It’s not about the money (well, actually…)

Escif. Photo by Escif

Escif painted that mural outside of Graffiti Gone Global’s Fresh Produce show in Miami last week. While Basel Miami and the associated events aren’t all about money, it’s certainly on everyone’s minds. That doesn’t mean that the shows were bad though. There was actually a lot of great art on display for those who took the time to look. Here are some of the indoor highlights (unfortunately, I didn’t have a camera with me besides my cameraphone, so I have to link to other peoples’ coverage of everything):

  • Amazingly, Sanrio’s Hello Kitty show was, by all accounts, actually pretty good. I stuck to my vow of not checking out the show myself (okay, actually, once I changed my mind and wanted to see it, the show was close both times I tried to stop by). Of course it looks like there was some crap and boring pandering to the brand, but there seem to be a few decent paintings in there too. Also, it was super crowded every time I walked by, so hopefully those visitors who were there for Sanrio’s show also saw some of the other great shows nearby.
  • Hi-Fructose and Arrested Motion have some good photo-summaries of the main fair, Basel Miami.
  • Retna‘s solo show, Silver Lining, at Primary Projects was his first show since being on the cover of Juxtapoz. After landing in Miami last Thursday evening, I went to straight from the airport to Primary Projects to catch the end of this opening. There was a little bit of something for everyone: installations, canvas, monotype prints, work on old doors and more. Oddly enough, it was the more refined work that didn’t appeal to me. For me, the canvases seemed to be lacking that spark that makes Retna’s work so amazing. Everything else was a real treat though. The watercolors and monotypes in particular were beautiful. This show is still running, so any Miami residents who haven’t seen it yet really should stop by. For the rest of the world Arrested Motion took photos.
  • Jonathan LeVine Gallery put on a solid group show. The standout piece was a new artwork by Judith Supine. Unfortunately, Hi-Fructose’s picture of the standout piece is blurry (the super-glossy varnish must have confused the camera) and the gallery’s photo doesn’t show the glossiness of the piece. HF have photos of the rest of the show though.
  • While it was technically mostly a mural project, I’m throwing Wynwood Walls into this post because the vibe was like a gallery show. Hrag and I are pretty much in agreement on this one. Although I’d give Logan Hicks’ mural more credit than Hrag.

Lastly, I want to mention New Image Art‘s pop-up show. There was some new artwork by Judith Supine, Os Gêmeos, Bast and others, as well as a bunch of photos by Neckface and his friends, which are 100x more interesting than I had expected them to be. Here are a few photos from that show:

Os Gêmeos
Bast
Judith Supine

This is probably most, if not all, if the coverage I’ll be giving to indoor things at Basel Miami, but I’ll be posting a lot more about the murals and other outdoor events in the coming days.

Photos by Escif and courtesy of New Image Art

The Lost Ones in Mexico City

The Lost Ones is a group show opening this week at Fifty24MX, Upper Playground’s Mexico City gallery. The show is being curated by New Image Art Gallery‘s Marsea Goldberg and features some great street artists like Retna, Shepard Fairey, Judith Supine and Neck Face.  The Lost Ones opens on Friday. I wonder of Arrested Motion will have photographers there, because I certainly don’t know anybody who will be there taking photos and I’d like to see this once it’s open.

American Realities @ New Image Art

A very exciting show opens at New Image Art in LA next week. “American Realities” opens March 28th and is a group show with Clare Rojas, Andrew Jeffrey Wright, and Lydia Fong.

From New Image Art’s blog:

Opening reception Saturday, March 28,
7 to 10pm
Musical performance by Peggy Honeywell and comedic act by Andrew Jeffrey Wright

Clare Rojas, Barn with ghost

Clare Rojas:
San Francisco painter, singer, and filmmaker Clare E.Rojas is not a folk artist. In Clare Rojas’ works, women, men, nature and animals are strong and weak caring and connected to one another in their struggle to find harmony and balance. She celebrates women for their traditional and most basic differences and strengths. While the characters are often imbued with feelings of loss and nostalgia, one gets the sense that they will not back down. They will ultimately beat their predators at their own game.

Rojas’s appropriation of folk imagery addresses contemporary female social concerns “The feeling of loss in my work, is my feeling of loss of hope. The struggle to find the good and the beautiful and represent it is my challenge. Understanding the ugliness that finds its way into our culture is crucial.” Rojas’s beautiful uses of allegory and of an imagined cultural landscape in her paintings act to subvert our current accepted perceptions of women. It allows the spectator an engagement with an alternate evocative world that is both funny and sad and that points to the complexities of being a resilient female in the twenty-first century. Rojas often depicts women alone, standing amid a flattened forest landscape, but this is not to suggest that they are lonely. No, Rojas’s women exist in their own reality, feeling peaceful, protected, and quiet.

Selected exhibitions include a group exhibition with the Luggage Store, San Francisco in 2003 for which she won a Louis Comfort Tiffany award. In 2004 Rojas had a solo show at the San Francisco Art Institute and at the Belkin Satellite Gallery in Vancouver. Her work was included in the travelling exhibition, Beautiful Losers. She has exhibited at the CCA Wattis Institute for Contemporary Arts, and was most recently a featured artist at the Prospect.1 New Orleans Biennial.

*Partial Text Credit to : Dietch Projects, and Katie Geha Curator of Modern and Contemporary Art.

AJW, triangles

Andrew Jeffrey Wright:
Andrew Jeffrey Wright is a current and founding member of Philadelphia’s Space 1026 art commune. He has a BFA in Animation. The collaborative animation “the manipulators”, which he made with Clare E. Rojas, has won the top prize for animation at the New York Underground Film Festival and the New York Comedy Film Festival. Wright’s highly limited edition handmade books have gained an international following. His works include painting, animation, drawing, collage, photography, sculpture, video, installation, screen printing and performance. He has shown at Lizabeth Oliveria(LA), New Image Art(LA), Spector(Philadelphia), The Luggage Store(San Francisco), Lump(Raliegh), The Pennsylvania Academy of Fine Arts(Philadelphia), ICA(Philadelphia), Giant Robot NY(NYC) The Corcoran(DC) and Foundation Cartier(Paris). He has shown with Barry McGee, Paper Rad, Leif Goldberg, Clare E. Rojas, Marcel Dzama and Michael Dumontier.

Lydia Fong
Lydia Fong is a multi-disciplinary artist
from Shanghai.