Skewville’s Fame, Fortune & Desire – When Ad met Butterfly

I feel I’ve gone rather Skewville crazy recently since Ad landed in London about 3 weeks ago. But personally I believe this is justified, as amongst the increasing flood of street art, the twins are still producing work that is not only unique but is constantly evolving, adapting and pushing boundaries.

Before his show at High Roller Society, Butterfly caught up with Ad, sat him down in front of some rather hot gallery lights and grilled him about his art. The video she has produced is great and well worth watching!

SKEWVILLE – SLOW YOUR ROLL from Butterfly on Vimeo.

Weekend link-o-rama

Veng in NYC

Well, I’m just gonna brag for a second. Haverford College just got way cooler. M1 from Dead Prez is doing a residency here. Gonna go see him perform tonight in our tiny music venue. And yes, I am aware of the apparent hypocrisy of being a white male at a private educational institution and getting excited to see M1 perform. Anyway. Back to the art.

Photo by Luna Park

Printing Banksy – two short films about his 2006 LA print series

Printing Banksy: Modern Multiples Creates the LA Prints is a short film/interview with Richard Duardo about the prints that he made for Banksy at Modern Multiples back in 2006 for Banksy’s Barely Legal show in LA. The interview was done soon after the prints were made, but the film was just put online last month. It’s just about the closest thing to a behind-the-scene looks as anyone has ever gotten when it comes to Banksy.

As for that whole story in the video about Richard Duardo destroying the screens and test prints and whatnot, there’s more documentation of that on another little-seen YouTube video (and you can spot Mr. Brainwash filming there too).

Printing Banksy via Melrose&Fairfax

Weekend link-o-rama

Overunder

This week is spring break, so I’ve been enjoying some relaxation and watching too many films on Netflix, but in the mean time, there were of course some stories that slipped by me. Here are some of them:

Photo by Overunder

When street art and advertisment collide

Yesterday RJ and I got sent this video of a a mural being put up in Sydney sponsored by Lipton Iced Tea. Despite tagging over some work already put there, the mural isn’t half bad. Apparently this is part of an ongoing series sponsored by the brand to create urban art projects in Australia while showcasing their partnered artists talents.

It’s no secret that art and advertising have been hand in hand ever since graffiti style became popular in the early 1980’s. But where is the line drawn between advertising art and art for advertising? And as such, can the work stand on its own as an entity to be appreciated or is it less appealing because it has brand association?

The video led us to further question other examples of this practice in the past and how audiences reacted to the works. I can think of several just near my flat alone- Tron Legacy painted ad on Great Eastern Street and the large scale Converse painted ad that went over the Eine piece on the Village Underground. Last week Vandalog posted about the annual Supreme paste ups depicting a celebrity photographed by everyone’s favorite “alleged” model molester, Terry Richardson. This year it was Lady Gaga who graced the streets of cities and my Tumblr dashboard as the photograph went viral. An annual event though, these flyers usually get bombed on their own by artists. In their own right, these photographs are artworks and can stand next to any Rankin or Chapelle portrait. But does the added connotation of being associated with Supreme lessen its artistic value? And what about artists like Faile and Poster Boy and Aakash Nihalani who amended the Lou Reed Supreme ads? Are those also further removed from the brand because the artist chose to alter the ads of their own volition?

I just wanted to put this idea out there and would love to hear what you guys think.

Photo by Steven P. Harrington for Brooklyn Street Art

Photo by Steven P. Harrington for Brooklyn Street Art

JR and his TED Prize wish/project: Inside Out

Some of the first posters going up for JR's Inside Out project. Photo by raudog

I’m still not sure how I feel about JR‘s new project, Inside Out, which was launched this week at the TED conference. Here’s a summary of the project and here’s his speech from the conference (which will not show up if you’re reading this post in certain RSS readers):

The basic premise is that JR’s studio will print out black and white photos that you take and send you the posters if you’ll post them outside. There was even a photo booth in Long Beach, California where people could get posters printed instantly, but that has closed. Perhaps I’m being a pessimist, but I am not sure that Inside Out will change the world. I just imagine a bunch of self-important wanna-be Lindsay Lohan’s printing out pictures of themselves because they think it will make them famous. That said, I can certainly see the benefits of this project in the sort of communities that JR traditionally works. The question is, will those communities have enough access to cameras and awareness of the project? And compared to previous TED Prize projects, the potential impact of Inside Out is very different. The impact of Inside Out is just so individual. Not that that’s a bad thing, it just seems odd for TED. But hey, so many more people are being exposed to JR’s projects, and that’s a good thing.

So we’ll see how Inside Out goes. While I’m not confident that it is going to be a success, I’m hopeful.

Photo by raudog

Spending Time With Felix Morelo

When filmmaker Keith Haskel emailed me about his latest video, Spending Time With Felix Morelo, I thought “Oh this is going to be boring.” Keith has made some interesting videos in the past, but he described Felix as “the dude who makes a shit-ton of chalk faces all over Union Square, Williamsburg, etc.” Maybe it’s just a silly bias that I have, but the word “chalk” made me very wary. Seems so corny. But then I actually watched the damn video and it turns out that Felix Morelo is probably pretty awesome. So that’s my story of a bias against chalk art, and here’s the video that’s making me reexamine that bias: