
Here’s one of TrustoCorp‘s latest street installations: Signage for a drive-thru-liposuction-in-60-seconds booth.



Photos by TrustoCorp

Here’s one of TrustoCorp‘s latest street installations: Signage for a drive-thru-liposuction-in-60-seconds booth.



Photos by TrustoCorp
I always find myself checking out rooftops from subway platforms and any train traveling above ground. I love them all, but the rooftop of the Rebel Diaz Arts Collective in the South Bronx is not your ordinary rooftop. Two of the following images — the No Human Being Is Illegal mural and the surreal turquoise face — were created by Dasic Fernandez. I’m not sure about the others, but here is a sampling:






Photos by Lenny Collado
After checking out 5Pointz this afternoon, we decided to walk over the Pulaski Bridge into Greenpoint, Brooklyn. Here are a few of my favorite images:





a.bot is probably my favorite street artist in Seattle. We have a similar sense of humor. The story behind this piece just shows the complete ridiculousness of the people who buff graffiti. First, a.bot put up his character on this wall. You can still see a bit of it in blue. Then, someone came up with white spraypaint and attempted to cover up a.bot’s piece. Okay, the paint doesn’t match perfectly, but it could be worse. What makes this so great is that a.bot’s character was actually done in chalk, so it was going to wash away pretty quickly. Now, it’s been more or less permanently memorialized in white spraypaint. After that happened, a.bot returned to the wall and left a little memorial inspired by the “ghost bike” phenomenon.
Photo by a.bot

This week it seems like I’ve been appearing elsewhere on the web as much as here on the blog. I’ve been more active than usual on Vandalog’s tumblr, which I’ve finally getting a feel for; I was interviewed by Brian Sherwin over at FineArtViews; and I wrote a post for my friend at Hyperallergic about advertisers utilizing the style of Liu Bolin to sell stuff. Here’s what didn’t make it to Vandalog:
Photo by Sam3

For all of those who have been to Williamsburg’s Kent Avenue, Monster Island is a memorable building in attendance amongst the glistening condos that have reshaped the neighborhood’s landscape and demographics. Slated for demolition, the murals adorning the side of this non-profit artist space were washed away in a veil of vibrant color; a sad chapter in the gentrification of the area.
For more photos, Check out Luna Park’s coverage of the event at the Street Spot

Photos by Luna Park

Last week, I posted about Jeff Soto‘s friendly cat piece in Lyon. Before he left Lyon, he painted one more cat: Les Chat Terrible. It’s exciting to see Soto working outdoors more, hopefully something that he’ll continue with.


Photos by Jeff Soto
This tribute to the Egyptian activist and rapper Khaled Said — brutally beaten to death in June 2010 and posthumously awarded the Human Rights Award 2011 this week — was just painted on two original pieces of the Berlin Wall by Andreas von Chrzanowski aka CASE, a founding member of the renowned graffiti crew Ma’Claim. It will soon be placed at Berlin’s Freedom Park on the banks of the river Spree. Next month, CASE will again paint the portrait in Khaled Said’s home town Alexandria, as part of a project with the Goethe Institute.


James Reka and The Yok, two street artists originally from Australia, collaborated on this wall in Brooklyn last weekend.



Photos by Reka
This piece by Decertor reminds me of Aryz from Spain, but of course done with paint rollers instead of spray cans, and it’s in Peru. Plus, Decertor is actually influenced by the masks of the Paucartambo festival in Cusco, Peru, rather than Aryz.

Photo by Decertor