Art.com to compensate street artists whose work they sell

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Wooster Collective announced tonight that they have been and will continue to be working with Art.com to solve a very frustrating problem that many street artists face: Photographers will take pictures of street art and graffiti and then license those images to online and physical shops around the world so that they can be printed onto t-shirts, canvases, posters, bags, clocks, and other knick knacks. The street artists and graffiti writers get no money from the sale of these photographs. While I’m not a big fan of our current copyright laws and I’d rather they be much more lax, this is pretty clearly a case where the morally right thing to do would be to pay the artists whenever possible.

Art.com is a major online seller of these offending photographs. According to Marc and Sara Schiller of Wooster Collective and at the couple’s urging, Art.com “has agreed to remove every photograph of street art in which the artist who’s work is in the photograph is not being compensated, and does not want photographs of their street work to be sold in this manner.”

As for how things will work under this new arrangement, the Schillers write:

While we’re still working out the details, in the coming weeks we will be working with Art.com to help identify the artists who’s work is being featured in over 600 street art photographs currently being sold on the site. If the artist wishes to have the photograph removed, Art.com has agreed to remove it. If the artist wishes to replace the existing unauthorized photograph with a new photograph or image that they own themselves, we will be assisting the artist in putting a licensing agreement in place for their work to be sold on the site.

This is exciting news for street artists and graffiti writers everywhere. It doesn’t solve the problem entirely since Art.com is not the only company currently selling street artists’ work in this manner, but it is a step in the right direction. The exact copyright issues could be debated in court, but Art.com has done the right thing in offering artists the opportunity to control their work if they wish to do so.

This all came about because the Schillers and Evan Pricco (Editor-in-Chief of Juxtapoz) will be having a public conversation this coming Thursday evening in NYC at an event sponsored by Art.com.

Read more about Art.com’s new policy and the upcoming conversation between Marc, Sara, and Evan over at Wooster Collective.

Photo by canonsnapper

KAWS’ Companion sculpture and more in Philadelphia

Companion (Passing Through) at the Aldrich
Companion (Passing Through) at The Aldrich

KAWS’ 16-foot-tall sculpture Companion (Passing Through) is making a stop in Philadelphia soon thanks to The Pennsylvania Academy of the Fine Arts (PAFA). The sculpture has already visited The Aldrich Contemporary Art Museum, The Standard Hotel in NYC, and other locations. From April 11th through May 14th, it will be on display at 30th Street Station, Philadelphia’s main train station.

Then, in October, KAWS will have two sculpture projects at PAFA. One, in a PAFA project inspired by the Fourth Plinth in London, will be a public sculpture placed outdoors atop the entrance to PAFA’s museum in Philadelphia. The other project, an exhibition of KAWS’ sculptures inside PAFA’s museum, will go on at same time.

Three KAWS projects in Philadelphia in one year, with two of them taking place outdoors. Good stuff. For more info, check out PAFA’s site.

PS, the following excerpt from PAFA’s blurb about these projects is hilarious:

The exhibition offers an exciting opportunity to engage in an artistic dialog about PAFA’s past and present, and to link the exterior of the Historic Landmark Building to the work on view inside. Placing KAWS’ sculptural works throughout PAFA’s historic galleries will further the ‘graffiti effect,’

Photo by Mike Simonds

Ludo’s War Bug

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Wow. I’d love the meet the building owner who asked Ludo to put this massive piece (titled War Bug) on their picturesque building in Lille, France. Fantastic.

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Photos by Ludo

Weekend link-o-rama

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It’s content I missed. Check it out.

Photo by OX

Competent and unoriginal street art by July

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July is a technically competent artist, creating stencils using 2 to 4 colors that generally include some sort of social or political commentary. For the same reason people are amused by Dolk, Icy & Sot, Blek le Rat and so on and so forth, people might have similar reactions to July as they do with those other artists. For more works by Banksy July check out their facebook page. For some more direct similarities to other artists, see here and here.

Wouldn’t it be great if artists moved beyond being technically competent and actually came up with interesting ideas too?

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Photos by July

Jetsonorama gets up for shearing season

Click to view large
Click to view large

Jetsonorama sent over photos of his first piece on the Navajo reservation this year, a pasting celebrating springtime, which is also sheep-shearing season in the area. Of course, putting up a piece of street art (particularly at this scale) is never as simple as it may appear when you see the pristine finished product, and this piece was no exception. Jetsonorama has done a great job over at his blog explaining just what went into getting this piece up and the people he met along the way.

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Photos by Jetsonorama

5th Annual Festival Nosotras Estamos en la Calle celebrates International Women’s History Month

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In celebration of International Women’s History Month, over 20 women took part in creating a 10-story building mural entitled “PachaMama” in the center of Lima, Peru. Toofly, now based most of the year in her native Ecuador, shared the following pics with me.

A few of the artists including Toofly, bottom right
A few of the artists including Toofly, bottom right
Women at work
Women at work
Toofly at work
Toofly at work
Toofly at work
Toofly at work

Photos by Susana Del Castillo