Galo solo show in Turin, Italy

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Galo has a solo show coming up this month at his gallery, Galo Art Gallery, in Turin, Italy. I meet a lot of artists. Some are more serious than others. Galo is one of those artists who just seem absolutely possessed with a need to paint at all times, and he’s created his own crowded little world with that obsession. Galovision should be a nice immersion in that world for anyone fortunate enough to be in Turin to see it. The show opens February 9th from 5:30-9pm and runs through March 30th.

Photo courtesy of Galo

Weekend link-o-rama

Overunder
Overunder

Sorry I missed the link-o-rama last week. Was having a fantastic birthday in NYC. Thanks to everyone who came out to say hello.

  • I just picked up the recent Troy Lovegates book (now sold out), and I wish I could pick up this print as well. Absolutely beautiful stuff.
  • Nice little Pink Floyd-themed stencil by Plastic Jesus.
  • Interesting JR-esque posters in UK mines.
  • Philippe Baudelocque in Paris.
  • Judith Supine on being bored with street art.
  • Leon Reid IV’s latest sculpture addresses the crushing personal debt of so many Americans.
  • Tova Lobatz curated a show at 941 Geary with Vhils, How and Nosm, Sten and Lex, and others.
  • Shepard Fairey released some prints using diamond dust, which is quite interesting. As the press release says, “Perhaps most famously used by Andy Warhol, who understood perfectly how to convey a message, Diamond Dust was used to add glamour, transforming ordinary images into coveted objects. The material aligns with Shepard’s work and interest in the seduction of advertising and consumerism. Diamond Dust, literally and metaphorically is superficial, applied to the surface of the print, the luminous effect is both beautiful and alluring.” But it’s one of those things that just gets me thinking about how the art world, much like capitalism, seems so good at absorbing critique and spitting at back out as product. People love the meaningless OBEY icon, so Shepard sells it. Shepard needs to make more product to continue selling to this market he has created, so he takes an old design (or a slight variant, I’m not positive), and adds meaningless diamond dust to it and sells it as something new. The best critiques participate in the system which they critique, but that’s a risky game to play. Of course, I say all this with a print by Shepard hanging on my wall.
  • OldWalls is a project where the photographer took photos of graffiti in the early 1990’s and recently returned to those spots to take the exact same shots, and then each matching photo is displayed next to its counterpart.
  • Artnet’s latest street art and graffiti auction has a handful of interesting pieces (Artnet is a sponsor of Vandalog btw). Here are my favorites:

Photos by Luna Park

How and Nosm’s upcoming pop-up show in NYC

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How and Nosm have a show opening this week with Jonathan Levine Gallery in NYC, but not at the gallery’s usual location. The duo’s Late Confessions show opens this Friday evening (7-9pm) at 557 W 23rd Street in Chelsea. Caroline and I stopped by the show over the weekend for a preview and were both very impressed. I’ll have to go back at some point to look at everything properly, but it seems to be some of the best work I’ve seen from How and Nosm to date.

Sometimes the extreme detail and intricate layering of complex visuals in How and Nosm’s artwork is a bit too much for me. I just can’t follow everything. In those cases, I feel like I’m seeing too much at once, and my brain just shuts down to the point where I see and understand nothing rather than at least part of the whole. I know that many people get a very different experience, and the qualities that I’m describing are exactly why they love How and Nosm’s work so much. Those fans need not worry. There’s plenty for them at Late Confessions. But for people like me who can reach a point of sensory overload with the complex pieces and long for something easier to follow, How and Nosm also have a good number of simpler-to-read works in the show. The artists took a risk with that decision. The simple works could have fallen flat and exposed a hollowness masked by the more complex works, but instead, I think the simpler works are some of the best paintings at Late Confessions. They are visually engaging on their own, and in a wider context, they helped me to better-understand the worlds that How and Nosm develop in their more chaotic paintings.

Late Confessions opens on February 1st from 7-9pm and runs through February 23rd at 557 W 23rd Street, New York City.

Photo courtesy of Jonathan Levine Gallery

2501 crushes it at his solo show in Bologna, Italy

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2501 has a solo show, Vajrapani, on view now at Elastico Studio in Bologna, Italy. The show runs through February 9th, and anyone who goes to visit is someone I will be extremely jealous of. It looks like this much-hyped artist really met the challenge of meeting and actually exceeding expectations in his first solo show since becoming so popular for his outdoor work. With Vajrapani, 2501 seems to have managed juxtaposing the mad rawness of graffiti and city walls with traditional fine art precision and beauty without coming of as the least bit corny, something which would have been all too easy.

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More photos after the jump. Some of 2501’s art might not be safe for work though, so consider yourself warned. Continue reading “2501 crushes it at his solo show in Bologna, Italy”

RAE brings “Nocturnal Trips” across the Atlantic to London’s Signal Gallery

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It was great to see RAE included in RJ’s list of 10 Street Artists to Watch in 2013 published over at Complex, as I’ve been a huge fan of RAE since his folksy, endearing characters first started surfacing on the streets of NYC. Here’s a bit of a preview of what the folks in London will get to see beginning tomorrow — Thursday — evening over at Signal Gallery:

Rae at Signal

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Photos courtesy of RAE

Tony DePew, Toofly & Quelbeast in “Vis-á-Vis” at Mighty Tanaka

Tony Depew, Rebecca Weinberg, Acrylic on Canvas
Tony Depew, Rebecca Weinberg, Acrylic on Canvas

The vitality and intrigue that Tony DePew, Toofly and Quelbeast have brought to the streets are wonderfully captured in a series of portraits on exhibit in Vis-á-Vis, a handsome show over at Mighty Tanaka in Dumbo, Brooklyn. Here are a few more from over a dozen striking images on exhibit:

Tony DePew, Rebecca Weinberg, Stained Glass Panel
Tony DePew, Rebecca Weinberg, Stained Glass Panel
Toofly, What We Love We Grow To Resemble, Acrylic on Cardboard
Toofly, What We Love We Grow To Resemble, Acrylic on Cardboard
Quelbeast, The Alcoholic (Selfish Portrait Series), Acrylic on Canvas
Quelbeast, The Alcoholic (Selfish Portrait Series), Acrylic on Canvas

Vis-á-Vis remains on exhibit at 111 Front Street in Brooklyn through February 8th.

Photos by Lois Stavsky

“One of These Days” by HuskMitNavn at V1 Gallery

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HuskMitNavn has a show, One of These Days, open now through February 16th at Copenhagen’s V1 Gallery. HuskMitNavn is one of those rare and talented painters and drawers who seems to transition effortlessly between indoors and outdoors while producing both quality and quantity wherever he is working. This show seems to be no exception. The work is serious mixed with just the right amount of cookiness in the the content. Thankfully, Henrik Haven was there to capture photos of the show.

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More after the jump… Continue reading ““One of These Days” by HuskMitNavn at V1 Gallery”

Weekend link-o-rama

Ankles
Ankles

Back to school on Tuesday. Actually, I’m okay with that. And of course, it means more time blogging because it means more time procrastinating. Here’s some of what we missed this week while Caroline and I were on vacation:

Photo by Ankles