Francisco de Pajaro’s art/rubbish

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Editor’s note: I’m excited to have this guest post by Dave Nolionsinengland. Dave is a photographer, blogger, tour guide and one of my favorite street art people in London. – RJ

Street art is at its best when it is unexpected, uncurated and just there for the hell of it, no commercial agenda at all. London is currently blessed with the ultimate in ephemeral street art courtesy of Francisco de Pajaro, it’s rubbish, literally. A collection of bin bags, some discarded cardboard boxes or other dumped detritus, a wash of paint and marker pen and trash is transformed into street art. This is “Art Is Trash” by Francisco.

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We chanced across “Art Is Trash” at work in Shoreditch last Sunday, un-fazed by the scrutiny of visitors and photography workshop camera fiddlers alike. The Art Is Trash figures look a bit worried, intimidated, perhaps scared of our hostility towards them. de Pajaro’s figures humanise the trash. We despise the rubbish we create, we can’t get rid of it quick enough so his figures draw attention to our relationship with the final step in the life cycle of consumer products. At the same time Francisco is directing our attention to the disposability of art, literally all art is doomed, it IS trash.

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This art has a tendency to act like a magnet for other dumped crap, it’s a wonderful metaphor for huge swathes of the gallery world, isn’t it? The trash then gets cleaned up by the bin men pretty quick. de Pajaro is putting his street art out with the bins and it barely lasts a day. That’s perfect street art.

It’s not just anthropomorphization though, we love his bin bag lizard.  He also finds cracks in our buildings, little nook and crannies which he fills with stick figures. He doesn’t hang around, he just gets in there and does it.

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Photos by Dave Nolionsinengland

Weekend link-o-rama

Swoon
Swoon

Enjoy your Saturday. Also, if you enjoy the above photo, make sure you didn’t miss this post from earlier in the week.

  • Dr. D and Leah Leah Borromeo floated some sculptures in a London canal (near where the whole Banksy / Robbo feud went down) to comment on England’s welfare and tax policies.
  • Clet Abraham’s road signs are kinda awesome.
  • Hyperallergic has been doing an amazing job covering street art related stories recently:
    • Urban Maeztro has been putting up some very Mr. Brainwash-y posters in Honduras, but they aren’t so bad when you consider the context.
    • This artist reacted brilliantly to all the recent new about Detroit.
    • Peter Drew, who recently wrote this post for Vandalog, may be expelled from the Masters program he is taking at the Glasgow School of Art. The administration is not happy that he is continuing to do street art while enrolled at the university, which is weird because it sounds like he was admitted at least in part on the basis of his street art… Shouldn’t it be the administration’s job to support Drew now that he is enrolled there, rather than try to stifle his creativity?

Photo by Luna Park

Beautiful Decay: NYC’s withering wheatpastes

My favorite wheatpastes rarely lose their beauty. They just continue to evolve until they, sadly, wither away. Here are a few:

Imminent Disaster in Bushwick, Brooklyn
Imminent Disaster in Bushwick, Brooklyn — 2013
Swoon in Gowanus, Brooklyn
Swoon in Gowanus, Brooklyn — 2012
Swoon, close-up, in Bed-Stuy, Brooklyn
Swoon, close-up, in Bed-Stuy, Brooklyn — 2013
Cake in Williamsburg, Brooklyn
Cake in Williamsburg, Brooklyn, 2010

Photos by Dani Mozeson, Tara Murray and Lois Stavsky

Fantastically creepy characters

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From what I’ve been able to infer from his Facebook and Instagram, it seems Bault hasn’t been getting up on the street (at least under this identity) for very long, but I’ve already fallen in love with his style. His characters are strange but really nicely painted/drawn and beautiful, sometimes in a Tim Burton-y way. I hope we’ll see more from him soon, but here’s a little of what Bault has done so far.

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Photos courtesy of Bault

Alleg, where have you been?

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It was only this summer that I first came across Alleg‘s work, thanks to Juxtapoz, but it looks like Alleg has been getting up in Italy for a good few years. I really love his style. He clearly knows how to draw and paint, but he doesn’t overemphasize intricate technique. Too many murals these days are too perfect and plenty more street artists just aren’t talented enough to make a perfectly-rendered image if they tried. Alleg is just right.

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Wall\Therapy, the finished products

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Smith

This year’s Wall\Therapy festival is winding down in Rochester, NY, so let’s have a look at the finished work (although a few were already covered by Daniel’s posts). There are a few really killer pieces, including this piece by Ever that I haven’t seen professional photos of yet, and some legal work along abandoned train tracks which is really interesting, but I’m not sure about this spot that looks like a little hall-of-fame setup. Those are valuable to have, but I personally wouldn’t put one in a mural festival these days. Still, plenty of good work all around, and I love that there are way more old-school writers at Wall\Therapy than just about any other mural festival I’ve ever seen besides perhaps a Meeting of Styles event. Conor Harrington knocked it out of the park, and Jessie and Katey did a simple but really effective piece.

Conor Harrington
Conor Harrington
Wise2
Wise2
Jessie & Katie
Jessie & Katey

Continue reading “Wall\Therapy, the finished products”

King Brown issue 9 launch party

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NYC is having a good couple of weeks for magazine launch parties. Today was the Very Nearly Almost issue with Faile on the cover, and August 10th is the launch of King Brown issue 9. This issue comes in a bag with designs by Unga of Broken Fingaz and Ed Templeton and the magazine includes features on Ed Templeton, Unga, Nychos, Huskmitnavn, Dabs Myla, Ghostpatrol and others. Issue 9 will be launched at Schoolhouse Gallery (330 Ellery St Brooklyn – Flushing Ave stop off the JMZ) on August 10th from 6-10pm. The launch party will include music by Fake Hooker and live painting by The Yok, Sheryo and Nychos. All good things. Except that I won’t be there, so please have fun for me.

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Photos courtesy of King Brown

Some “Fresh Flâneurs” add to Bari

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108. Photo by Beppe Gernone.

The “Fresh Flâneurs” show in Bari, Italy recently added new murals to the city by half a dozen talented artists, but the walls are at risk of being buffed by the city because they have begun to cause some controversy. Although some informal polling by the local newspaper shows that citizens of Bari are overwhelmingly in favor of keeping the work, there is still some resistance. Essentially, it seems to come down to regulations about changing building facades for the sake of historical preservation, which some people are saying apply even if the building is not historic.

I’m really excited that Vittorio Parisi of Bari’s Doppelgaenger Gallery saw what was happening nearby at FAME Festival and brought it some of it to Bari. The murals by Sten&Lex, El Tono and others are all really strong pieces, and it would be a shame to seem them go. If you’re in Bari, you can still check out these works in person for the time being, but here they are for the rest of us (hopefully this isn’t how the citizens of Bari will have to be looking at the works soon):

Hellomonsters
Hell’O Monsters. Photo Beppe Gernone.
Hell'O Monsters
Hell’O Monsters. Photo Beppe Gernone.
Ozmo
Ozmo. Photo by Beppe Gernone.
Ozmo
Ozmo. Photo by Beppe Gernone.
Sam3
Sam3. Photo by Beppe Bernone.
Sam3
Sam3. Photo by Beppe Gernone.
Sten&Lex
Sten&Lex. Photo by Sten&Lex.
Sten&Lex
Sten&Lex. Photo by Sten&Lex.
El Tono. Photo by El Tono.
El Tono. Photo by El Tono.
El Tono. Photo by El Tono.
El Tono. Photo by El Tono.

Photos by Beppe Gernone, El Tono and Sten&Lex