Zero Cents in Bushwick, Brooklyn

Close-up of Zero Cents in Bushwick, Brooklyn

Zero Cents‘ distinctly disfigured – often disturbing — characters have been part of Israel’s visual landscape for years. It was quite a thrill to see his work this past week in Bushwick, Brooklyn.

Zero Cents with Know Hope in Haifa, Israel, fall, 2010

Photos of Zero Cents in Bushwick by Tara Murray; photo with Know Hope in Haifa by Lois Stavsky

See you at Nuart Festival 2012?

Skewville at Nuart 2009

This year’s Nuart Festival takes place later this month in Stavanger, Norway, and I’ll be there along with a really amazing group of artists and speakers. This year’s artist lineup is Aakash Nihalani, Dolk, Eine, Ron English, Saber, How and Nosm, mobstr, Niels “Shoe” Meulman, Jordan Seiler, The Wa and Sickboy. I’m excited to see the “mostly legal” work that those artists get up to.

I’ll be participating in three events at Nuart Plus, a 3-day international summit on street art taking place during the festival. Evan Pricco, Tristan Manco, Carlo McCormick and others will be speaking there too. Here’s what I’m involved in: On the 27th, Jordan Seiler and I will be giving a tour of some of the art (and ads) in Stavanger; On the 28th, Carlo McCormick and I will be at Martinique, a cafe and pub, to debate about whether or not one can truly appreciate street art on the internet; On the 29th, Evan Pricco, Tristan Manco and I will be on a panel about street art and the internet moderated by Eirik Sjåholm Knudsen. Sorry if I’m focusing a bit too much on my own stuff, but I’m really excited to be going to Nuart, especially since I’ll be speaking alongside so many of my friends and idols.

There will of course also be an indoor art component to the festival.

Nuart’s street work begins September 20th, the indoor show opens on the 29th at Tuo Scene and the panels and talks will take place on the 27th-29th.

Photo by RJ Rushmore

Thank You to Our Sponsors

We would like to take a brief moment to thank this month’s sponsors. These are the organizations and companies that keep us publishing, so be sure to check them out!

  • Brooklyn Museum GO is a community – curated open studio project. Artists across Brooklyn will open their studio doors, so that you can decide who will be featured in a group show at the Brooklyn Museum. Voter Registration: July 17–September 9, 2012
  • School of Visual ArtsThe NYC art and design school is offering continuing education courses to meet the diverse educational needs of the city’s professional art and design community.

If you are interested in advertising on Vandalog, please get in touch with Nectar Ads, the Art Ad Network.

Photo by RJ Rushmore

Graffiti Vinyl – Wall to wall music

“Stone Age” by The Rolling Stones

It’s a great pleasure to introduce my good friend (he DJ’d at my wedding), author and vinyl obsessive Mr Tim O’Brien. He and I share a love of a funky tune and the graffiti you find on record covers but Tim has done more research into the field than anyone I know. His physical collection of graffiti vinyl has to be second to none and through his numerous essential blogs it a subject he generously shares with the world…
– Tristan Manco

Hello, my name is Tim and I have a problem with vinyl…

The humble album cover tells the whole story of graffiti. From the earliest tags to the latest styles, the album cover has used them all. Any styles in-between, it’s used them too. Go into any record shop, search long enough and you’ll come across some graffiti-based album art. Look in any of the Hip Hop, Jazz, Rock, House, Indie, Electronica sections and you’ll find graffiti based album art. Look to some of the most famous artists of all time – James Brown, The Rolling Stones, The Jam, Run DMC – and you’ll find graffiti based album art. Go through the bargain bin and you’ll find disrespected tunes with great graffiti based covers. Don’t forget, if the owner/assistant/loiterer gives you a hard time, for some obscure and unfathomable reason, you can always get them elsewhere.

“Walk This Way” by RUN DMC
Ultimate Breaks & Beats

The first time graffiti album art caught my eye was in HMV, Oxford Street, in the late 80s. The shop was clearing out their vinyl and in a back room they had rows of Ultimate Breaks & Beats LPs. The artwork really captured my imagination, classic as it was and is. Straight away I loved the colours, design, themes and styles and have done ever since, the music on the LPs too. HMV were switching to selling CDs of course. 25 years later and CDs are on the way out, vinyl is still going strong and the Breaks & Beats series looks as fresh as ever.

