Thank you Very Nearly Almost

April 27th, 2017 | By | 1 Comment »

Roa in London, taken around the time I was interviewing him for Very Nearly Almost.

Sad news to report: Very Nearly Almost, the UK’s premier magazine covering street art/graffiti/muralism…, is shutting down after 10 years.

VNA was an early inspiration for me when Vandalog was just starting out. I would devour their interviews. VNA privileged the voice of the artist, publishing in-depth interviews with street art superstars like Shepard Fairey, as well as people who probably don’t get quite the same chances to take deep dives exploring their work. A few times, I’ve been fortunate to contribute to VNA as an interviewer. Actually, an interview with Case for VNA might have been the first time that someone else published my work.

The community around VNA, a community of contributing writers, photographers, and even artists who collaborated on limited edition covers, is a testament to the importance of the magazine and the genuine love and excitement with which the VNA team approached their work.

To give the magazine a proper send off before they close up shop, dozens artists have contributed work to a charity auction that VNA has organized to benefit Macmillan Cancer Support. Bidding starts today.

Photo by RJ Rushmore


Category: Auctions, Books / Magazines | Tags: , , ,

Upcoming: A West Cost Tour for Wastedland 2

April 9th, 2017 | By | No Comments »

Andrew H. Shirley’s Wastedland 2, which premiered last year in Detroit, is headed on a west coast tour. Wastedland 2 is part short film, part immersive art installation, and 100% a graffiti nerd paradise. Of course, it’s a sequel to Shirley’s Wastedland, from 2008.

This time around, the film stars the writers Avoid, Smells, and Wolftits playing alternative versions of themselves in a post-apocalyptic dreamworld. The trio, fueled by beer and weed, spend their days searching out the next spot to catch a tag and chasing traces of the God-like writer UFO. Other writers, mostly members of 907 crew or closely associated with the crew, make cameos too. But what makes Wastedland 2 a must-see is the immersive installation that accompanies some of the screenings, where Shirley and his team transform venues into mini-Wastedlands. Attendees get a film screening, plus an art exhibition to set the vibe.

The beginnings of Wastedland 2’s installation at Superchief Gallery in LA.

The team is already at work transforming LA’s Superchief Gallery in preparation for next week’s screening.

There are also upcoming Wastedland 2 screenings in Oakland, Reno, and elsewhere. Check the full list here.

Photos courtesy of Wastedland 2


Category: Events, Videos | Tags:

Holding onto Hope in a Sea of Destruction

April 9th, 2017 | By | No Comments »

Pat Perry‘s latest mural really is stunning. On Instagram, Pat captioned the work, “trying to keep the vision during these unraveling times.” We do have to keep trying, whatever the odds, and I love that Pat has referenced the importance not just of science, but also of art, craft, and creativity in preserving and replenishing our natural environment.

The mural was painted in Napier, New Zealand as part of PangeaSeed Foundation‘s Sea Walls: Artists for Oceans initiative.

As an aside, Sea Walls is an especially interesting mural project in a sea of mediocrity and artwashing. All of their murals take on a pro-environment theme, with a particular focus on oceans. Sea Walls murals have gone up around the world, most recently in Napier, New Zealand, where Pat Perry painted his mural. So far as mural festivals go, it’s a nice model. The same team could just as easily travel the world, going to whatever town wants some pretty pictures on whatever warehouse district is being “revitalized”, commissioning artists to paint whatever the hell they want. So, within the parachuting-artist model of muralism, I’ve got to give credit to Sea Walls for at least basing their work in useful and important content.

Photo by Tre Packard, via Pat Perry’s Instagram


Category: Photos | Tags: ,

Brexit is like…

March 29th, 2017 | By | No Comments »

Something timely from Vlady. All my best to my friends in the UK tonight…

Photo by Vlady


Category: Photos | Tags:

The Bushwick Collective and McDonald’s Team Up to Screw Artists

March 12th, 2017 | By | 7 Comments »

The opening to a new McDonald’s ad featuring murals in Bushwick.

UPDATE (April 23rd, 2017): A group of artists whose work was used in this campaign without their permission is now threatening legal action against McDonald’s.

Many artists are feeling betrayed this week, as they realize that their art has been used without their permission in a McDonald’s advertisement, apparently thanks to the cooperation of The Bushwick Collective‘s Joe Ficalora.

