Stinkfish and Bastardilla in Valencia

Stinkfish

Colombian artists, Stinkfish and Bastardilla, have made their way to Valencia, Spain amidst their European tours. Kicking off the journey, new murals have appeared from the two for the Poliniza 2012 Urban Art Festival. They will continue to paint around Europe and Stinkfish will conclude his European travels in London. Here’s Stinkfish’s piece in Valencia. Street Art News has photos of Bastardilla’s wall.

Photos by Stinkfish

Recently in Oakland, CA…

Ernest Doty, David Polka and Thomas Christopher Haag

One of the most under-appreciated but active street art and graffiti scenes in the USA must be in Oakland, California. Luckily, the site Endless Canvas does great job of posting some of the highlights of what’s going on. Here are a few of my favorite pieces that were just photographed in the last two months…

"May Day" by unknown artist

More after the jump… Continue reading “Recently in Oakland, CA…”

La Pandilla

La Pandilla's mural for Wynwood Walls. Photo by Molinary

The talent of Puerto Rican duo, La Pandilla, is undeniable. They’ve received a lot of attention this past year, after turning heads at a few mural festivals including Living Walls Concepts, G40 Art Summit, and Wynwood Walls.

As previously voiced by one sarcastic reader, “Animals are sooooo hot right now”. But perhaps, La Pandilla’s technical ability stands out because we’re not distracted by the subject matter or overwhelmed by color. Their work lives in this Goldilocks zone of being intricate in detail and being conceptually simple which allows viewers to focus on the most important aspect of their work: the talent.

Wynwood mural in progress. Photo by Molinary.
Photo by La Pandilla
Wynwood Walls detail. Photo by Molinary.
Hippo Mano. Photo by La Pandilla.
Photo by Molinary

Photos by Molinary and La Pandilla

A visit in Baltimore: Legal art

Vhils. Photo by RJ Rushmore

This is the first post in a two-part series based on the visit to Baltimore that Caroline Caldwell and I made last week. We made the trip to see Open Walls Baltimore, but ended up getting a taste of the larger street art and graffiti scenes in Baltimore too. This post is about the work we saw at Open Walls Baltimore. Thanks so much to Gaia, Killian, Martha Cooper, Nanook and AVOID for showing us around the city.

As previously covered, Open Walls Baltimore is Gaia‘s stab a street art/mural art festival. Taking inspirations from festivals like Wynwood Walls and Living Walls, Open Walls Baltimore has been bringing some of the world’s most talented street artists to Baltimore to paint murals. With the help of friends like Martha Cooper and Nanook, Gaia has managed to pull of quite a festival. This video gives a pretty good idea of what’s been going on from Freddy Sam’s perspective:

Like so many mural festivals, Open Walls Baltimore manages to do a lot with a small budget (at least compared to budgets like the budget of the Mural Arts Program). Caroline and I slept in Gaia’s studio next to Ever, which was also being used as Jaz‘ studio so that he could finish the work for his show in Barcelona, the studio for many of Gaia’s friends and the meeting place for most of the Open Walls Baltimore artists. When we arrived in town, Ever was stuck a couple of stories up in the air because his lift had nearly run out of gas. Despite minor snags like that, Open Walls Baltimore’s outward appearance is as a great success. Most, but not all, of the walls look good and have had a positive reception from the community.

Unlike a lot of other mural festivals, Open Walls Baltimore have been pretty honest about the criticism they have received and the double-edged sword that is muralism. This interview with Gaia really highlights just how complicated a mural festival can be for those directly involved and the communities receiving murals.

There are still a few pieces left to be finished, but the festival is winding down. Check out some of what Caroline and I saw on our visit after the jump… Continue reading “A visit in Baltimore: Legal art”

Nug at Skalitzers Gallery

Nug, the artist best-known for basically going crazy with a spray-can in hand, has a solo show on right now at Skalitzers Gallery in Berlin. I’m not sure what I think of the work (which is a sort of installation), but I have a feeling that looking at it online is a very different experience to seeing it in person. Seems to me that Nug is most interesting when doing performance art, but it’s difficult to say based on only seeing jpegs. If anyone has seen the show in the flesh, I’d love to read your thoughts in the comments. Human Behaviour is open now through June 2nd.