The inspiration for these blogs came courtesy of a lucky break/some small success with the publication of Naked Vinyl in 2003, thanks to Chrysalis Publishing. For a while I was on the same label as Blondie, kind of and it was a fun time. The graffiti vinyl blogs followed from there and are well on the way to becoming a follow up book in their own right. This is pleasing in lots of ways, firstly because computer servers don’t destroy enough trees for my liking and also because album art is such a great way to showcase the ongoing creativity of graffiti/street art.

“Wotupski” by Jellybean

The best thing about graffiti vinyl is that it includes artwork by classic artists like Futura, Seen and Keith Haring, plus lots of different graff/street art styles, and lots of modern graffiti based design too. While, I’m happy to say, the Thames & Hudson titan of street art, our very own Mr Tristan Manco, has designed (with the artwork of Banksy and others) his own graff vinyl covers too. These come courtesy of his freelance design work and are pictured here in all their glory.

“Think Tank” by Blur
“Pure Braziliance”

Most of the covers were bought in the UK or online. With special mentions going to the Notting Hill Soul & Dance Exchange, Rarekind Records, Brighton, West Pier Records, Brighton and FOPP, Cambridge. The mighty Worldwide Empire of Discogs is, of course, due a mention too. Some of the vinyl was, and is, pretty pricey and a few of them I still haven’t been able to find – the, stunning, graffiti picture sleeve of Tyrone Brunson’s The Smurf and the Trouble Funk, 7”, graffiti picture sleeve, of Pump me up, spring to mind. So, if you’ve got them, please send them on to Vandalog for safe-keeping.

The graff blogs created include three themed around graffiti vinyl – an overview with info and links, a gallery and the story of graffiti vinyl:

Graffiti Vinyl

The Graffiti Vinyl Gallery

Graffiti Vinyl – A Tag-time Story

Plus one that’s about graffiti’s place in relation to design and wider culture:

Graffiti Design

These compliment the original Naked Vinyl and Naked Vinyl gallery blogs:

Naked Vinyl

Naked Vinyl Gallery

“Three Wize Men” by GB Boyz

Some of the above blogs are archives and complete, while others will have content added on an on-going basis. Finally, if you get a chance to check my google blogger profile, you’ll find some more blogs based around other left-field themes. New blogs will be likely added as inspiration strikes.

Photos courtesy of Tim O’Brien

Weekend link-o-rama

Don’t Fret in San Francisco

It’s back to school in a few days for the college-aged Vandalog bloggers. Caroline moving to New York City tomorrow, so say hello if you see her around.

Photo courtesy of Don’t Fret

Interview: Jeff Soto


Jeff Soto will be opening his fourth solo show at Jonathan LeVine Gallery on September 8th, alongside the simultaneous solo shows of Audrey Kawasaki and Judith Supine. The show, entitled Decay and Overgrowth, explores life, death and the passage of time. In this interview, Soto tells Vandalog about the emotional journey this past year has taken him on, including the death of two of his grandparents, and how these events provoked his consideration of mortality; which would become a central theme of this show. 

V: In your own words, can you tell us about the underlying themes of Decay and Overgrowth?
JS: I started researching my ancestry about seven years ago, well, even before that really. As a kid I knew my grandparents fought in WWII and my grandma would list off all the things we had in us- Irish, Italian, Sioux, Dutch, etc.. These stories were interesting to me. So from an early age I was aware that there is some history there, and at some point a teacher I had showed us family trees. When I was a teenager I saw Norman Rockwell’s family tree painting where the kid’s ancestors were pirates and Native Americans and cowboys. It got me interested in who my ancestors were, and how all my living relatives were related.
The last few years I have researched and got deeper into who these people were. Decay and Overgrowth comes out of this research. Finding all these relatives really drove home the point that we are born, we have kids, get married, live our life and die. And then the kids repeat the same pattern. Our offspring who come into the world like new flowers, growing and flourishing, eventually meet the same fate as any other living thing. We start aging, and at some point we all will die. We turn to dust, go back into the Earth to nourish it, and then the cycle repeats. I don’t see it as morbid at all, and I hope the paintings don’t seem too death obsessed! Even though I’ve unofficially titled my show “The Skull Show”.

