Weekend link-o-rama

Unknown artist in TriBeCa

With the riots and protests in Egypt, I thought the above sticker is a worthwhile thing to consider this week. I’m a bit late on this week’s link-o-rama.

Photo by Loisinwonderland

Weekend link-o-rama

Elfo's road sign for an underground robber

Getting back in the swing of things at school this week. Fair warning, today is the first meeting of a class I’m taking about conceptual art. I’m excited and the professor seems awesome, but just fair warning: That class could bleed over into the rest of my life and lead to an increase in bullshitting from me here on Vandalog. Unfortunately, I haven’t sorted out a proper internet connection yet since getting back to school, so I’ve been a bit lax this week. Here’s what’s been going on:

  • This isn’t street art or urban art or low brow or anything really related to Vandalog, but one of my favorite artists, Hiroyuki Doi, has a show on in New York right now. Definitely check it out.
  • Kid Acne has a new zine out.
  • This collaboration between Malarky, Billy and Mighty Mo is great.
  • At first I hated this sculpture from Jeremy Fish, but now I’m thinking I’d love to walk by it every day.
  • Last week I asked about graffiti photographers in Philadelphia, and Fat Cap has found a great one.
  • I think some of these pieces from Phil Jones are old, some just remind me of Asbestos’ Lost series and some are pretty meh, but damn overall Jones is kicking ass with some fun street art.
  • Felice Varini makes me smile.
  • Exit Through The Gift Shop was nominated for a BAFTA and won an award for documentaries. In other Banksy news, someone is trying to sell 5 Banksy works on paper, basically preparatory works, for £125,000.
  • This “news” article reads like a press release for Bonhams, but there is one surprising bit of information in there: Apparently the Shepard Fairey Peace Goddess, which sold earlier this month at Bonhams for £27,600, is the highest price ever paid for a Shepard Fairey work at auction. I would have thought he’d reached a higher number by now, but I guess most of the work that goes to auction tends to be prints and HPMs, not the large collages or retired stencils that might have otherwise already reached that number. UPDATE: Of course, the article is wrong. That isn’t the highest price paid for a Shepard Fairey work at auction. Not sure if this price is the highest, but it’s much higher than the Bonhams result. So I guess that article is just a giant press release. Sorry.
  • And because that last thing was all about money, here’s a relevant old piece from Twist/Barry McGee.
  • Jose Parla has been busy in Toronto (Thanks to Simon for the tip).

Photo by Elfo

Weekend link-o-rama

ARGH LHR in London

Well I’m on my way back to Philadelphia this weekend. I can’t wait to get there and back into the swing of things. Random comment about Philly: If anyone knows of any photographers who are actively documenting street art and graffiti there, please let me know. Anyway, here’s what we missed this week:

Photo by nolionsinengland

Shepard Fairey and The AP working towards a settlement

This statement was just posted to Shepard Fairey’s website and The AP:

The Associated Press, Shepard Fairey, and Mr. Fairey’s companies Obey Giant Art, Inc., Obey Giant LLC, and Studio Number One, Inc., have agreed in principle to settle their pending copyright infringement lawsuit over rights in the Obama Hope poster and related merchandise.

Mr. Fairey used an AP portrait photograph of Mr. Obama in making the Hope poster.  Mr. Fairey did not license the photograph from the AP before using it.  The AP contended that Mr. Fairey copied all of the original, creative expression in the AP’s photograph  without crediting or compensating the AP, and that Mr. Fairey’s unlicensed use of the photograph was not a fair use..  Mr. Fairey claimed that he did not appropriate any copyrightable material from the AP’s photo, and that, in any event, his use of the photograph constituted a fair use under copyright law.

In settling the lawsuit, the AP and Mr. Fairey have agreed that neither side surrenders its view of the law.  Mr. Fairey has agreed that he will not use another AP photo in his work without obtaining a license from the AP.  The two sides have also agreed to work together going forward with the Hope image and share the rights to make the posters and merchandise bearing the Hope image and to collaborate on a series of images that Fairey will create based on AP photographs.  The parties have agreed to additional financial terms that will remain confidential.

“The Associated Press is pleased to have reached resolution of its lawsuit with Mr. Fairey,” said Tom Curley, president and CEO.  “AP will continue to celebrate the outstanding work of its award-winning photographers and use revenue from the licensing of those photos to support its mission as the essential provider of news and photography from around the world.  The AP will continue to vigilantly protect its copyrighted photographs against wholesale copying and commercialization where there is no legitimate basis for asserting fair use.”

“I am pleased to have resolved the dispute with the Associated Press,” said Mr. Fairey.  “I respect the work of photographers, as well as recognize the need to preserve opportunities for other artists to make fair use of photographic images.  I often collaborate with photographers in my work, and I look forward to working with photos provided by the AP’s talented photographers.”

The AP’s copyright infringement lawsuit against Obey Clothing, the marketer of apparel with the Hope image, remains ongoing.

While Shepard claims to still believe that he is in the right in this issue due to fair use (which I would agree with), both this settlement and his post-lawsuit behavior says that he is, at least, being much more careful about appropriating imagery. It sounds like the settlement may result in a series of licensed AP/Shepard Fairey collaborations and Shepard has recently been giving photographers credit for basing his work on their photos and starting to call the work collaborations between him and the photographers, so I’m guessing that he’s licensing those images.

For artists, it’s too bad that this didn’t end up in court as a test of fair use, but the suit certainly wasn’t helping Shepard, so it’s no surprise that he is now working towards a settlement.