As first noted by Brooklyn Street ArtMcDonald’s new ad campaign for the “New York Bagel Supreme” (a burger/bagel hybrid launching in the Netherlands) centers on “the vibe of Bushwick.” They got that local flavor from The Bushwick Collective, one of New York’s more well-known mural projects. A cornerstone of the campaign is a 4-minute advertisement (UPDATE: McDonald’s appears to have taken the advertisement offline, but we’ve uploaded a copy to Facebook) with Bushwick Collective founder Joe Ficalora giving a tour to highlight his project’s collection of murals. Except… At least two of the murals in the ad aren’t even Bushwick Collective murals (despite what is implied) and at least five artists whose work is featured did not give their permission for McDonald’s to use their work.

Lmnopi’s mural, as featured in the ad. The mural was not painted as part of The Bushwick Collective.

On Facebook, Lmnopi made her feelings clear:

McDonald’s just teamed up with the Gentrifying Bushwick Collective to exploit street art in Brooklyn to sell Burgers in Netherlands. This will not stand. They did not get my permission to use my work in their psuedo doc and the mural is NOT part of the Bushwick Collective. PERIOD

Similarly, Beau Stanton was unaware that his work was featured in the ad until someone sent him a link to the video. Stanton’s mural was commissioned by the building owner, and is not affiliated with The Bushwick Collective either. Read the rest of this article »


Category: Art News, Featured Posts | Tags: , , , , , ,

Wrapping up ALL BIG LETTERS

March 5th, 2017 | By | No Comments »

Graffiti Taxonomy by Evan Roth. Photo by Lisa Boughter.

As regular readers probably know, I recently curated an exhibition about the tools and strategies of graffiti for the Cantor Fitzgerald Gallery at Haverford College. ALL BIG LETTERS closed on Friday. The exhibition featured work from Adam VOID, Aric Kurzman, BLADE, Biancoshock, CURVE, DB Burkeman, Egg Shell Stickers, EKG, Evan Roth, FAUST, Fumakaka Crew, Jordan Seiler, Katherine “Luna Park” Lorimer, Lee George Quinones, Loiq, Martha Cooper, MOMO, NTEL, Smart Crew, Steve Weinik, stikman, and more. Before ALL BIG LETTERS fades into our rear view, I wanted to highlight two more bits of press about the show.

First, I spoke with Brooklyn Street Art’s Jaime Rojo and Steven Harrington for an interview on The Huffington Post. We spoke about curating an exhibition about graffiti for a general audience (and a gallery with an educational mission), the graffiti community’s skill at hacking tools and cityscapes, graffiti as a performance, and more.

And Very Nearly Almost published a short video from ALL BIG LETTERS:

Photo by Lisa Boughter


Category: Vandalog Projects, Videos | Tags: , , , , , , , , , , , , , , , , ,

When the Obvious Becomes Radical Leftist Politics

February 23rd, 2017 | By | 4 Comments »

When did pointing out the primary message of the Statue of Liberty (which was immortalized as a poem used to fundraise for the statue and then installed next to it) become an act of protest? Don’t answer. We all know that it was sometime between November 8th and January 20th.

This week, four activists attached a banner reading “REFUGEES WELCOME” at the base of the Statue of Liberty. It was swiftly removed by the park rangers who manage the site. Curbed has more on the story, including a statement from the team that installed it. WHY WAS THAT MESSAGE EVEN NECESSARY TO SAY? This is America, and the idea that refugees and immigrants are welcome should be obvious. Unfortunately, it is not, and that banner was absolutely necessary. Kudos, to whoever installed it. Everyone in America owes you a beer.

On a related note, a school in Maryland made teachers remove posters from their classrooms that celebrated diversity in America. The posters, designed by Shepard Fairey, were determined to be too “political” and “anti-Trump.” So yeah, apparently celebrating diversity counts as anti-Trump now too. Reminds me of this Fox News tweet describing anti-fascist graffiti as anti-Trump.

I guess if anything good is coming out of this, it’s at least the acknowledgement from the right-wing establishment that Trump is in fact a fascist white nationalist.

Photo by Alt Lady Liberty


Category: Art News, Photos | Tags: ,

The Truth Behind Banksy (According to Portlandia)

February 21st, 2017 | By | No Comments »

Portlandia does it again. For their latest segment taking on the art world, Portlandia have Fred Armisen’s character convinced that he is Banksy. Watch what happens:

“Everything’s better, everywhere that we add the art.” Love it. Of course, there’s more than a grain of truth to this piece. Not only about the way that street art, by Banksy or by others, can increase property values and add a “cool factor” to a individual buildings or to entire neighborhoods, but the way that countless property owners added (or perhaps occasionally found) sub-par street art to their buildings, only to call the local news and say, “Oh man, I think Banksy just painted on the side of my building! This is crazy. Get over here and do a story about my building!”

