Isaac Cordal is participating in Beaufort04, a triennial of contemporary art taking place now in Belgium. After the jump, check out a selection of Cordals’ work for the triennial… Continue reading “Isaac Cordal at Belgium’s Beaufort04”
Isaac Cordal is participating in Beaufort04, a triennial of contemporary art taking place now in Belgium. After the jump, check out a selection of Cordals’ work for the triennial… Continue reading “Isaac Cordal at Belgium’s Beaufort04”

Overunder has finished his wall for Open Walls Baltimore, the mural festival that Gaia is organizing. Overunder’s mural is a tribute to Dennis Livingston, an activist who had been involved in politics since the 1960’s but died last September. Livingston worked on issues such as affordable housing, job training, environmental reform, and others.


Photos by Martha Cooper

Fun poster and good advice from Instigator…
“Jump the Shark, everyone has to at some point.” – Instigator
Photo by Instigator

HowNosm have just finished an installation, called “Reflections,” at the Andrew Freedman House. What is that building? Until the mid-1980’s, it was a poorhouse for the formally rich. Basically, the functioned as a place where those who used to be rich and had fallen on hard times could live with the comforts that they had grown accustomed to (like servants). Definitely strange, but that idea was put into practice for decades at this mansion in the Bronx. Now it is about to be used for a show of 20-some artists organized by No Longer Empty and curated by Keith Schweitzer. This Side of Paradise looks to be a fascinating show with a great space and great artists including Daze, Crash, Cheryl Pope and others. The show opens next week.
After the jump, check out more photos of HowNosm’s installation as well as a video of “Reflections” coming together. If anyone out there was worried that HowNosm might be one-trick ponies with their quite distinctive style, I think this should convince them otherwise… Continue reading “HowNosm’s “Reflections” installation”

For me, this week was spent thinking way too much about the digital humanities at Re:Humanities. You may be asking what that is. I’m still not entirely sure, but I think it means using YouTube and Twitter to learn important stuff rather than to watch laughing-baby-related videos and talk about the last hamburger you ate. Still, interesting stuff. Kinda helps justify running a blog. Here’s what I was reading when I was trying not to waste my time on the web:
Photo by Overunder

Artists whose work I follow somehow slips through the cracks and, even though I’m a fan, their doesn’t wind up on Vandalog for whatever reason. When I realize these slips ups, I try to correct them. One mistake that I noticed this week is that it’s been far too long since I posted about Doodles. So here are a few random shots of his work.


Photos by Doodles and RJ Rushmore

Help the police.




Photos by AVK ONE, Brighton Rocks, Datachump, SÖKE, Thias, and Voodoodi London

Ben Slow has returned to Hanbury street to paint the same spot he painted back in 2010. This time, Ben has painted portraits representing the white nationalists of The English Defence League and Islamic extremists. Here’s what Ben has to say about the work:
With my latest street piece, I returned to the wall on Hanbury street which I first painted around this
time back in 2010. That piece was one of the first ‘proper’ street pieces I ever painted. It was of a
Bengali mother and child. The image was chosen to relate to the local Bengali community who
thankfully embraced the piece. I felt that with this next piece, I wanted to challenge people (and
myself) a little more.This time I wanted to deal with something at the complete opposite end of the spectrum but still
very much related to the local community. I had a very clear idea of what this piece was meant to
represent when I started it, and to be honest, I thought it would be very obvious from the outset.
However, I was shocked (and also delighted) with the variety of responses and reactions I received.My idea behind the painting was to show two characters as different sides of the same evil. On the
left you have a portrait of a member of the EDL (The English Defence League) and on the other,
that of an Islamic extremist. I have been very interested by such characters for a while. As a
portrait painter they were interesting in terms of the expressions and shapes, but as a human being,
I always struggle with the stories behind such portraits and that they are captured out of such hatred
and contempt for another human being.My point is simply that these two people represent the same thing – that of intolerance, racism and
hatred. A very unfortunate but very real side of society that has become far too apparent of late.
They see those who do not conform to their views as the enemy, and they preach hatred. They
project themselves as different from the other but to the majority of people they represent the exact
same thing.I thought I would have trouble getting this painting done. I think it would be fair to say that I
under-estimated the tolerance of people. Except for a couple of snide comments, I received nothing
but positive responses. The majority of people completely understood what I was trying to say and
backed what I was doing. Most people, whatever ethnicity or nationality they may be have no time
for the types of people I was painting and I can not tell you how happy it made me to hear this. The
beautiful thing is that that these extreme individuals are a minority and long may it stay that way!As with the majority of my street work now, it is important for me to say something with what I am
painting. Be that representing someone I admire or appreciate, or in this case highlighting a
particular point. As much as I am a painter, I am also a massive fan of street art, but I feel that not
enough artists are using their privileged platform to full effect. I am all for stuff that looks great and
is aesthetically pleasing, but for me it is also important to say something once in a while, get people
thinking rather than simply admiring the beauty of something.
Photo by Shafiur Rahman
Somehow I’ve only just come across Espir QFK, an awesomely fun and exciting artist out of California doing work which is a sort of back-to-the-basics street art/graffiti combo along the lines of guys like Swampy, Neckface, ORFN, You Go Girl and Ludvig. I’ll be the first to admit that I don’t know much about graff, but I know what I like: Espir. Here’s an interview with him. Check out a bunch more of Espir’s work after the jump… Continue reading “So much love for Espir”

Marco Sueño made this wall, which he calls The Street is the Sky and includes text written with Nate Nattan Tavel, for the Lima Photography Biennial.

Photos by Marco Sueño