I was going to wait for my Jan/Feb post which is coming very soon, but this can’t wait and deserves its own post.
A few months ago SOFLES came to Melbourne to paint this EPIC piece. Selina Miles and the guys from Juddy Roller were also hanging around, so there bound to something special going on… Special is not the word to describe what came next.
The piece itself was spectacular in black on a all white background – reminding me of a raw sketch straight outa Sofs’ black book. I also love how he left all the raw throws and tags around the piece. The piece was painted over 3/4 days using a massive crane and a fuck load of paint. Note the cheeky PORK roller that just popped up recently..
After the painting was completed – that’s when the projection mapping started. You can tell by the video that’s it’s an excruciatingly detailed process – which is also evident in the final production.
The production was a part of Melbourne’s annual ‘White Night’ Projection festival. This year was the first time graffiti and projection were combined. Clearly a great idea as the project attracted hundreds of spectators.
Shaun Hossack, creative director for the project (who also runs Juddy Roller studios and runs one hell of a party) did a fantastic job bringing all the parties together and providing overall direction.
From the Press Release: “Over 5 stories high, Sofles’ inner city mural is his biggest work to date. Add to that Grant Osborne’s incredibly detailed motion design and a musical score by New Zealand music producer Opiuo, and you have a truly innovative work of art. Visible for one night only, but destined to leave an impression on the city’s skyline Sofles – Graffiti Mapped was one of the most exciting events of the entire White Night Melbourne festival”.
Check out the full length video below to show the full projection sequence – it goes for about 7 minutes in total.
Also make sure you check out the incredible video below by Selina Miles (director of the famous/viral Sofles – Limitless video) of the end to end process. Selina’s videos not only show off Sofles’ amazing work – they also pay homage to the process and the context around the piece as well ad the scale. I love the movement of the lift with the music and the use of a drone camera (from UAV drones) also brought a great perspective to this piece.
I can see this graffiti mapping business has a big future – the possibilities are endless. Unlike other forms of moving art (e.g.: INSA’s gif-itti) this form has so much more flexibility (and while labour intensive for the projector – much less laborious than re-painting an entire wall).
Watch out for my January/February Melbourne post – coming soon..
Photos courtesy of David Russell.