Melbourne Monthly Madness – February (belated) 2014

April 17th, 2014 | By | No Comments »

Still playing catch up on my posts, so here’s my favourites from February. Lots of great stuff yet again in February featuring works by Melbourne’s local talent and a few from our many interstate and international visitors.

To start off the month AllThoseShapes brought us some great bits and pieces, including this great paste from Lucy Lucy, another neon piece from Straker (loving this new style of his), some more rad stencils from Akemi Ito, this apt piece by Spie with an angry gorilla commenting on taggers in Hosier and Rutledge lanes (2 of Melbourne’s most tagged/capped lanes) and a couple of slaps from MIO, who is killing it at the moment with stickers and lots of throwies around town.

Lucy Lucy. Photo by AllThose Shapes

Lucy Lucy. Photo by AllThose Shapes.

Straker. Photo by AllThose Shapes

Straker. Photo by AllThose Shapes.

Akemi Ito. Photo by AllThose Shapes

Akemi Ito. Photo by AllThose Shapes.

Spie. Photo by AllThose Shapes

Spie. Photo by AllThose Shapes.

MIO. Photo by AllThose Shapes

MIO. Photo by AllThose Shapes.

MIO. Photo by AllThose Shapes

MIO. Photo by AllThose Shapes.

Dean Sunshine captured these great abando pieces by Slicer, Rashe and Jaw. A shot of the finished wall at the annual Park St Party paint up by Mayo, Steve Cross, DVATE, Ethics, Askem, Sat, Porno, Awes and Simple Sime. And finally 3 from Dean’s top ten, amazing pieces by Choq and Sueb, Makatron and SAGE.

Slicer. Photo by Dean Sunshine

Slicer. Photo by Dean Sunshine.

Rashe. Photo by Dean Sunshine

Rashe. Photo by Dean Sunshine.

Rashe. Photo by Dean Sunshine

Rashe. Photo by Dean Sunshine.

Jaws. Photo by Dean Sunshine

Jaw. Photo by Dean Sunshine.

Mayo, Steve Cross, DVATE, Ethics, Askem, Sat, Porno, Awes and Simple Sime (Park Street Party). Photo by Dean Sunshine

Mayo, Steve Cross, DVATE, Ethics, Askem, Sat, Porno, Awes and Simple Sime (Park Street Party). Photo by Dean Sunshine.

Choq and Sueb. Photo by Dean Sunshine

Choq and Sueb. Photo by Dean Sunshine.

Makatron. Photo by Dean Sunshine

Makatron. Photo by Dean Sunshine.

SAGE. Photo by Dean Sunshine

SAGE. Photo by Dean Sunshine.

David Russell was a busy man as usual. Rad pieces from the Pull UP party at Juddy Roller (which saw a full repaint of the space) by Choq, Slicer, Shawn Lu, Adnate, Jaw, Rashe, DEAMS, Taylor White and Brian Itch. A nice new piece from Kaffeine. And finally Ink and Clog, who visited us from Singapore, painted these 2 great walls. I’ve also included another great shot by Roberth Pinarete Villanueva showing a different perspective again of the Hosier Lane with his awesome 180 degree technique.

Choq. Photo by David Russell

Choq. Photo by David Russell.

Slicer, Shawn Lu, Adnate, Jaws, Rashe. Photo by David Russell

Slicer, Shawn Lu, Adnate, Jaw, Rashe. Photo by David Russell.

Slicer, Jaws, Shawn Lu Rashe, Adnatea and DEAMS. Photo by David Russell

Slicer, Jaw, Shawn Lu, Rashe, Adnatea and DEAMS. Photo by David Russell.

Taylor White. Photo by David Russell

Taylor White. Photo by David Russell.

Brian Itch. Photo by David Russell

Brian Itch. Photo by David Russell.

Kaffeine. Photo by David Russell

Kaffeine. Photo by David Russell.

Ink & Clog. Photo by David Russell

Ink & Clog. Photo by David Russell.