But it looks like it isn’t all over, with a separate lawsuit continuing against Obey Clothing for pretty much the same reasons. Perhaps the issue of fair use will be sorted out there.

Photo by sushiesque

Weekend link-o-rama

Work in Guatemala by STRANGER

Well I’ve been back in London for about a week now, and I am beginning to understand why people think it’s so grey. When you live here, you get used to it, but wow I’ve only been away for a few months and already I think the constant greyness is annoying. Still, it’s good to be home. Here’s what the world has been up to while I’ve been watching it rain.

  • A group of artists protested the removal of Blu’s mural outside of MOCA this week by projecting images onto the buffed wall. Here’s a news story and a video.
  • José Parlá has a new book coming out and a solo show in New York next month. Arrested Motion has more info on both those things and the book is currently available online.
  • Dimitris Taxis does some great wheatpastes.
  • King Adz has put together a show opening this weekend in Ireland with Blek le Rat, Asbestos, Laser 3.14 and others.
  • Kyle Chayka went on a bit of a rant about Banksy’s possible Oscar nomination, but he makes some good points.
  • Also on the topic of Exit Through The Gift Shop, the NYTimes is reporting that a man who has come forward as an original editor of Mr. Brainwash’s film Life Remote Control wants some credit for making the film that eventually sort of morphed into Exit.
  • Carolina A. Miranda wrote the latest cover article for the magazine ARTnews about the future of street art and it moving away from figurative work. You can read the entire article online. On the one hand, a move away from pop-art and figurative art seems to be counter-productive to the “art for the people” ethos at the core of so much street art, but it’s also certainly easier to turn a pop-art image into a marketing campaign while an abstract painting may do a better job of brightening up a grey wall without the artist and the viewer immediately thinking of dollar signs. I think street artists will just have to be careful to not become so conceptual that the possibility for people to understand or appreciate the art on some level without an artist’s statement is lost.
  • Some graffiti writers are tagging up ancient rock art sites in Nevada.
  • Mat Gleason named Banksy and Shepard Fairey among the top overrated artists of the decade. Check out this video for why Gleason thinks that Shepard isn’t an artist!
  • A mural by Shepard Fairey was partially painted over in LA by some other artists/writers. No big deal right? Happens all the time, right? Wrong, apparently. The mural was painted over by another artist showing at a gallery nearby. According to JetSetGraffiti, the artist has since apologized and will be paying for Shepard to repair the wall with a new mural. Okay, so should that mural still be there untouched? Maybe. Sounds like the local neighborhood liked it. Can it suck when things get dissed or buffed or written over accidentally or whatever else? Yeah. Should the artist have to pay for damages? Hell no! That’s the sort of thing that happens when you get arrested by the police for graffiti or street art, not something that art lovers should impose upon each other. The mural didn’t last forever. That’s the nature of street art. It sucks sometimes and there are ways to deal with it, but don’t make the vandal pay for damages!
  • NBC has done a really disturbing promotion in NYC’s parks for their new superhero show. Publicadcampaign explains.

Photo by Not Another Street Artist

Miami mural mayhem

Remi/Roughe and Stormie Mills. Photo courtesy of Remi

Here’s a hodge-podge of photos of some of my favorite murals from Miami this year… Probably more to come in future posts as well. Most of these were part of Primary Flight.

Kid Acne, The London Police, Will Barras and Ema. Photo by S.Vegas
How and Nosm (click to see a a large size of this wall). Photo by tatscruinc
Invader. Photo by Hargo
Shepard Fairey and Overunder. Photo by Hargo
Jeff Soto and Maxx242. Photo by S.Vegas
Amaze by Barry McGee. Photo by S.Vegas
Cash For Your Warhol. Photo by Hargo
Dabs and Myla. Photo courtesy of Thinkspace

Photos by S.Vegas, Hargo, tatscruinc and courtesy of Thinkspace and Remi

Weekend link-o-rama

Sticker by Hieronymus

Wow. It’s actually Friday night already? This week went by really fast. I think I’ve been sleeping too much. Well, while I was sleeping, these things nearly slipped me by:

The week’s not up yet though, and I’ve committed to doing at least one useful thing before it is: Tomorrow I’m going to try using my kitchen for the first time since going to university. Wish me luck…

Photo by LoisInWonderland

Shepard Fairey and Ron English in Miami

Click to view large

Ron English just finished a mural and sculpture garden sort of installation in Miami as part of Wynwood Walls. I’m not a huge fan of pop surrealism myself (although I really respect what Ron and other artists in that genre do), but damn those Ron English fans must be going crazy right now looking at this thing. It’s a mural that then extends off the walls and includes some of his camo-dear sculptures (which I love). Hi Fructose has more images.

Click to view large

And Shepard Fairey has finished his installation at Wynwood Kitchen & Bar, as mentioned the other day. The restaurant isn’t open yet, but it should be ready for Basel Miami week at the start of December.

Also, some good news from Martha Cooper. According to her blog…

The City of Miami has taken a giant step forward by recognizing the value of street art and officially designating the Wynwood Arts District as the “Wynwood Mural Museum”.  Under the auspices of Primary Flight, artists will be descending en masse during Art Basel 2010 to paint an unprecedented number of walls.

Also on Martha Cooper’s blog, you can find some more photos from what’s going on now at Wynwood Walls.

Photos by Martha Cooper