Photos courtesy of Skalitzers Gallery

Weekend link-o-rama

Lush. Photo by Lush

It’s that time of the week again… Here’s what I’ve been reading across the rest of the web:

  • Caber’s drips are fantastic.
  • Yes, there’s a new Banksy. Moving on…
  • I’d like to point out two fake Banksy social media accounts that I’ve been enjoying late. The first is the @BanksyIdeas Twitter account. It’s full of ideas for future Banksy pieces that will hopefully never be made. The other is The Real Banksy, a tumblr account made by Cardinal Burns. They are a comedy duo with a new show on E4 in the UK, and the guys behind this video. Their suburban Banksy character will feature in every episode of the Cardinal Burns show on E4. Here’s one of their new Banksy sketches.
  • Shepard Fairey has worked with Neil Young to make paintings inspired by Young’s latest album. The work will premiere at Perry Rubenstein Gallery’s brand new LA space in June during a one-day private event. Of the one piece previewed so far, the work looks distinctly Shepard Fairey, but also distinctly un-OBEY. I like it.
  • Saber is upset and taking to Twitter because this fantastic mural was buffed. While Saber seems to think that the wall was buffed for something related to the show Sons of Anarchy, The LA Weekly has the least biased overview of what’s gone down. Whatever reason though, it’s a real shame that that mural was destroyed. I must note that I find it interesting how, in the past, Saber has been all about the rights of property owners to do whatever they want with their walls, but now he has suddenly changed his tone and begun speaking out against public advertisements now that work by his friends has been destroyed. Glad to see the change of heart, but I’m disappointed that it took such an unfortunate incident for Saber to see some of the downsides to public advertisements.
  • Galerie F, possibly Chicago’s next art gallery focusing on street art, has taken to Kickstarter to help fund the repairs to their space that will make it usable a gallery.
  • Jordan Seiler’s latest endeavor is something quite different from PublicAdCampaign… It’s an augmented reality app for Android phones that will insert 3d murals onto potentially any building. Right now, it’s in the beta stages, but this could be huge. Sort of like what FriendWithYou did with Becks, but with even more potential.
  • Word To Mother’s show at White Walls looks great. That said, Word To Mother still seems to be finding his voice. He, as usual, experiments with some styles that are little-more than his own riffs on ideas by Barry McGee, Phil Frost and possibly Saber. In the past, he’s fiddled with things very reminiscent of Swoon and Monica Canilao. But the funny thing is that Word To Mother already has a style that is distinctly his own and almost all of his best work is in that style. While yes, the baseball bats inspired by Phil Frost are cool, it’s the original works on wood featuring characters and bits of text that are the stand-outs and the pieces that are most unique to Word To Mother. I understand not wanting to be boxed in and the urge to experiment, but this piece which clearly developed by spending a lot of time looking at Barry McGee/Phil Frost/maybe Saber is not the way to experiment. Still, overall looks like another cracker of a show from Word To Mother.
  • Two bits of Kaws news this week: He has a show in Hong Kong that his fans are going ga-ga for. I love the red Chum painting, but otherwise I’m not really bothered, although I think Kaws is, surprisingly, someone whose work is best appreciated in person so maybe I’m just plain wrong for being unimpressed by the jpegs. The big news for Kaws though is that there will be a balloon of one of his Companions in the Macy’s Thanksgiving Day Parade this November.

Photo by Lush

Hidden talent in Argentina: Rojo Roma

Thank you so much to Street Art News for introducing me to the work of Roja Roma, an extremely talented muralist from Buenos Aires. I’m loving this work. Like many of the best young muralists from South America, Roja Roma mixes a street art vibe with a style that fans of traditional murals can love too. Here’s some of his recent work…

Collaboration with Corona

Photos courtesy of Roja Roma

Via Street Art News

INSA uses crowdsourcing to paint LA mural

Last month, INSA was planning to go to LA to paint a mural, but he needed money for a flight and other costs of getting to and staying in LA. To raise the money, he sent out an appeal to his fans through his blog and offered a series of 12 paintings for sale (shown here). Anyone who bought a painting would also get their name painted on the mural, a photo of the mural, a thank you letter and an INSA goodie bag. By reaching out directly to his fans, offering the works at a discount and explaining exactly how the money would be used to fund more art, INSA was able to raise enough money to get to LA. Here are some photos of INSA’s latest wall with LA Freewalls. Check out more on INSA’s blog.

Photos by Todd Mazer

Via VNA