Ink & Clog. Photo by David Russell

Ink & Clog. Photo by David Russell.

Ink & Clog. Photo by Roberth Pinarete Villanueva

Ink & Clog. Photo by Roberth Pinarete Villanueva.

Ink and Clog also put this short video together after their trip to Melbourne.

Phoenix the Street Artist -  Photo via Invurt

Phoenix the Street Artist. Photo via Invurt.

Finally I had to include this interview by Fletch from Invurt with Phoenix the Street Artist, one of my favourite interviews I have read in a long time, about one of my favourite Melbourne street artists. (Check out his work here).

That’s all for February. March post coming soon.

Photos courtesy of AllThoseShapes, Roberth Pinarete Villanueva, Dean Sunshine, David Russell and Invurt

Video courtesy of Ink and Clog

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Judith Supine is even more interesting than originally suspected

March 27th, 2014 | By | 2 Comments »

Animal just released this fantastic interview with Judith Supine. This actually isn’t the first time Supine has shown his face but the video is still great. I love how cheeky and honest he is. For a man who didn’t speak until the age of seventeen, he’s quick to offer his blunt (and spot on) critique of the art world.

His solo show Golden Child opens at Mecka Gallery on March 29th, and he has worked with the gallery on the release of two prints (one which is already sold out, and another which will be available at the opening). For more of Judith’s unbridled banter, check out his other recent interview on 12oz.

Category: Interview, Videos | Tags: ,

A punk’s fantasy: Droid907 directs for Japanther

March 26th, 2014 | By | No Comments »

Droid has been described eloquently as, “giving punk meaning again.” In the ultimate dream partnership, in my humble opinion, Droid 907 directed, edited, and wrote the video for Japanther‘s new single “Do It (Don’t Try).” The video follows as he writes out the song’s lyrics in his signature style. He then surreptitiously places the stickers around Bushwick while the band belts out “Do Do Do Do Why Fight It?” The juxtaposition of lyrics with illegal art underscore the song’s do or die attitude, one that Droid faithfully lives by.

It is also important to note that the video ends with a shot of a “Droid = Afrika” sticker. This piece pays homage to one of the crew’s deceased friends, writer Afrika.

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Adnate – Paint UP – Hosier Lane – Melbourne

March 12th, 2014 | By | 1 Comment »
Adnate - Paint UP - Hosier Lane

Adnate – Paint UP – Hosier Lane

I’m happy to finally share this project with Vandalog. Completed in late February, Hosier Inc’s 1st project “Paint UP”. It’s been a long time coming and lots of hard work by the members of Hosier Inc, a not for profit community association made up of anyone that loves Hosier and Rutledge Lanes, the community, residents, local businesses, and artists themselves. (Formed in order to oppose the installation of CCTV cameras in the lanes).

Not to mention the amazing piece itself by Adnate! Painted over 3 days using a swing stage to access the canvas, conveniently available while the building owners repaired the damaged wall. Not only is it a beautiful piece, it also has real meaning and a real affinity to the location.

The project was called Paint UP; a simple play on words; extending access to artists to the untouched walls (never painted before) above ground level in Hosier and Rutledge lanes, 2 of Melbourne’s most recognised street art locations.

From Hosier Inc: “Six artists were invited by Hosier Inc to submit a concept for a large-scale image to be painted on the rear of McDonald House in Hosier Lane. The successful proposal was to demonstrate a rationale and a design that showed an affinity with the location of the wall & building. Members voted and selected Adnate’s submission”.

Adnate’s submission was a portrait of an indigenous boy looking over the lane way & out towards Birrarung Marr – a sacred indigenous land mark in the centre of the city.

(For more information on the project check out the Hosier and Rutledge lanes blog and the vimeo page).

I’ve always thought we are missing one vital element as a recognised street art city, more giant murals in the city itself. This is a good addition to the few we have in central Melbourne and I hope there are many more to come!

