The L.A. case

This is a show I’ve been looking forward to for quite a while now. case has his first US solo show, called The L.A. case, opening on Thursday at Carmichael Gallery in LA. I’ve got a nice piece from case sitting in my room and I can’t get enough of his style. Some of the pieces look like plenty of other photo-realistic graffiti painters, but the best pieces has that slight disturbing twist that only case can bring.

unabele_to_conceive

the_look_of_economical_viable

From Carmichael:

The L.A. case

Opening Reception: Thursday October 8 2009 / 7.00pm – 10.00pm
Exhibition Dates: October 8 – October 29

Carmichael Gallery is pleased to announce The L.A. case, an exhibition of new works on canvas by German artistcase. This is case’s first US solo exhibition and the second time he has exhibited at Carmichael Gallery.

case’s new body of work references imagery from elaborate, self-staged photo shoots using spray paint on canvas. Combining exacting technical expertise with an innovative hint of liberation and irony, he investigates the parallels that exist between the conflicting states of convention and controversy, manipulating beauty in a dark, thrilling and provocative manner.

case is widely recognized as one of the best photorealistic spray paint artists in the world. His groundbreaking technique, detailed in the book Ma’Claim: Photorealistic Graffiti, Falk Lehmann and Steffen Petermann, Publikat Verlags und Handels GmbH and Co. KG, Germany, 2006, has set new standards and established a strong international collector base and fan network.

Born in Erfurt, Germany, in 1979, case has exhibited his fine art in galleries in the UK, Germany and US. He achieved his Diploma in Art Restoration and Conservation from Erfurt University Of Applied Sciences. case is also a founding member of graffiti crewMa’Claim, a group of artists renowned throughout the world for their striking photorealistic murals. He currently lives and works in Frankfurt.

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CastPearlsBeforeSwine

Upcoming print from Hush

HUSH_WEBSITE

Still more than a month to go before Hush’s London solo show Innocence at Urban Angel, but already the images are leaking out. Here’s one of the prints:

hush print

The Brick Lane Zoo

Zoo

Normally I don’t post about shows at The Brick Lane Gallery, but this is an exception. Zoo has work from Bortusk Leer, Pez, Snub23, Roa and El Bocho.

The Brick Lane Gallery is proud to present “The Brick Lane Zoo” where exotic and wild animals fresh from the city streets cross the globe to showcase at The Brick Lane Zoo.

15 international Street and Urban Artists from the UK, France, Spain, USA, Argentina, Belgium and Germany come together under one roof armed with spraycans, paste ups and stencils to unleash their wild beasts into our urban jungle. Feral animals will roam the gallery walls and stray between the visitors. The upper canopy will be adorned with a striking array of animals ranging from skeletal rhinos and grizzly bears to happy fish.

Combining the exceptional talents of our street artists the walls of the gallery will come to life.

The Brick Lane Zoo
8th – 19th  October 2009
Private View Wednesday 7th October 6:30 – 8:30 pm

Organised by Daphne Polski
Curated by Daphne Polski and Y-NOT
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One Foot In The Grove preview

MuTATE Britain: Behind The Shutters was one of the best art exhibitions in London last year. And now the MuTATE crew is back with MuTATE Britain: One Foot in the Grove. One Foot opens October 9th at the corner of Portobello & Acklam Roads in London. Just like last year, the list of artists involved is staggering, but here are a few: Matt Small, Paul Insect, Best Ever, Part2ism, Pure Evil and Dr. D.

A few images have started to leak out, and here’s one of a piece Best Ever is painting:

Photo by Ian Cox
Photo by Ian Cox

See you there next Friday.

And for updates, make sure to check out the official MuTATE blog.

Year of the Wolfbat

McNett

Dennis McNett just made me feel much better about going to school in Philadelphia next year. Finally, there is a cool art gallery I can point to and say, “See, there’s still art for me in Philadelphia” when people ask how the hell I’m going to handle being so far from the art I like.

Here’s the info on his latest show at Space 1026:

Wolfbat

“Year of the Wolfbat”
An installation by Dennis McNett

Show dates:  October 2nd –October 31st
Opening Reception: Friday October 2nd 7-10pm
Where: Space 1026, 1026 Arch St. Philadelphia, PA  19107

The “Year of the Wolfbat” began in NYC in June and has since trekked across the US stopping for exhibitions, artist talks and workshops along the way. The migratory flight of the Wolfbats has swooped in for shows at Fecal Face Dot Gallery in San Francisco and Thinkspace Gallery in Los Angeles. Their tour will culminate at Space 1026 in Philadelphia with an installation of print-derived sculpture and mural, accompanied by unique and editioned works both large and small.

You can expect to see a loud psychedelic woodcut landscape covering several walls of the gallery in which nature’s bass has been cranked up to 11. Duck your head walking in and make way for an entire flock of hotheaded Wolfbats swooping overhead, not to mention the supercharged eagles diving out of their path to let them through.

Also on view will be several new wood carved pieces, relief cut prints, masks and oversize tapestries. Leopards with serpent tails, goat heads wrapped in snakes, angry beasts, eagles fighting snakes, bats, and of course, Wolfbats are just a few of the images you’re likely to come across.

For information please contact Space 1026 gallery@space1026.com

McNett

McNett

McNett

Fame Festival wrap-up

An overdue post. Fame Festival opened almost 2 weeks ago now and I haven’t properly covered it. There were a few of us who traveled to see the festival (some from as far away as LA), and if you couldn’t make it for the opening, I have to recommend it for a weekend getaway or something. Everybody had a great time. There was good food, good company and good art.