So, kudos to Portlandia, as always.


Category: Videos | Tags: ,

Kibera, 8 Years After JR

February 1st, 2017 | By | 3 Comments »

@jr eight years after on the rooftops of #Kibera . Thank you @bankslave for your time today

A photo posted by gaiastreetart (@gaiastreetart) on

Longtime Vandalog contributor Gaia posted an intriguing photo today on Instagram. I’ll let these photos and Gaia’s caption speak for themselves, other than to say that this seems to be the great (largely) unwritten critique of JR within the street art world.

Update (Feb 2, 2017): A few readers have reminded us of this incident from 2015 where an ad agency tried to “steal” JR’s artwork from Kibera to raise money for charity, but then things went a bit pear-shaped.

Kibera in 2017, with the remnants of JR’s work on visible.

Photos by Gaia


Category: Photos | Tags: ,

ALL BIG LETTERS Opens in Haverford, PA

January 30th, 2017 | By | No Comments »

Photo by Caleb Eckert

If you’re in the Philadelphia area, head out on to the burbs for ALL BIG LETTERS at Haverford College’s Cantor Fitzgerald Gallery, probably my most ambitious curatorial project to date. The exhibition features specially-commissioned work from CURVE, FAUST, EKG, Egg Shell Stickers, and Evan Roth, plus contributions from dozens more artists and photographers.

Photo by Kendall Whitehouse

ALL BIG LETTERS investigates the tools and strategies of graffiti writers. My hope is that visitors can walk into the show with next to zero knowledge of graffiti, and leave with the ability to see a tag on the street and roughly understand how it came be there and why it looks the way it does. Was it made with spray or a marker or something else? Is the style something city-specific, like a wicked? Why did the writer choose that spot? How did they get there? How long did it take to paint? Curve’s installation in particular functions as both an artwork and a teaching tool. A similar thread runs throughout the exhibit, like in Evan Roth’s Graffiti Taxonomy series, which highlights 140 S’s from each many different tags, all written with a variety of different styles and tools.

Photo by Caleb Eckert

For people already immersed in the culture of writing, ALL BIG LETTERS is a different take than your typical graffiti group show. This is not tags or throw-ups on canvas. Rather, it’s a show for the graffiti nerds who understand that style is an important part of writing, but it is just one element, and it serves a particular purpose. A collection of homemade tools from MOMO, stikman, Fumakaka Crew, Biancoshock (yes, I know that a handful of the artists in the show fall more towards the street art spectrum, but I swear they fit in), plus commercial graffiti products, is paired with a series of photos by Martha Cooper of writers and street artists that highlight their tools.

Photo by Kendall Whitehouse

From a new diagram by EKG to photos by Luna Park and Steve Weinik (among others) to an investigation into the development of BLADE’s style over time to never-before-scene work by Adam VOID, ALL BIG LETTERS covers a lot of ground that is all-too-often ignored in more commercial settings, and I would like to think that it’s a pretty unique exhibition. On opening night, a handful of Philly writers all told me a similar story: I came out to support a friend in another group exhibition, but this is unlike any graffiti show I’ve ever seen.

So, if you want to see an exhibition about graffiti that’s truly different, an exhibition where the whole of graffiti is acknowledged (the repetition, the drive for fame, the performance, the risk, the competition, the hacking…), I hope you’ll stop by ALL BIG LETTERS. It’s open through March 3rd.

ALL BIG LETTERS is open at Haverford College’s Cantor Fitzgerald Gallery through March 3rd. Contributors include Adam VOID, Aric Kurzman, BLADE, Biancoshock, CURVE, DB Burkeman, Egg Shell Stickers, EKG, Evan Roth, FAUST, Fumakaka Crew, Jordan Seiler, Katherine “Luna Park” Lorimer, Lee George Quinones, Loiq, Martha Cooper, MOMO, NTEL, Smart Crew, Steve Weinik, stikman, and more. Learn more, and read essays related to the exhibition by RJ Rushmore and Carlo McCormick, here.

Photo by Kendall Whitehouse

Photos by Caleb Eckert and Kendall Whitehouse


Category: Art News, Gallery/Museum Shows, Vandalog Projects | Tags: , , , , , , , , , , , , , , , , , , , ,