The reaction to the piece was also very welcome. Two major newspapers ran the story, as well as every Melbourne news station the evening the piece was completed.

This great video by Michael Danischewski gives you a glimpse of the piece being painted over 3 long days, as well as these awesome photos by David Russell.

HOSIER INC, Paint Up! round 1 : ADNATE from Michael Danischewski on Vimeo.

Read the rest of this article »

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Roti’s gift to the new Ukraine

February 26th, 2014 | By | No Comments »


Last month, Roti presented a massive marble sculpture, titled New Ukraine, to the Ukrainian people protesting in Kiev, dropping it in the middle of Kiev’s Independence Square. You can read more about the sculpture over on Brooklyn Street Art. Last week though, Chris Cunningham posted the following video showing how the work was made and installed. The whole thing is quite inspiring.

‘To the new Ukraine’ – (Short) from Chris Cunningham on Vimeo.


Photos by Chris Cunningham

Category: Photos, Videos | Tags:

mobstr proves that street art + phone number = been done (but that’s okay)

February 21st, 2014 | By | 2 Comments »

Check out the above video. It’s the first part of mobstr’s new series, The Number. Earlier this month, I wrote about how Geoff Hargadon has decided to share voicemails that he has acquired as part of his Cash For Your Warhol project. Fauxreel has also put up a phony ad with a phone number. Banksy used phone numbers for Better Out Than In last October. Swampy has a voicemail now too. And of course COST and REVS put a working phone number on their wheatpastes in the 90′s. I think it’s a fun idea. Now, mobstr has joined in.

He painted his phone number at a prominent spot in London, right on top of Old Street station at the Old Street roundabout. To give some sense of this location, it’s a stone’s throw from a few Banksy pieces covered in plexiglass and even more that have been destroyed. It’s where I used to start my street art walking tours. The roundabout is just blocks from the thick of London street art. Actually, the exact spot mobstr painted was host to this domino piece for years. Apparently, it’s now gotten to the point that people are so used to street art around Old Street that it’s entirely expected.

It used to be that a phone number would surprise or confuse people. Even as recently as last week, I’ve heard people say, “I saw those COST and REVS wheatpastes back in the day, but I had no idea what they were.” The voicemails that have been shared from the Cash For Your Warhol project are mostly from callers who are confused or angry about the signs. I haven’t heard of many people calling Swampy’s number (although I definitely encourage you to give it a try). Banksy had to explain the concept on his website.

With The Number, we seem to have hit a critical mass. Phones have been used in street art so much now that people are calling the number ready to perform for whoever is on the other end. They seem to know what’s up. Maybe that’s just because the piece is at Old Street, I’m not sure. But mobstr’s callers definitely become part of the piece in a knowing way that the Cash For Your Warhol callers are not (and voicemails for the other projects that used them haven’t been released).I’m a fan of street art that is innovative, work that pushes boundaries. At least that’s what I like to think. mostr’s piece doesn’t do that, but that turns out to be okay. Now, only because the concept is a somewhat familiar one, a phone number associated with a piece of street art provides an opportunity for a new kind of honest interaction where the caller/viewer is at least partially in on the joke and can participate with the street artist in the completion of the piece.My hat is off to mobstr for once again creating street art that thrives on away from keyboard audience interaction while still having a finished product that looks great online. That’s not easy.

Category: Videos | Tags:

Melbourne Monthly Madness – December 2013

February 11th, 2014 | By | No Comments »

Damn, it’s February already. How did that happen?? (Actually – I have been extremely busy working on a new project which I hope to share with you soon). Sorry to keep you waiting for this post.

December 2013 was another MASSIVE month in Melbourne, a great way to end the year.

Darbotz, an Indonesian street artist, visited Melbourne in December and put together this great little video.

Adnate painted Strike Bowling in Macquarie in association with Red Bull. A great video by Michael Danischewski. Adnate’s photo realism is just amazing.