V: This is a solo show, but you’re showing at the same time as Audrey Kawasaki’s and Judith Supine’s solo shows. How do you feel like this combination of works either compliment or juxtapose one another?
JS: I respect both of them. I know Audrey a bit but have never met Judith. I think as a whole our work is very different but individually we’re each very strong in what we do. Should be a fun show with something for everyone. I am predicting a large turnout.

V: Was this exploration of mortality more of a catharsis for you or a way of explaining death to your children?
JS: It’s more for me I guess. They’re too young to fully understand death. We do not hide it from them at all, you know, like if one of our fish dies or we find a dead rabbit on a walk, we talk about it. Two of my grandparents passed away in the last year, and they went to the funerals even though they’re young. I never really thought about death because it was not around me. Or maybe it’s an age thing- now that I’m in my mid/late 30’s and I have two kids that depend on me, it’s on my mind. Seeing my little brothers grow up and my parents age has been a trip.

V: What do you think your generation adds to the collective human experience?
JS: I think it’s too early to say. There’s good and bad things we’re going to add. I know that my generation seems more open to cultural differences among people. In the United States, overall we’re less racist than 40 years ago, and I think the next generation will be better than us. There’s still a long way to go but the situation is improving from the Baby Boomers and previous generations.
And of course the internet has made huge changes. For the first time in human history information is easily accessible to most people. It is empowering. Maybe it’s homogenizing us as well. It’s that whole globalization thing, we all buy the same products, listen to the same music and watch the same movies- are cultural differences starting to die out? Technology is good and bad I think. I’m 37, so I grew up with Atari which was fun, but only for about 30 minutes then we’d go outside and build a fort, climb a tree, make up a game… we used our imagination! I think that’s lacking in many kids and I wonder how it will change things. Maybe it already has. I graduated high school right as the internet was going mainstream- 1993. Our school had one computer that was online and the only thing we could access was college libraries in town. We had to search and hunt for our info, we had to go downtown and pour through a ton of books and along the way we would find other interesting books and much more thoroughly researched information. Now all the info is easily and quickly accessed in a nice little five paragraph web page. I do love Wikipedia, but 20 years ago you’d read a 300 page book on say, Cortés, now a kid in high school will read a concise web page on the iPad.  Maybe that’s not so bad, I guess the Wiki entry would have much more up to date info… see, technology that this generation is bringing is both good and bad.

Continue reading “Interview: Jeff Soto”

Wild Style Wednesday!

Trash and Skio in Paris. Photo by Startape Photographe.

Make your mother proud.

HIMSSSANK in Williamsburg, NY. Photo by Damonabnormal.
Roid in LA. Photo by SOKE.
Religion in London. Photo by Big Bozo.
Feek in Bristol. Photo by 4foot2.
Reone in Paris. Photo by Morac19.
Pomb in Argentina. Photo by ThalesFernando.
Josf in San Francisco. Photo by FunkandJazz.
“Soul” by Mags. Photo by TheSaltr
Djalouz in France. Photo by Startape Photographe.
Finok, Snek and Graphis in Brazil. Photo by Graphis.
Tha Sieg Monsterrr
Mello and Onio in Brazil. Photo by P. Matheus Lacerda.

Photos by 4foot2, Big BozoDamonabnormal, FunkandJazz Graphis, Morac19P. Matheus LacerdaTha Sieg MonsterrrSOKEStartape Photographe and ThalesFernando

Rae’s very serious installation in NYC

RAE recently installed the above piece in a New York City subway station where there had previously been a random blank spot in the wall. Maybe a sign that had been removed and never replaced? Well now he spot has been filled with some great art. I love how this piece looks like an official installation, but really RAE just saw something wrong and fixed it.

Photos by Michael Fales