The gallery component of the festival was nice, but the highlight of Fame isn’t the temporary gallery exhibition but all of the street work. Artists have painted all over the small town of Grottaglie, Italy. Here are some of my pictures:

Blu
Blu
Dem
Dem
David Ellis
David Ellis
Vhils
Vhils

While it is great to wander around the town and see so much street art almost wherever you look, the highlight of Fame Festival is the monastery. There is an abandoned monastery where I am told the local teenagers usually go to bunk off school, and it has been transformed by artwork. It also happens to be where the Blu/David Ellis film Combo was filmed.

To enter this monastery, you have to go down a road out of town, walk past what I think was a small vineyard, find the wall that surrounds the monastery and follow it until you see some red drips of paint. Then you climb over the wall by standing on a shaky pile of rocks. The other side of the wall looks like a park that has been left to grow for a few decades. There are a few paths where you can see that plenty of people have walked, and you have to find the correct one to follow. Eventually, you realize that you’re on the roof on the monastery and you have to find your way inside. Once you’re finally inside though, it is immediately worth the trouble of finding your way there. I spent maybe 1.5 hours there and still didn’t see all of the artwork. Here are a few of the pieces I did find though:

Conor Harrington
Conor Harrington
Sam3
Sam3
Limow
Limow
The remains of Combo by David Ellis and Blu
The remains of Combo by David Ellis and Blu
Judith Supine
Judith Supine
Word To Mother
Word To Mother

More photos from Fame in my flickr set

Two graffiti shows

Two major graffiti shows have opened (and one has closed) without me saying a thing. Sometimes I get too involved in street art and forget about graffiti and its awesomeness.

First is Futura’s Odyssey Two which was in Berlin but closed on the 27th. Futura is a graffiti legend, so I’m always interested in seeing some new work from him. Here are a few pics and a video interview:

Photo by urbanartcore.eu
Photo by urbanartcore.eu
Photo by urbanartcore.eu
Photo by urbanartcore.eu
Photo by urbanartcore.eu
Photo by urbanartcore.eu

More photos from the show at urbanartcore.eu‘s flickr set.

And the video:

futura 2009 from TausB on Vimeo.

And graffiti show number two is all the way in Santa Monica, California at Robert Berman Gallery. Retna and Mac are big names in California, but have yet to really become as well known over here in Europe. Known Gallery has a bunch of pics you can check out from the private view, but unfortunately I can’t download them to use on Vandalog so here’s the show’s flyer:

retnaflyer

Luc Price aka Cyclops at Black Rat

LucPrice_2

I’ve been sitting excitedly on this for quite a while now, and finally I can say that Luc Price aka Cyclops’ first solo show is opening on October 15th at Black Rat Press and offer a few images. If you’re familiar with Cyclops’ work on the street, this show, Jesus Help Me Find My Proper Place, is going to be quite surprising in its content.

Here’s the press release which is worth a read if only for its slightly (unintentionally) funny exaggerations. But I suppose exaggeration and spin is the job of a press person.

This October, Black Rat Press presents ‘Jesus Help Me Find My Proper Place’ – a major London solo show by Lucas Price, also known as the acclaimed street artist Cyclops.

Heralded as a new star in the art world, the artist – whose familiar skeletal, giant toothed street art works with painting partner, Sweet Toof, can be seen in high profile spots all over the capital, and the world – will be exploring the fringes of society in a show which tackles narratives of homelessness, dereliction, madness, drugs and redemption.

The show marks Price’s ascension from a life on the streets to one of the UK’s bestselling artists from a graffiti background. Expelled at 15 for daubing the school with graffiti, he later experienced homelessness, drug addiction and jail on two continents. Five years after having kicked his addiction, Price’s much-lauded street and fine art has been recognised by critics, media and buyers the world over, and his works debuted to critical acclaim at auction last year, with pieces including Cease to Exist commanding £15K.

The new body of works on show in this exhibition feature the artist’s irreverent and often politically-loaded satire as well as visual commentary on society’s dark underbelly. Drawing from his personal experiences, the artist questions the ugliness that exists in society and demonstrates the beauty that can be found in even the most abject circumstances.

Price says: “All these references are alive to me. They have beauty within them I’ve seen it first hand. The world is wrecked, but it’s still beautiful, and people are so dumb, arrogant, flawed, imperfect yet so capable of good, so full of potential, and that goes for everyone and everything. I’m lucky, so I suppose it’s my job to not forget and to show people how it can be.”

Featuring works on canvas and paper as well as a series of thought-provoking installations, this promises to be the most audacious debut show of the year. To underline the show’s narrative, Price has worked with Sweet Toof on a site-specific installation – a wake with a coffin bearing an effigy of one of his street art characters. Price says: “The way I see it, he’s dead and this is a new start.”

The show title Jesus Help Me Find My Proper Place is appropriated from the Velvet Underground track Jesus which has been re-interpreted by Price as a direct reference to his past and acknowledgement of his newfound acclaim. It is also one of the subversive slogans that appeared on a hard-hitting series of large-scale light boxes which the artist recently left outside high visibility sites including central London tube stations, police stations, art galleries and major advertising hotspots including Piccadilly Circus.

I think it’s fair to assume that this means Price is retiring his and Sweet Toof’s Lenny The High Roller character. This has got to show some maturity that few other street artists have. I could rattle of a list of half a dozen or more top tier street artists who have essentially been relying for years on the same image or character that made them famous and it get’s irritating, but Price doesn’t seem to want to rest on his laurels.

And finally, some pictures:

Dont-Let-IT-action

I really want to hear from Price what this painting is about, because it could be one of the most controversial pieces of street art this year (even more controversial than most of Banksy’s work for sure). I really like it.

HarveyBadge_Oil Painting

SnoopyBadge_Oil-Painting