Wonderwalls, a 3 day street art and graffiti festival up north in Wollongong looked awesome, featuring a great line up of Australian and International artists. From Melbourne Shida, Wonderlust, Adnate, Two One, Idiot and Sirum.

Wonderwalls Festival 2013 from The Hours on Vimeo.

Backwoods Gallery had their last show “A Study of Hands” for 2013 and it was a cracker, continuing on in the anatomy series – which will apparently continue over ten years – epic. I particularly liked works by Dave Kinsey and Lister.

Alex Mitchell, Curator of Backwoods Gallery and writer for The Opening Hours was back in Melbourne for the month. Alex did some great studio visits with Two One, Miso and Ghostpatrol. Some great, intimate photos.

Two One - Photo by Alex Mitchell

Two One. Photo by Alex Mitchell.

Miso. Photo by Alex Mitchell.

Miso. Photo by Alex Mitchell.

Ghost Patrol. Photo by Alex Mitchell.

Ghost Patrol. Photo by Alex Mitchell.

Everyone’s been talking about this abando and I can see why. David Russell managed to find his way in and capture some amazing work. I really love Slicer’s geometrical shapes filled with his signature slices, as well as Deams, and Rashe’s pieces. All of this work feels so at home in this place. I do love abandos! More here.

Slicer - Photo by David Russell

Slicer. Photo by David Russell.

Slicer - Photo by David Russell

Slicer. Photo by David Russell.

Slicer - Photo by David Russell

Slicer. Photo by David Russell.

Slicer - Photo by David Russell

Slicer. Photo by David Russell.

Deams - Photo by David Russell

Deams. Photo by David Russell.

Read the rest of this article »

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Boa Mistura presents Somos Luz (We Are Light)

January 30th, 2014 | By | 1 Comment »

Spanish collective Boa Mistura has premiered their documentary based on Somos Luz (We Are Light), a project created in Panama last year in the community of Chorrillos.

Boa Mistura highlights a distinction between community based projects and street art for the sake of decoration or self-appropriating places. This work and many of their previous projects serve as agents for communities to trace memories, create narratives and involve a collective identity that serves to beautify their public space. The debate whether street art is done for the public or for the self- interested artist is becoming more widely discussed as many artists feel inclined to give back to the communities they temporarily work in. I have yet seen a collective that embodies so delicately this participatory inclination of sanctioned street art and community engagement. Community based projects are another vehicle for artists to push their perspectives and, at times, their visual tendencies and possibly propel more discussions that can give us varied answers to “what the hell are we doing with these large-scale murals?”

Video courtesy of Boa Mistura

Category: Featured Posts, Videos | Tags: ,

From Bogota “Este Territorio Tambien Es Nuestro”

January 28th, 2014 | By | No Comments »

In a city where public graphic expressions are defined as a symptom of low standards of living and education, the wave of redefining what it means to reclaim spaces through throw ups, bombing and large scale murals, continues to fortify a new sense of citizenship and belonging. Bogota carries a lot of burred histories and identities that are making their way toward becoming visible as efforts of expression geared to “include” rather than “seclude” become a higher priority in contemporary cities.

Last July, Bogota Street Art participated in the First Meeting of Writers and Urban Art in Bogota, as part of a public policy that aimed to change the perception of graffiti and street art in the city. This video shows the process of combing artists from Colombia and Peru in one strip of 26h Street, a highway that splits downtown Bogota in half and stretches all the way to the airport. Participating  artists include Guache (Bogotá), Toxicomano (Bogotá), Lesivo (Bogotá), Entes & Pesimo (Peru), and Elliot Tupac (Peru).

Video courtesy of Albeiro Toro Ayala

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All Your Walls – Hosier Lane – Melbourne (Stage 2)

January 27th, 2014 | By | 4 Comments »
Taylurk. Photo by David Russell.

Taylurk. Photo by David Russell.

