Tag: city as canvas

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UK travels link-o-rama

Paul Insect and Dscreet in London
Paul Insect and Dscreet in London

I’ve been traveling a bit and I’m in London at the moment, so here’s me playing some catch up:

  • There seems to be a big question mark on the freshly launched Street Art Project from Google. I’ve been getting friends outside of street art sending me links to the NYTimes article about the project and asking what the hell to think, and everyone within street art that I’ve spoken with seems unsure of what to think about the thing. I’m also unsure so far. On the surface, sounds great: A major institution offering to archive, tag, map and promote the best high-resolution photos of street art around the world. But the more I think about it, the less exciting it sounds: Only a select few contributors (from the amazing Living Walls to the questionable Global Street Art), essentially replicating the functions of flickr without the ability for anyone to participate, using art to whitewash the reputation of a controversial company… Honestly, if I had the opportunity to contribute photos to this project, I probably would just because of the possible selfish promotional value, but at the same time I’m not sure that this project is of any real worth the the street art or graffiti communities. I don’t know. I’m just not sold on the idea that this is the best strategy or documentation or archival. Anyone have any thoughts on this thing?
  • Banksy has updated (and upgraded) his website. Notable updates include the updates to the Q&A section and an embed of this video, titled “Better Out Than In – the movie,” which is essentially a slightly edited version of his Webby Awards acceptance video. The question now is whether that short video is really “the movie,” or a trailer for an upcoming movie. Street Art News seems to think it’s a trailer, but I don’t see Banksy having hinted one way or the other.
  • Ken Sortais aka PAL Crew’s Cony had a show on in Paris earlier this month. The show has closed now, but it’s worth checking out the photos. The sculptures are very George Condo-esque, but Sortais has some real talent. The work isn’t completely removed from his graffiti, but he’s certainly not using his graffiti reputation or skills as a crutch for these gallery works, something that happens all too often with less talented artists as they move from the street to the gallery.
  • All of London is talking about the Roa and Ripo shows opening today at Stolenspace Gallery. I’m looking forward to the opening: Two artists whose work I enjoy, and it will be my first time at Stolenspace’s new location.
  • Next week four of the great early photographers of graffiti will be on a panel hosted by Jay J.SON Edlin at the Museum of the City of New York as part of the City as Canvas show. That’s one event not to miss. I may even come up from Philadelphia for it, so if you’re in NYC, you have no excuse not to go. Use the discount code in this flyer to save a bit on tickets to the event.

Photo by RJ Rushmore

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The Museum of the City of New York saves the seeds of a culture

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Mural by Daze behind a display of spray cans. Photo by gsz.

Well, really, the headline here isn’t entirely accurate. The artist and collector Martin Wong saved the seeds of a culture, and then donated his collection the Museum of the City of New York. And then the museum mostly kept those seeds hidden away for about twenty years. But now the museum, with the help of curator Sean Corcoran and others, has brought those seeds back into the spotlight for a new generation to learn from. Of course, I’m talking about City as Canvas, the new show at the Museum of the City of New York, and the seeds I’m talking about are the seeds of modern graffiti.

The back story behind City as Canvas is pretty great. Wong, a painter who lived in NYC’s East Village in the 80’s, was noticing graffiti and as he met some of the men and women behind it, he began supporting the young writers by buying their work. Eventually, that turned into a major collection of work by New York train writers like Sharp, Daze, Lee, Futura and many more. Wong even tried to open his own “Museum of American Graffiti” in 1989, but it didn’t work out. Still, Wong had amassed something special and unique that captured a very important time period for graffiti as artists transitioned from trains to canvases and teenagers to adults, and as graffiti itself spread from New York City to the rest of the world. Eventually, he donated his collection to the Museum of the City of New York. Those are the basics, but really, the story of Wong’s collection has already been told very well and in more detail in the New York Times, so do check out that article.

As for the show itself…

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