proof metal and glass frames over the recesses to protect the art work from theft and vandalism. In essence this will allow for artists to produce work in a variety of methods and on a mix of mediums. And with the addition of a digital wall and 10 million passing cars a year, “The Wall” will become London’s most public art gallery.

In a way I feel its a bit of a shame that the wall will be covered, but I’m sure you will agree that the project will certainly be interesting. Plus Village Underground, despite indicating that the artists will now obviously be able to sell their work, maintain they are working on a not-for-profit basis. It’s good to see that this project isn’t just about making money for them then!

For more info, including a nice little video, and to donate head here.

Photo by AdversMedia

Portrait of Steve Jobs in France

This weekend I’ll be in Boston. If you have any ideas for what I should get up to, leave a comment. I’ll definitely be checking out Swoon’s installation at the ICA Boston. Here’s what’s been going on in street art while I’ve been locked in my room studying all week:

• Steve Powers aka ESPO designed some beer cozies for The World’s Best Ever. They’re pretty okay, but should your beer cozy really be more than pretty okay? I would honestly feel a bit weird of my beer cozy had some brilliant high-brow design on it. Much more impressive is the latest in Powers’ Love Letter series.
• Philips de Pury and MTV had a charity auction for MTV’s Staying Alive Foundation, with particularly nice work by Shepard Fairey and Faile.
• Stik’s latest solo show just opened in London.
• Some beautiful pieces by Sam3 in Porto, Portugal.
• AvoidPi designed the latest cover of Showpaper.
• Blu’s latest mural is in Greece.
• A nice booth for Joshua Liner Galler at Pulse in LA.
• Mr. Brainwash has a show opening soon in LA, but it’s going to be full of other people’s art. Anyone can submit work to be wheatpasted around the exhibition. On the one hand, yay, artists can benefit from Mr. Brainwash’s stupid fame and hype. On the other hand, I guess Mr. Brainwash has acknowledged that he doesn’t have any ideas for art, so he’s just openly benefiting from the art of others to further his own art career. So it’s mutually beneficial, except that individual artists submitting work will gain a lot less from this arrangement than Mr. Brainwash will gain overall.

Photo by Abode of Chaos

Dan Witz

On Every Street is a show opening this Thursday at Samuel Owen Gallery in Greenwich, CT. Curated by Michael de Feo, it features the work of dozens of street artists. On Every Street includes a diverse of street artists both in style and (from Hargo to Tony Curanaj) and when they were active outdoors (from Richard Hambleton to Gaia).

Here’s the full line up: Above, Aiko, Michael Anderson, Banksy, Jean-Michel Basquiat, C215, Tony Curanaj, Michael De Feo, D*Face, Ellis Gallagher, Keith Haring, Ron English, Blek le rat, Faile, Shepard Fairey, John Fekner, JMR, Gaia, Richard Hambleton, Hargo, Maya Hayuk, Don Leicht, Tom Otterness, Lady Pink, Lister, Ripo, Mike Sajnoski, Jeff Soto, Chris Stain, Swoon, Thundercut, Dan Witz.

Images courtesy of Michael de Feo

Charming Baker "Panda Boy remix" (2007) (£6,000 - £8,000)

This week sees the opening of Autumn’s most high profile street art “exhibit” at The Cumberland Hotel in Marble Arch. I say exhibit loosely since Urban Contemporary is a ten day show culminating in the 150 works being auctioned off by Dreweatt’s on October 10. As usual, there is a mix of crap and some rare works that haven’t been seen in a while. The two that stood out for me is JR’s Adama, Montfermeil, Portrait d’une generation (2006) and the Charming Baker Panda Boy Remix (2007). Not only is the piece an early Baker, but this is also the first time (I cannot find evidence to say otherwise) one of his works has cropped up in the secondary market. Other artists in the show include D*Face, Barry McGee, Shepard Fairey, Banksy, Blek le Rat and Eine.

The show opens September 30th at The Cumberland Hotel in Marble Arch.

D*Face "Pop Tart" (2007) (£4,000 - £6,000)

Shepard Fairey "Johnny Ramone" (2008) (£6,000-£8,000)

All Images courtesy of Dreweatt’s Bloomsbury

Ron English

An interview with Ron English has revealed a number of new twists in the stories of Banksy/Shepard Fairey/Mr. Brainwash/Exit Through the Gift Shop, as well as confirmed some major long-time rumors. Read Ron’s words in full over here, but here’s a summary:

• Thierry Guetta/Mr. Brainwash is a real guy and he’s really like how Exit portrays him. He’s not some actor hired by Banksy or whatever else people have claimed.
• Even before becoming Mr. Brainwash, Thierry was pretty wealthy and he owned a bunch of property in LA. That was his big “in” to connect with street artists: He could offer them the best walls to paint legally.
• Exit Through the Gift Shop came out of Banksy’s intervention in a lawsuit between Shepard and Thierry over Thierry essentially holding hostage all these tapes that Shepard and Banksy wanted access to.
• Banksy is a smart dude, and also cynical.

But make sure to check out the full story on herald-review.com.

Photo by Brandon Shigeta

Via Inside The Rock Poster Frame