I am extremely late with this post, it’s been a busy last month or so, but I wanted to share the 2nd session of All Your Walls Melbourne, a satellite event we ran in late November as a part of the MELBOURNE NOW exhibition held by the National Gallery of Victoria. You can read all about the event in my previous post here.

The final 3 days were definitely not as hectic, I’d say that is due to the fact we didn’t have 6 massive scissor lifts moving around the lanes all day, but it was a great way to finish off the event.

Artists starting arriving early on the 1st day and worked all the way up until the official opening. The last 3 days of the event attracted thousands of visitors coming to see the finished laneways. All stakeholders were delighted with the final result, a full repaint of the entire Hosier and Rutledge Lane precinct, something that has never been done before. The event also received some great reviews.

Check out this great video from EdInFocus that gives you a good idea of what the event was all about.

All Your Walls Recap Video from EdInFocus on Vimeo.

From my personal perspective the importance of this event extended beyond the event itself. Rutledge Lane (Hosier’s lesser known cousin) has become known as a “practice lane” due to the poor quality of the work being painted there. All Your Walls showed Melbourne that Rutledge Lane can be just as good as Hosier Lane and in my opinion should remain that way. It was a refreshing sight to see that for several weeks after the event the work was respected (usually it gets tagged and painted over by complete rubbish, that does not deserve to be in the lane, again in my opinion). It was also both surprising and pleasing to see that local artists have begun to maintain the lanes, without being asked.

My feelings about Rutledge Lane are in line with my recent submission/response to the Melbourne City Council Graffiti Management Policy. Melbourne City Council recently proposed officially classifying Rutledge lane as a practice lane, which I was strongly opposed to. Encouraging this behaviour encourages a “do as you wish” attitude in Rutledge lane, which before All Your Walls was at it’s worst state in a long time. (Adrian Doyle’s Empty Nursery Blue project also had an impact on this lane). [The policy also contains some great ideas and a fresh new attitude towards street art in Melbourne, for example now the council will leave street art alone, unless asked. Previously the council would contact building owners and ask if they would like it removed. I think this is a pretty progressive attitude for a council, even though the council knows that Melbourne would not be the same without street art].

One other important thing I would like to clear up, especially for my readers in Melbourne. While All Your Walls was indeed organised by a number of parties (NGV, Land of Sunshine, Invurt, Just Another Agency and Hosier INC), Hosier and Rutledge lanes remain free for ANYONE to paint, anytime. That being said, don’t cap what you can’t burn, seriously, what an embarrassment some of the tags and pieces are over the top of some REAL work.

Check out some of the amazing work from the final 3 days as well as the amazing 3D mapping piece created by DVATE and Grant Osborne.

Senekt. Photo by Dean Sunshine.

Senekt. Photo by Dean Sunshine.

Putos. Photo by David Russell.

Putos. Photo by David Russell.

Peril. Photo by David Russell.

Peril. Photo by David Russell.

Paris. Photo by David Russell.

Paris. Photo by David Russell.

Otis Chamberlain. Photo by Dean Sunshine.

Otis Chamberlain. Photo by Dean Sunshine.

Marian Machismo. Photo by David Russell.

Marian Machismo. Photo by David Russell.

Junky Projects and Presto. Photo by David Russell.

Junky Projects and Presto. Photo by David Russell.

Facter. Photo by Dean Sunshine.

Facter. Photo by Dean Sunshine.

Ero. Photo by David Russell.

Ero. Photo by David Russell.

Creature Creature. Photo by Dean Sunshine.

Creature Creature. Photo by Dean Sunshine.

CALM and Sticky Fingers. Photo by Dean Sunshine.

CALM and Sticky Fingers. Photo by Dean Sunshine.

Adnate. Photo by Dean Sunshine.

Adnate. Photo by Dean Sunshine.

DVATE + Grant Osborne + Project-Shaun > graffiti mapping collaboration from Grant Osborne on Vimeo.

Photos courtesy of David Russell and Dean Sunshine.

Video courtesy of EdInFocus and Grant Osborne.

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