Weekend link-o-rama

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As I tweeted the other day, my mind is kinda stuck on how much I wish the Parra show at Jonathan Levine Gallery opened today and not on Saturday so that I could go see it. So while I’ve been distracted by that point, here’s some of what I almost missed this week:

  • KATSU’s April Fools prank is a bit early, but still pretty funny.
  • The Outsiders / Lazarides has some really nice prints by Ron English. They are variations on his Figment image, aka Andy Warhol wig and a skull.
  • Barry McGee, Chris Johanson and Laurie Reid are showing together at City College and SF starting today.
  • Here’s a new piece from the always-interesting 0331c, but if you don’t know 0331c’s work, here’s an introduction.
  • Nice video of Eine updating one of his walls in London from saying PRO PRO PRO to PROTAGONIST. Interesting comment about street art being a thing that “looked like it would offer what graffiti promised but didn’t deliver.”
  • Nychos x Jeff Soto = Yes!
  • New work from Isaac Cordal.
  • Woah. Nice work from How and Nosm in San Fransisco.
  • Jonathan Jones is up to his old tricks of dissing Banksy to get more hits for his column, and I’m biting. He writes, “Banksy, as an artist, stops existing when there is no news about him.” Even if that is the case, is that the end of the world? Does that relegate Banksy to “art-lite”? No. Banksy is one of the most talked-about artists in the world. I would bet that the same criticism was leveled against Warhol, who I believe Jones likes. Banksy’s manipulation of the media, playing it like a damn violin sometimes, is some of his greatest artwork of all. He manipulates the media to spread a message. The best example of this was probably him going to Bethlehem to paint on the separation wall because he knew that the media would cover it. He was able to play the media to draw attention to an issue that he felt strongly about. Banksy’s paintings are sometimes great and sometimes not. But his ability to make people fascinated with him and his paintings is just as much of an art, and that shouldn’t discredit him.

Photo by Luna Park

KATSU enters Minecraft (and hints as to his future work)

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Yes. KATSU is the man. He continuing to explore what graffiti can look like in this century and he’s leaving most street artists in the dust in the process. These screenshots are from a piece by KATSU within the game Minecraft. I’m not a gamer, but, as far as I understand it, the vast majority of Minecraft games are not played in an online multiplayer setting, but they can be. So, like Franco and Eva Mattes performing during a game of Counter-Strike or Diego Bergia getting his graffiti into Tony Hawk’s Project 8 (which spread his Where’s Lepos project from the street into a game), KATSU has brought his graffiti into the digital world and could potentially put it in places in the digital world where others could see it. Most likely though, this throw-up wasn’t made in a multiplayer game and won’t be, so in that sense it’s more like doing something in a sketchbook and posting a photo of the sketch to Instagram than doing a piece of graffiti, but it’s still pretty cool and it’s another step for KATSU towards doing graffiti in the world of 1’s and 0’s.

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The project was announced through F.A.T. Lab, where KATSU is currently an Artist in Residence. In that post on F.A.T. Lab’s website, KATSU says “The future of graffiti for me will be in the form of black hat tactics.” For those who may not know, “Black hat” is a term used to describe hacking which would typically be considered invasive or malicious in some way, rather than the good kind of “white hat” computer hacking. I can’t wait to see what KATSU does next. A move from physical graffiti to the digital graffiti of website defacement could be very interesting.

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Images courtesy of KATSU / F.A.T. Lab

Overunder in Nevada

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Overunder sent over these photos of his recent work out in Nevada. It’s always great to see what Overunder is up to out in a region which doesn’t get too much attention from sites like this one (PS, if you do street art in Nevada, or anywhere else for that matter, let us know! We like seeing new stuff in our inboxes).

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Photos courtesy of Overunder

Melbourne Monthly Madness – January 2013

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DOES at Juddy Roller. Photo by David Russell.

So I’ve decided to start a monthly post on Vandalog to try and capture all the goings on in and around Melbourne each month as there’s always a lot happening. For completeness sake and because I don’t want anyone to miss out on this, here’s a belated January round up. What a great way to start the year! Continue reading “Melbourne Monthly Madness – January 2013”

Gaia Erases Revisionism in Woodstock

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A few weeks ago, Acrylic Walls shared photos of their mural residency in South Africa, which includes artists Gaia, Freddy Sam, Jaz, and Know Hope. Local Freddy Sam has brought together international artists for, what I termed, a love letter to South Africa. However, sometimes love bites back.

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One local took to Gaia‘s wall to voice his disapproval of the piece with not enough buff paint. Being an advocate for community and public space, Gaia used what some would view as heartbreaking into an opportunity to engage with the surrounding neighborhood. A hand erasing his Edwardian-animal hybrid has been accompanied by the phrase “revisionisme, uit te vee,” or “to erase revisionism” in Afrikaans. By commenting on the methodologies behind his piece, Gaia acknowledges the temporality of his work as well as its effects on those who, by their proximity to the piece, become forced viewers.

Photos Courtesy of Gaia

Goal Crew: A way of life

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When I was first tipped off to Goal Crew’s work, I was told they were crushing the Buenos Aires subway and that I had to check it out. Scouring through their Tumblr archive I did find the kind of bold color blocky tags and characters that one would expect to see on a train. What I found even more attractive about their pieces is the precision timing and care taken into photographing each train.

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Rather than focusing on a perfect dead-on shot that would accurately show their skills at bombing, Goal Crew depicts each train as if it has its own personality. Light streaks and unamused passengers on their daily commute dot the backdrops of their trains. These happenstance occurrences during their photographs bring an atmosphere to the pieces’ vivid colors.

Continue reading “Goal Crew: A way of life”

Seimiek’s take on street art’s move out of the city

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Siemiek in Canta Gallo, Peru

I spoke briefly with Peruvian artist Seimiek about a trend in street art I’ve seen a lot of in the past 2 years, one that that extends street art outside of the city and interacts with a new audience; perhaps forming new intent and meaning behind the works done by artists who’ve started to put colors in forgotten towns.

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Siemiek in Canta Gallo, Peru

Laura Calle: I’ve noticed a lot of street artists have started to put up works outside the city, how do you think this changes the dynamics in your art?

Seimiek: I went outside of the city in search of new places to paint, in which case I did find new spots and the experience changed into something that gave me new ideas. New places, new ideas.

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Siemiek in Canta Gallo, Peru

Laura Calle: What was your initial reason or purpose that has influenced you to paint in places like Canta Gallo?

Seimiek: I wanted to find new spots. When I went to Canta Gallo for the first time, there was a reaction by people that made me want to continue working there. I think, that that is what has made the whole experience so awesome. People will tell you, “come here, paint this spot, here here!” and then you go and finish painting that spot and they tell you how much they like it or how why they aren’t into it. That’s what made me come back. The difference in painting in the city is that you will finish something, sometimes you finish it only half way, and you leave the spot to sometimes find it gone in a few days.

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Siemiek in Canta Gallo, Peru

Photos courtesy of Seimiek

Weekend link-o-rama

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Kid Acne at Village Underground in London

Sorry for the late link-o-rama. Caroline came to visit on Thursday, so I’ve been trying to stay offline.

Photo by HowAboutNo!